{"data":{"id":81539,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/81539","is_boosted":false,"title":"On the Bank of the Seine, Bennecourt","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBgAFAPQAADo8JzM3LDw+KTo\/NkVPL0FGNEpHMkBHPUNKPlFLM0pLQlFOQVBaR1NjX2dkUHdxW2Nua2xyY3FwYXJwZ3B5cIR8XYJ\/apCJa4GDcYmJc42Kc4yJe2N2inaPsAAAAAAAACH5BAAAAAAALAAAAAAGAAUAAAUYIFAcCNcJwaBIWWI4T3Ut06ZZGBFRTAOFADs=","width":6116,"height":4943,"alt_text":"Painting of woman in a striped dress seated on the bank of a river, beneath a full, leafy tree, a boat at the shore and a village visible across the river."},"main_reference_number":"1922.427","has_not_been_viewed_much":false,"boost_rank":null,"date_start":1868,"date_end":1868,"date_display":"1868","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Claude Monet (French, 1840\u20131926)","place_of_origin":"France","description":"<p>Here Claude Monet\u2019s future wife, Camille Doncieux, sits on an island in the Seine River, looking toward the hamlet of Gloton, next to the town of Bennecourt, from which she and Monet have presumably rowed. This is the only painting to survive from the brief period that the couple spent in Gloton, which the novelist \u00c9mile Zola recommended to Monet as a cheap rural retreat that was easily accessible from Paris. <a href=\"https:\/\/www.youtube.com\/watch?v=-y3-5gTaOiI&feature=youtu.be\"><em>Pentimenti<\/em><\/a> (visible traces of earlier painting beneath a layer or layers of paint) suggest that in an early stage of the painting, Camille held a bonneted child, presumably the couple\u2019s baby, Jean.<\/p>\n","short_description":"Monet painted this work in his late 20s when he was not yet widely known but was already using radical techniques to depict scenes from modern life, such as this one, featuring his future wife, Camille Doncieux. At the time, viewers were used to paintings that aimed to mirror reality, with a smooth traditional paint surface. To them Monet's approach seemed shockingly unfinished and illegible.","dimensions":"81.5 \u00d7 100.7 cm (32 1\/16 \u00d7 39 5\/8 in.); Framed: 98.5 \u00d7 117.8 \u00d7 8 cm (38 3\/4 \u00d7 46 3\/8 \u00d7 3 1\/8 in.)","dimensions_detail":[{"depth":null,"width":100,"height":81,"diameter":null,"clarification":null},{"depth":8,"width":117,"height":98,"diameter":null,"clarification":"Framed"}],"medium_display":"Oil on canvas","inscriptions":"Inscribed lower left: Cl. Monet \/ 1868","credit_line":"Potter Palmer Collection","catalogue_display":"<p>Wildenstein, Claude Monet, biographie et catalogue raisonn\u00e9, 1979 110<\/p>","publication_history":"Galerie Georges Petit, Claude Monet\u2014A. Rodin, exh. cat. (Imp. de l\u2019Art, 1889), p. 28, cat. 7. \n\nCopley Society, Boston, Loan Collection of Paintings by Claude Monet and Eleven Sculptures by August Rodin, exh. cat. (Copley Society, 1905), p. 25, cat. 78.\n\nArt Institute of Chicago, Paintings from the Collection of Mrs. Potter Palmer, exh. cat. (Art Institute of Chicago, 1910), cat. 40 or cat. 41.