{"data":{"id":87467,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/87467","is_boosted":false,"title":"\u00c9douard Manet","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBAAFAPQAACUhJikjJT8xKzs0MEI8NEg8M0k\/MkxAMU1BNFRIN1JJOVlLPFlOPFxNPVtRPmRZQmVbRGddRWhcQ2lfRgAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACH5BAAAAAAALAAAAAAEAAUAAAURoIQkE9QU0UMADjMEyrEIRggAOw==","width":1688,"height":2250,"alt_text":"Portrait of a straight-faced, light-skinned man with a bushy, light-brown beard and rosy cheeks wearing a dark vest, jacket, and shiny top hat. He grasps a thin cane, held horizontally, with both hands."},"main_reference_number":"1905.207","has_not_been_viewed_much":false,"boost_rank":null,"date_start":1867,"date_end":1867,"date_display":"1867","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Henri Fantin-Latour (French, 1836\u20131904)","place_of_origin":"France","description":"<p>Finely dressed and carrying an elegant walking stick, influential French artist <a href=\"http:\/\/www.artic.edu\/aic\/collections\/artwork\/artist\/Manet%2C+Edouard\">\u00c9douard Manet<\/a> appears before a stark background evocative of his own paintings as well as photographic portraits of the time. Created by his friend Henri Fantin-Latour, this depiction confronted the public perception of Manet as a radical bohemian painter of coarse and confrontational compositions (for an example of this, see his <a href=\"https:\/\/www.artic.edu\/artworks\/16499\/jesus-mocked-by-the-soldiers\"><em>Jesus Mocked by the Soldiers<\/em><\/a>). Fantin-Latour instead portrayed him as the genteel man-about-town he actually was.<\/p>\n","short_description":null,"dimensions":"117.5 \u00d7 90 cm (46 1\/4 \u00d7 35 7\/16 in.); Framed: 143.6 \u00d7 115 \u00d7 11.5 cm (56 1\/2 \u00d7 45 1\/4 \u00d7 4 1\/2 in.)","dimensions_detail":[{"depth":null,"width":90,"height":117,"diameter":null,"clarification":null},{"depth":11,"width":115,"height":143,"diameter":null,"clarification":"Framed"}],"medium_display":"Oil on canvas","inscriptions":"Inscribed lower left: A mon Ami Manet. \/ Fantin. 1867.","credit_line":"Stickney Fund","catalogue_display":null,"publication_history":"Montifaud, Marc de, \"Salon de 1867: Le Portrait,\" L'Artiste: revue de XIXe si\u00e8cle, histoire de l'art contemporain 37 (July 1, 1867), p. 101.\n\nBazire, Edmond, Manet (Paris, 1884) pp.132-3, note 1.\n\nBiez, Jacques de, Edouard Manet: Conf\u00e9rence faite \u00e0 la salle des capucines le Mardi 22 Janvier 1884: Portrait d'apr\u00e8s Fantin-Latour (Paris, 1884).\n\nCasagnary, Jules Antoine, Salons (1857-1870), preface by Eugene Spuller (Paris, Bibliotheque-Charpentier, 1892) Vol. 1, p. 246.\n\nMuther, Richard, The History of Modern Painting (London, Henry and Co., 1896) Vol. 3, p. 55.\n\nProust, Antonin, \"The Art of Edouard Manet,\" International Studio 21 (January 1901), p. 227.\n\nDuret, Th\u00e9odore, Histoire d'Edouard Manet et de son oeuvre (Paris, 1902), pp. 39, 63. \n\nCamille Mauclair, The Great French Painters and the Evolution of French Paintings from 1830 to Present Day (New York, E.P. Dutton and Co.,1903) p. 68 (ill.).\n\nCharles Ricketts, \"Fantin-Latour,\" Burlington Magazine 6 (October 1904), p. 18.\n\nArmand Dayot, \"Le Classicisme de Manet,\" L'Art et les Artistes 2 (1906), p. 38 (ill.).\n\nThe Art Institute of Chicago, Annual Report 26 (June 1904 - June 1905), p. 50.\n\nHenry Marcel, La Peinture Fran\u00e7aise aux XIXe si\u00e8cle (Paris, 1905), p.232.\n\nJerome Doucet, Les Peintres fran\u00e7ais: Fantin-Latour. Corot, Les trois Vernet, Ingres, J.-P. Laurens, Bouguereau, Puvis de Chavannes, Jules Breton, Meissonier, Fromentin, Yvon, Millet (Paris, Librairie F\u00e9lix Juven, 1905), pp. 10-1 (ill.).\n\nLes Arts 5 (May 1906), pp. 30-1 (ill.).\n\nL\u00e9once B\u00e9n\u00e9dite, \"Fantin-Latour,\" Art et decoration, revue mensuelle d'art modern 19 (January-June 1906) pp. 159 (ill.), 162.\n\nL\u00e9once B\u00e9n\u00e9dite, L'Oeuvre de Fantin-Latour (Paris, 1906), p. 26, pl. VIII.\n\nRichard Muther, The History of Modern Painting (London, 1907), p. 289.\n\nBulletin of The Art Institute of Chicago (October 1907), p. 5 (ill.).\n\nB\u00e9n\u00e9dite, L\u00e9once, Histoire des Beaux-Arts 1800-1900 (Paris, 1909), pp. 220, 622.\n\nAdolphe Jullien, Fantin-Latour, sa vie et ses amiti\u00e9s, lettres in\u00e9dites et souvenirs personnels (Paris, Lucien Laveur, libraire-editeur, 1909), pp. 30-31, ill. opp. 92, 197.\n\nCatalogue de l'oeuvre complet de Fantin-Latour (Paris, Henry Floury, 1911) p. 42, no. 296.\n\nJean Laran, George Le Bas, Louis Hourticq, \u00c9douard Manet (Paris, 1912), frontispiece ill.\n\nAntonin Proust, \u00c9douard Manet: souvenirs (Paris, 1913), p. 71.\n\nFrank Gibson, The Art of Henri Fantin-Latour: His Life and Work (London, Drane's ltd., n.d.). pp. 37, 53, 79, 98, 103, 190, 209, 213, 220, pl. 7.\n\nUlrich Thieme and Felix Becker, K\u00fcnstler-Lexicon 11 (1915) p. 257.\n\nArt Institute of Chicago, The Art Institute of Chicago Handbook of Sculpture, Architecture and Paintings (May 1922), part II, p. 37, no. 337.\n\nLouis Dimier, Faits et id\u00e9es de l'histoire des arts (Paris: Librairie Bloud and Gay, 1923) p. 76.\n\nBulletin of The Art Institute of Chicago (April 1924) p. 47.\n\nArt Institute of Chicago, A Guide to the Paintings in the Permanent Collection (1925), pp. 61, 136.\n\n\u00c9tienne Moreau-N\u00e9laton, Manet racont\u00e9 par lui-m\u00eame. (Paris: Henri Laurens, editeur, 1926) vol. 1, pp. 89, 104, fig. 97.\n\nGustave Kahn, Masters of Modern Art: Fantin-Latour, translated by Wildfrid Jackson (London, John Lane the Bodley Head Limited, 1927) pp. 11, 31, 45-46, 55, 61, pl. 6.\n\nPaul Fierens, \"Edouard Manet,\" L'Art et les artistes 21 (October 1930 - February 1931), p. 31 (ill.).\n\nArt Institute of Chicago, A Guide to the Paintings in the Permanent Collection (1932) p. 152.\n\nHenry McBride, \"The Palette Knife,\" Creative Art 10 (March 1932), p. 179.\n\n\"Show That Has Peace, Quiet - Almost Silence,\" Art Digest 6 (15 January 1932), p. 20.\n\nPaul Jamot and Georges Wildenstein, Manet (Paris, 1932) vol. 1, p. 4.\n\n\"Loan exhibition of Fantin-Latour at French Museum,\" Art News 30 (16 January 1932), p. 8.\n\nMargaret Breening, \"French Museum Shows Fantin-Latour,\" New York Evening Post (16 January 1932) ill.\n\nThe Fine Arts 20 (June 1933) p. 32 (ill.).\n\nC. J. Bulliet, Art Masterpieces in a Century of Progress Fine Arts Exhibition at the Art Institute of Chicago (Chicago, 1933) no. 39 (ill.).\n\nPantheon 11 (January - June 1933), p. 78.\n\nGotthard Jedlicka, Edouard Manet (Erlenbach-Zurich, Eugen Rentsch Verlag, 1941) pp. 117, 121, 137.\n\nLouis Hautecoeur, Litt\u00e9rature et peinture en France du XVIIe au XXe siecle (Paris, Librairie Armand Colin, 1942), p. 144.\n\nEmile Zola, \"Rejected in 1863. Newly translated: Zola's Story of the Salon des Refus\u00e9s from L'Oeuvre,\" (translated by Katherine Woods, Art News, vol. 45, no. 7, September 1946, pp. 22-25.\n\nTullo Gramantieri, Il Caso Manet (Rome, Fratelli Palombi, 1944), frontspiece ill.\n\nEmile Zola, \"Rejected in 1863,\" Art News 45 (September 1946), ill. p. 22.\n\nS. Lane Faison Jr., \"Manet's Portrait of Zola,\" Magazine of Art 42 (May 1949), pp. 166-7, fig. 7.