\n\nArt Institute of Chicago, Annual Report (Art Institute of Chicago, 1921), (ill.). \n\nArt Institute of Chicago, \u201cLibrary Notes,\u201d Bulletin of the Art Institute of Chicago 15, 5 (Sept.\u2013Oct. 1921), p. 160 (ill.).\n\nArt Institute of Chicago, \u201cAccessions and Loans,\u201d Bulletin of the Art Institute of Chicago 16, 3 (May 1922), p. 47.\n\nArt Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings, pt. 2, Paintings (Art Institute of Chicago, 1922), p. 68, cat. 831. \n\nArt Institute of Chicago, \u201cThe Potter Palmer Collection of Paintings,\u201d Bulletin of the Art Institute of Chicago 16, 3 (May 1922), p. 38.\n\nArt Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1925), pp. 62 (ill.); 146, cat. 831. \n\nM. C., \u201cMonets in the Art Institute,\u201d Bulletin of the Art Institute of Chicago 19, 2 (Feb. 1925), pp. 18 (ill.), 19.\n\nArt Institute of Chicago, Catalogue of \u201cA Century of Progress\u201d: Exhibition of Paintings and Sculpture; Lent from American Collections, ed. Daniel Catton Rich, 3rd ed., exh. cat. (Art Institute of Chicago, 1933), pp. 43, cat. 291; pl. 54\/cat. 291.\n\nDaniel Catton Rich, \u201cFranz\u00f6sische Impressionisten im Art Institute zu Chicago,\u201d Pantheon: Monatsschrift f\u00fcr freunde und sammler der kunst 11, 3 (Mar. 1933), p. 77. Translated by C. C. H. Drechsel as \u201cFrench Impressionists in the Art Institute of Chicago,\u201d Pantheon\/Cicerone (Mar. 1933), p. 18.\n\nArt Institute of Chicago, \u201cThe Century of Progress Exhibition of the Fine Arts,\u201d Bulletin of the Art Institute of Chicago 27, 4 (Apr. \u2013May, 1933), p. 65.\n\nC.[larence] J.[oseph] Bulliet, Art Masterpieces in a Century of Progress Fine Arts Exhibition at the Art Institute of Chicago, vol. 2 (Chicago Daily News\/North-Mariano, 1933), no. 83 (ill.).\n\nDaniel Catton Rich, \u201cThe Exhibition of French Art: \u2018Art Institute\u2019 of Chicago,\u201d Formes 33 (1933), (ill.).\n\nArt Institute of Chicago, Catalogue of \u201cA Century of Progress\u201d: Exhibition of Paintings and Sculpture, 1934, ed. Daniel Catton Rich, exh. cat. (Art Institute of Chicago, 1934), p. 36, cat. 208.\n\nArt Institute of Chicago, A Brief Illustrated Guide to the Collections (Art Institute of Chicago, 1935), p. 28 (ill.). \n\nRen\u00e9 Brimo, L\u2019\u00e9volution du go\u00fbt aux \u00c9tats-Unis, d\u2019apr\u00e8s l\u2019histoire des collections (James Fortune, 1938), p. 159.\n\nLionello Venturi, Les archives de l\u2019impressionnisme: Lettres de Renoir, Monet, Pissarro, Sisley et autres; M\u00e9moires de Paul Durand-Ruel; Documents, vol. 1 (Durand-Ruel, 1939), p. 23.\n\nSheldon Cheney, The Story of Modern Art (Viking, 1941), p. 181 (ill.).\n\nErnst Scheyer, \u201cJean Fr\u00e9d\u00e9ric Bazille\u2013the Beginnings of Impressionism, 1862\u20131870,\u201d Art Quarterly 5, 2 (Spring 1942), pp. 123, fig. 2; 125\u201326.