\n\nGeorge Heard Hamilton, Manet and his Critics (Yale University Press, 1954) p. 90 n. 262, p. 262.\n\nPierre Schneider, \"Henri Fantin-Latour,\" Art News 53 (November 1954) part II, p. 62.\n\nGeorges Bataille, Manet (Skira, 1955) p. 10.\n\nEncyclopedia of World Art 5 (New York, McGraw Hill, 1961) p. 358.\n\nJean Leymarie, French Painting: The Nineteenth Century (Skira, 1962).\n\nWilliam Gaunt, \"Fantin-Latour in the maturity of his art,\" Connoisseur 152 (April 1963), p. 222.\n\nFrederick A. Sweet, \"Great Chicago Collectors,\" Apollo (September 1966) p. 191.\n\nCalendar of the Art Institute of Chicago 61 (January 1967),  ill.\n\nPierre Courthion, Impressionism (New York, 1972) p. 104.\n\nAlbert Boime, \"New Light on Manet's Execution of Maximilian,\" Art Quarterly 36 (1973), p.191, 203, fig. 23. \n\nJohn Rewald, The History of Impressionism (4th rev. ed. New York, 1973) p. 170; ill. p. 189.\n\nDessins fran\u00e7ais de l'Art Institute de Chicago de Watteau \u00e0 Picasso, exh. cat. (15 October 1976 -17 January 1977), under no. 60.\n\nFranz\u00f6sische Zeichnungen aus dem Art Institute of Chicago (St\u00e4dtische Galerie im St\u00e4delschen Kunstinstitut, Frankfurt am Main, 10 February - 10 April 1977), under no. 57.\n\nEdward Lucie-Smith, Henri Fantin-Latour (New York, Rizzoli, 1977) pp. 28, 146, fig. 19.\n\nTheodore Reff, Manet and Modern Paris, exh. cat. (National Gallery of Art, Washington, December 1982 - March 1983), pp. 13-4.\n\nManet  1832-1883 (Galeries Nationales du Grand Palais, 22 April - 8 August 1983; New York, Metropolitan Museum of Art (10 September - 27 November 1983), p. 447, fig. a.\n\nKathleen Adler, Manet (Phaidon Press, Oxford, 1986) pp. 22 - 23, fig. 11.\n\nRichard R. Brettell, French Salon Artists 1800-1900 (Art Institute of Chicago, 1987), pp. 82-3.\n\nDavid Bomford, Jo Kirby, John Leighton and Ashok Roy, Art in the Making: Impressionism (London, 1991), p. 202 (ill.).\n\nEdgar Peters Bowron and Mary G. Morton, Masterworks of European Painting in the Museum of Fine Arts, Houston (Princeton University Press, 2000), p. 150.\n\nSona Johnson, Faces of Impressionism: Portraits from American Collections, exh. cat. (Baltimore Museum of Art, October 1999 - January 2000), under no. 30.\n\nImpressionism and Post-Impressionism in The Art Institute of Chicago (Chicago, 2000), p. 30 (ill.).\n\nCarol Armstrong, Manet Manette (New Haven, London, 2002), pp. 308-312.\n\nThe Age of Impressionism at the Art Institute of Chicago (New Haven and London, 2008), cat. 4, p. 32 (ill.).\n\nScott Allan, Emily A. Beeny and Gloria Groom, eds., Manet and Modern Beauty: The Artist's Last Years, exh. cat. (Los Angeles: The J. Paul Getty Museum, 2019), 12, 174, 174n1, 185, 273 cat. 1, 274, 289.\n\nDorothee Hansen, ed., Manet and Astruc: Friendship and Inspiration, exh. cat. (Munich and Berlin: Deutscher Kustverlag, 2021), 194-95 cat. 24, 301.","exhibition_history":"Paris, Palais des Champs-Elysees. Salon de 1867, no. 571, as Portrait de M.M. . . \n\nLondon, International Exhibition, 1871, no. 1511.\n\nParis, Exposition universelle internationale de 1889 \u00e0 Paris,1889, no. 339, as Portrait de Manet, app. \u00c0 Mme Manet.\n\nParis, Palais de l'\u00e9cole nationale des beaux-arts, Exposition de l'oeuvre de Fantin-Latour, May-June 1906, preface by Leonce Benedite (Paris: librairie Centrale des Beaux-Arts, 1906), no. 32.\n\nCambridge, Mass., Harvard University, Fogg Art Museum, Exhibition of French Painting of the Nineteenth and Twentieth Centuries, 6 March - 6 April 1929, no. 40.\n\nNew York, Museum of Fine Arts, December 1931.\n\nNew York, Museum of French Art, French Institute in the United States, Fantin-Latour 1836-1904, January-February 1932, no. 8 (ill.).\n\nThe Art Institute of Chicago, Century of Progress: Exhibition of Paintings and Sculpture, 1 June -1 November 1933, no. 322.\n\nThe Art Institute of Chicago, Century of Progress: Exhibition of Paintings and Sculpture, 1 June - 1 November 1934, no. 244.\n\nGrenoble, Mus\u00e9e-Biblioth\u00e8que de Grenoble, Centenaire de Henri Fantin-Latour, August - October 1936, catalogue by Julien et Ferdinand Templelaere, no. 19.\n\nMilwaukee Art Institute, Masters of Impressionism, 8 October - 15 November 1948, no.12.   \n\nBirmingham, Ala., Birmingham Art Association, Birmingham Museum of Art, The Archaic Smile, 15 January  - 10 February1956, catalogue in Bulletin, vol. 5, no. 2, (January 1956), no. 50.\n\nThe Cleveland Museum of Art, Style, Truth and the Portrait, October 1- November 10, 1963, catalogue by R\u00e9my G. Saisselin, no. 86.\n\nNorthampton, Mass., Smith College Museum of Art, Henri Fantin-Latour 1836-1904, 28 April - 6 June 1966, no. 11.\n\nThe Philadelphia Museum of Art, Edouard Manet, 1832-1883, 3 November - 11 December 1966; Chicago, The Art Institute of Chicago, 13 January - 19 February 1967, not in cat.\n\nNew York, Wildenstein and Co., Faces from the World of Impressionism and Post-Impressionism a Loan Exhibition for the benefit of The New York Chapter of The Arthritis Foundation, 2 November - 9 December 1972, no. 28 (ill.).\n\nThe Art Institute of Chicago, European Portraits 1600-1900 in the Art Institute of Chicago, 8 July - 11 September 1978, no. 18 (ill).\n\nParis, Grand Palais, Fantin-Latour, 9 November 1982 - 7 February 1983; Ottawa, Galerie nationale du Canada, 17 March - 22 May 1983; San Francisco, California Palace of the Legion of Honour, 18 June - 6 Sept. 1983, no. 68 (ill), as Portrait of Edouard Manet, 1867.\n\nLeningrad [St. Petersburg], Hermitage Museum, Ot Delakrua do Matissa: shedevry frantsuzsko\u012d zhivopici XIX-nachala XX veka, iz Muieia Metropoliten v Niu-\u012corke i Khudozhestvennogo Instituta v Chikago [From Delacroix to Matisse: Great Paintings From the XIX century to the Beginning of the XXth century From Metropolitan Museum of Art in New York and the Art Institute of Chicago], March 15-May 19, 1988, cat. 15 as Portrait of Edouard Manet, 1867; Moscow, Pushkin Museum, June 10-July 30, 1988.\n\nThe Baltimore Museum of Art, Faces of Impressionism: Portraits from American Collection, October 10, 1999 -  January 30, 2000, cat. 30, as Edouard Manet, 1867; The Museum of Fine Arts, Houston: March 15 - May 7, 2000; Cleveland Museum of Art, May 27- July 30, 2000.\n\nLondon, National Gallery, Rebels and Martyrs: The Image of the Artist in the Nineteenth Century,June 28-August 28, 2006, cat. 40, as Portrait of Manet, 1867.\n\nLausanne, Fondation de l\u2019Hermitage, Fantin-Latour: De La R\u00e9alit\u00e9 au r\u00eave, June 29-October 28, 2007, cat. 26. \n\nFort Worth, Tex., Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29\u2013November 2, 2008, cat. 4 (ill.).\n\nArt Institute of Chicago, Manet and Modern Beauty, May 26-September 8, 2019, cat. 1; Los Angeles, J. Paul Getty Museum, October 8, 2019-January 12, 2020.\n\nKunsthalle Bremen, Manet and Astruc: Friendship and Inspiration, Oct. 23, 2021- Feb. 27, 2022, cat. 24.","provenance_text":"Inherited by Edouard Manet\u2019s wife, Suzanne Manet, Paris to at least 1889 [lent to Paris, 1889]; possibly Camentron, Paris [acc. to Paris 1983].  Gustave Tempelaere with Allard and Noel, Paris, by 1900; sold to Durand-Ruel, Paris, 1900 [Durand-Ruel photo no. 938, stock no. 5666]; sold to the Art Institute, 1905.