\n\nFrederick A. Sweet, \u201cPotter Palmer and the Painting Department,\u201d Bulletin of the Art Institute of Chicago 37, 6 (Nov. 1943), p. 86 (ill.).\n\nJohn Rewald, The History of Impressionism (Museum of Modern Art, New York\/Simon & Schuster, 1946), p. 188 (ill.).\n\nOscar Reutersw\u00e4rd, Monet: En konstn\u00e4rshistorik (Bonniers, 1948), p. 283.\n\nLionello Venturi, Impressionisti e Simbolisti: Da Manet a Lautrec . . . (Del Turco, 1950), pp. 56; fig. 50. Translated by Francis Steegmuller as Impressionists and Symbolists: Manet, Degas, Monet, Pissarro, Sisley, Renoir, Cezanne, Seurat, Gauguin, van Gogh, Toulouse-Lautrec (Charles Scribner\u2019s Sons, 1950), pp. 56; fig. 50.\n\nArt Institute of Chicago, \u201cHomage to Claude Monet,\u201d Art Institute of Chicago Quarterly 51, 2 (Apr. 1, 1957), p. 26 (ill.).\n\nArt Institute of Chicago, \u201cCatalogue,\u201d Art Institute of Chicago Quarterly 51, 2 (Apr. 1, 1957), p. 33.\n\nArts Council of Great Britain, Edinburgh International Festival 1957, Claude Monet: An Exhibition of Paintings, exh. cat. (Royal Scottish Academy, [1957]), pp. 42, cat. 13; pl. 16e.\n\nWilliam N. Eisendrath, Jr., \u201cWater Lilies by Claude Monet,\u201d Bulletin of the City Art Museum of St. Louis 42, 2 (1957), p. 16.\n\nEdith Weigle, \u201cThe Wonderful World of Art,\u201d Chicago Daily Tribune, May 26, 1957, p. E2 (ill.).\n\nWilliam C. Seitz, Claude Monet (Abrams, 1960), pp. 23, 78\u201379 (ill.).\n\nArt Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), p. 318. \n\nWildenstein and Co., Masterpieces: Loan Exhibition of Paintings and Drawings; A Memorial Exhibition for Adele R. Levy, Benefit of the Citizens\u2019 Committee for Children of New York, Inc., exh. cat. (Wildenstein, 1961), p. 50, cat. 40 (ill.).\n\nYvon Taillandier, Monet, trans. A. P. H. Hamilton (Crown [1963]), p. 26 (ill.). \n\nRodolphe Walter, \u201cEmile Zola et Claude Monet,\u201d Les cahiers naturalistes 26 (1964), pp. 52\u201353.\n\nFrederick A. Sweet, \u201cGreat Chicago Collectors,\u201d Apollo 84 (Sept. 1966), pp. 192, fig. 9; 194.\n\nJoel Isaacson, \u201cThe Early Paintings of Claude Monet\u201d (Ph.D. diss., University of California, Berkeley, 1967), pp. xii; 186\u201388; 197; 201; 205; 206; pl. 64.\n\nDaniel Wildenstein, Monet: Impressions (International Art Book [Lausanne], 1967), p. 26.\n\nRodolphe Walter, \u201cCritique d\u2019art et v\u00e9rit\u00e9: \u00c9mile Zola en 1868,\u201d Gazette des beaux-arts 73 (Apr. 1969), pp. 227; 228, fig. 2; 229; 230.\n\nRodolphe Walter, \u201cEmile Zola \u00e0 Bennecourt en 1868: Les vacances d\u2019un chroniqueur,\u201d Les cahiers naturalistes 37 (1969), p. 30.\n\nCharles C. Cunningham and Satoshi Takahashi, Shikago Bijutsukan [Art Institute of Chicago], Museums of the World 32 (Kodansha, 1970), pp. 54, cat. 40 (ill.); 160.\n\nWilliam Gaunt, The Impressionists (Thames & Hudson, 1970), pp. 78\u201379, pl. 12; 288. \n\nJohn Maxon, The Art Institute of Chicago (Abrams, 1970), pp. 11, 81 (ill.), 284. \n\nGerald Needham, \u201cThe Paintings of Claude Monet, 1859\u20131878\u201d (Ph.D. diss., New York University, 1971), pp. 176\u201379; 197; 198; 201; fig. 51.\n\nLuigina Rossi Bortolatto, L\u2019opera completa di Claude Monet: 1870\u20131889, Classici dell\u2019arte 63 (Rizzoli, 1972), pp. 89, cat. 23 (ill.); 90.\n\nPierre Courthion, Impressionism, trans. John Shepley (Abrams, 1972), p. 14 (ill.).\n\nArt Institute of Chicago, \u201cLecturer\u2019s Choice,\u201d Bulletin of the Art Institute of Chicago 67, 4 (Jul.\u2013Aug. 1973), p. 11.\n\nKermit Swiler Champa, Studies in Early Impressionism (Yale University Press, 1973), pp. 25; 27; 28; 59; 63, fig. 30.\n\nDaniel Wildenstein, Claude Monet: Biographie et catalogue raisonn\u00e9, vol. 1, Peintures, 1840\u20131881 (Biblioth\u00e8que des Arts, 1974), pp. 39; 168; 169, cat. 110 (ill.); 447, pi\u00e8ce justificative 65.\n\nGrace Seiberling, \u201cThe Evolution of an Impressionist,\u201d in Paintings by Monet, ed. Susan Wise, exh. cat. (Art Institute of Chicago, 1975), pp. 24, 25\u201326.\n\nSusan Wise, ed., Paintings by Monet, exh. cat. (Art Institute of Chicago, 1975), p. 71, cat. 17 (ill.).\n\nAlice Bellony-Rewald, The Lost World of the Impressionists (Weidenfeld & Nicolson, 1976), pp. 90\u201391 (ill.).\n\nArt Institute of Chicago, 100 Masterpieces (Art Institute of Chicago, 1978), pp. 20; 91, fig. 49.\n\nJ. Patrice Marandel and Fran\u00e7ois Daulte, Fr\u00e9d\u00e9ric Bazille and Early Impressionism, exh. cat. (Art Institute of Chicago, 1978), pp. 74; 138\u201339, cat. 71 (ill.).\n\nRoger Terry Dunn, \u201cThe Monet-Rodin Exhibition at the Galerie Georges Petit in 1889\u201d (Ph.D. diss., Northwestern University, 1978), p. 246.\n\nJoel Isaacson, Claude Monet: Observation and Reflection (Phaidon\/Dutton, 1978), pp. 8; 17; 18; 19; 72, pl. 24 (detail); 73, pl. 25; 197; 200; 211.\n\nJ. Patrice Marandel, The Art Institute of Chicago: Favorite Impressionist Paintings (Crown, 1979), pp. 54\u201355 (ill.).\n\nSophie Monneret, L\u2019impressionnisme et son \u00e9poque: Dictionnaire international illustr\u00e9, vol. 1 (Deno\u00ebl, 1979), p. 247 (ill.).\n\nDaniel Wildenstein, Claude Monet: Biographie et catalogue raisonn\u00e9, vol. 3, Peintures, 1887\u20131898 (Biblioth\u00e8que des Arts, 1979), pp. 21, n. 825; \n249, letter 986.\n\nH\u00e9l\u00e8ne Adh\u00e9mar, Anne Distel, and Sylvie Gache, Hommage \u00e0 Claude Monet (1840\u20131926), exh. cat. (R\u00e9union des Mus\u00e9es Nationaux, 1980), pp. 84\u201386, cat. 18 (ill.).\n\nDiane Kelder, The Great Book of French Impressionism (Abbeville, 1980), pp. 194 (ill.), 437. \n\nDiane Kelder, The Great Book of French Impressionism, Tiny Folios (Abbeville, 1980), p. 114, pl. 6.\n\nMus\u00e9e Toulouse-Lautrec and Art Institute of Chicago, Tr\u00e9sors impressionnistes du Mus\u00e9e de Chicago, exh. cat. (Mus\u00e9e Toulouse-Lautrec, 1980), pp. 12, no. 10 (ill.); 67.\n\nArt Institute of Chicago, Pocketguide to the Art Institute of Chicago (Art Institute of Chicago, 1983), pp. 24, fig. 26; 62. \n\nRobert Gordon and Andrew Forge, Monet (Abrams, 1983), pp. 73, 74, 75 (ill.), 76\u201377.