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":14,"fiscal_year":null,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":19.4127,"color":{"h":39,"l":33,"s":20,"percentage":0.2154016961960124,"population":2041},"latitude":null,"longitude":null,"latlon":null,"is_on_view":true,"on_loan_display":null,"gallery_title":"Gallery 225","gallery_id":2147483603,"nomisma_id":null,"artwork_type_title":"Painting","artwork_type_id":1,"department_title":"Painting and Sculpture of Europe","department_id":"PC-10","artist_id":31094,"artist_title":"Henri Fantin-Latour","alt_artist_ids":[],"artist_ids":[31094],"artist_titles":["Henri Fantin-Latour"],"category_ids":["PC-10","PC-839"],"category_titles":["Painting and Sculpture of Europe","Save Ferris"],"term_titles":["oil on canvas","Impressionism","oil painting","artist","oil paint (paint)","portrait","france","french","oil paintings (visual works)","paint","canvas","paint","painting","painting","painting (image making)","painting techniques","19th century","nineteenth century","France","French","hat","portrait","portraits: European subject","portraits: French subject","portraits: male subject","painting","european painting","portraits","men","Century of Progress","world's fairs","Chicago World's Fairs"],"style_id":"TM-7543","style_title":"Impressionism","alt_style_ids":["TM-13203","TM-15636"],"style_ids":["TM-7543","TM-13203","TM-15636"],"style_titles":["Impressionism","19th century","nineteenth century"],"classification_id":"TM-66","classification_title":"oil on canvas","alt_classification_ids":["TM-12855","TM-14238","TM-14976","TM-78","TM-10387","TM-9","TM-54"],"classification_ids":["TM-66","TM-12855","TM-14238","TM-14976","TM-78","TM-10387","TM-9","TM-54"],"classification_titles":["oil on canvas","portrait","france","french","oil paintings (visual works)","paint","painting","european painting"],"subject_id":"TM-15228","alt_subject_ids":["TM-12288","TM-12622","TM-15651","TM-14105","TM-8597","TM-8602","TM-8581","TM-8658","TM-10121","TM-12169","TM-11299","TM-12176"],"subject_ids":["TM-15228","TM-12288","TM-12622","TM-15651","TM-14105","TM-8597","TM-8602","TM-8581","TM-8658","TM-10121","TM-12169","TM-11299","TM-12176"],"subject_titles":["artist","France","French","hat","portrait","portraits: European subject","portraits: French subject","portraits: male subject","portraits","men","Century of Progress","world's fairs","Chicago World's Fairs"],"material_id":"TM-2451","alt_material_ids":["TM-3124","TM-2577","TM-13502"],"material_ids":["TM-2451","TM-3124","TM-2577","TM-13502"],"material_titles":["oil paint (paint)","canvas","paint","painting"],"technique_id":"TM-4273","alt_technique_ids":["TM-14210","TM-3891","TM-3971"],"technique_ids":["TM-4273","TM-14210","TM-3891","TM-3971"],"technique_titles":["oil painting","painting","painting (image making)","painting techniques"],"theme_titles":["Save Ferris"],"image_id":"dd4f9115-150c-2f1a-0f37-50899553d6b4","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["1905.207"],"contexts":{"groupings":["accession"]}},{"input":["\u00c9douard Manet"],"weight":13247,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-08-18T15:04:14-05:00","updated_at":"2026-08-18T18:19:39-05:00","timestamp":"2026-08-26T02:33:12-05:00"},"info":{"license_text":"The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. All other data in this response is licensed under a Creative Commons Zero (CC0) 1.0 designation and the Terms and Conditions of artic.edu.","license_links":["https:\/\/creativecommons.org\/publicdomain\/zero\/1.0\/","https:\/\/www.artic.edu\/terms"],"version":"1.14"},"config":{"iiif_url":"https:\/\/www.artic.edu\/iiif\/2","website_url":"http:\/\/www.artic.edu"}}