\n\nJohn Russell, \u201cMonet as a Vital Link to the Future,\u201d New York Times, Dec. 4, 1983, p. H33 (ill.).\n\nAndrea P. A. Belloli, ed., A Day in the Country: Impressionism and the French Landscape, exh. cat. (Los Angeles County Museum of Art, 1984), pp. 50\u201351 (detail), 365.\n\nScott Schaefer, \u201cRivers, Roads, and Trains,\u201d in A Day in the Country: Impressionism and the French Landscape, ed. Andrea P. A. Belloli, exh. cat. (Los Angeles County Museum of Art, 1984), pp. 154; 156, no. 47; 158.\n\nCharles F. Stuckey, \u201cMonet\u2019s Art and the Act of Vision,\u201d in Aspects of Monet: A Symposium on the Artist\u2019s Life and Times, ed. John Rewald and Frances Weitzenhoffer (Abrams, 1984), pp. 106 (detail); 115, fig. 51; 116.\n\nArt Institute of Chicago, Seibu Museum of Art, Kyoto Municipal Museum of Art, and Fukuoka Art Museum, eds., Shikago bijutsukan insho-ha ten [The Impressionist tradition: Masterpieces from the Art Institute of Chicago], trans. Akihiko Inoue, Hideo Namba, Heisaku Harada, and Yoko Maeda, exh. cat. (Nihon Nippon Television Network, 1985), pp. 16; 52, cat. 18 (ill.); 53 (detail); 138\u201339, cat. 18 (ill.).\n\nR\u00e9union des Mus\u00e9es Nationaux, L\u2019impressionnisme et le paysage fran\u00e7ais, exh. cat. (R\u00e9union des Mus\u00e9es Nationaux, 1985), front cover (detail), pp. 2 (detail), 4.\n\nScott Schaefer, \u201cRivi\u00e8res, routes et chemins de fer,\u201d in R\u00e9union des Mus\u00e9es Nationaux, L\u2019impressionnisme et le paysage fran\u00e7ais, exh. cat. (R\u00e9union des Mus\u00e9es Nationaux, 1985), pp. 155\u201356, no. 52 (ill.).\n\nCharles F. Stuckey, ed., Monet: A Retrospective (Hugh Lauter Levin, 1985), p. 46, pl. 14.\n\nDaniel Wildenstein, Claude Monet: Biographie et catalogue raisonn\u00e9, vol. 4, Peintures, 1899\u20131926 (Biblioth\u00e8que des Arts, 1985), p. 44, n. 412.\n\nArt Institute of Chicago, \u201cMuseum News,\u201d Mosaic (Jan.\u2013Feb. 1986), p. 11 (ill.).\n\nNational Gallery of Scotland, Lighting Up the Landscape: French Impressionism and Its Origins, exh. cat. (National Galleries of Scotland, 1986), front cover (detail), back cover (ill.); p. 72, cat. 86.\n\nRichard R. Brettell, French Impressionists (Art Institute of Chicago\/Abrams, 1987), pp. 10 (detail), 11, 13 (ill.), 118.\n\nDouglas Skeggs, River of Light: Monet\u2019s Impressions of the Seine (Victor Gollancz, 1987), pp. 50 (ill.), 51\u201354, 68, 150.\n\nArt Institute of Chicago, Master Paintings in the Art Institute of Chicago, selected by James N. Wood and Katharine C. Lee (Art Institute of Chicago\/New York Graphic Society\/Little, Brown, 1988), pp. 8, 54 (ill.), 167.\n\nMichel P\u00e9ricard, in collaboration with Laure Blanchet, Les peintres et les Yvelines (Sogemo, 1988), pp. 17 (ill.), 140 (detail), 141.\n\nRodolphe Walter, \u201cAux sources de l\u2019impressionnisme: Bennecourt,\u201d L\u2019oeil 393 (Apr. 1988), pp. 33\u201334, fig. 7; 35\u201336.\n\nFrancesco Arcangeli, Monet (Nuova Alfa, 1989), pp. 42\u201343; 96, fig. 22; 154.\n\nDon Buschlen and Lawrence Kreisman, Gantner: A Life in the Country (Gantner: La vie \u00e0 la campagne), with an introduction by Barrie Mowatt, trans. Carole Clement (Buschlen-Mowatt Gallery, 1989), pp. 49 (ill.), 204.\n\nMichael Howard, Monet (Brompton, 1989), pp. 33, 52\u201353 (ill.).\n\nMus\u00e9e Rodin, Claude Monet-Auguste Rodin: Centenaire de l\u2019exposition de 1889, exh. cat. (Mus\u00e9e Rodin, 1989), pp. 54, 74 (ill.).\n\nRonald R. Bernier, \u201cDepiction and Criticism: Aspects of Monet\u2019s Art 1874\u20131895\u201d (Ph.D. diss., Essex University, 1990), pp. 96\u2013103; 106; 108; 115; 302; fig. 15.\n\nDavid Bomford, Jo Kirby, John Leighton, and Ashok Roy, Art in the Making: Impressionism (National Gallery, London\/Yale University Press, 1990), pp. 122; 123, pl. 82.\n\nMargaret Carroll, \u201cChicago\u2019s Debt: Art Institute Owes Much to 1890s Patrons,\u201d Chicago Tribune, July 15, 1990, p. 4 (ill).\n\nJean Paul Crespelle, Guide de la France impressionniste: Sites, mus\u00e9es, promenades, Les guides visuels (Hazan, 1990), cover (ill.); p. 51 (ill.).\n\nRodolphe Rapetti, Monet (Anaya\/Giorgio Mondadori, 1990), p. 26, pl. 6. Translated by Richard Crevier as Monet, Masters\u2019 Gallery (Arch Cape\/Outlet Book, 1990), p. 26, pl. 6.\n\nKarin Sagner-D\u00fcchting, Claude Monet, 1840\u20131926: Ein Fest f\u00fcr die Augen (Benedikt Taschen, 1990), pp. 38, 42 (ill.), 45, 47. Translated by Karen Williams as Claude Monet, 1840\u20131926: A Feast for the Eyes, trans.  (Taschen, 2004), pp. 38, 42 (ill.), 45, 47.\n\nMichael Clarke, Corot and the Art of Landscape (British Museum Press, 1991), pp. 107, ill. 103; 110.\n\nCharles F. Stuckey, French Painting (Hugh Lauter Levin\/Macmillan, 1991), p. 141 (ill.).\n\nSophie Fourny-Darg\u00e8re, Monet, Profils de l\u2019art (Ch\u00eane, 1992), pp. 47, fig. 5 (detail), fig. 6; 156.\nMary Anne Stevens, \u201cVilleneuve-la-Garenne,\u201d in Alfred Sisley, ed. Mary Anne Stevens, exh. cat. (Royal Academy of Arts, London\/Mus\u00e9e d\u2019Orsay\/Walters Art Gallery\/Yale University Press, 1992), p. 112.\n\nRussell Ash, The Impressionists\u2019 River: Views of the Seine (Universe, 1992), pp. 8; 14\u201315 (ill.).\n\nScott Reyburn, Monet (Medici Society, 1992), p. 8 (ill.).\n\nVirginia Spate, Claude Monet: Life and Work (Rizzoli\/Thames & Hudson, 1992), pp. 52\u201353; 54; 59; 63, ill. 64; 83; 88; 138; 186\u201387; 191; 339.\n\nMarianne Alphant, Claude Monet: Une vie dans le paysage (Hazan, 1993), pp. 192, 194, 355, 650.\n\nArt Institute of Chicago, Treasures of 19th- and 20th-Century Painting: The Art Institute of Chicago, with an introduction by James N. Wood (Art Institute of Chicago\/Abbeville, 1993), p. 51 (ill.).\n\nVal\u00e9rie Bajou, Fr\u00e9d\u00e9ric Bazille, 1841\u20131870 (Edisud, 1993), pp. 60; 164, ill. 90; 171.\n\nAlexis Gregory, Families of Fortune: Life in the Gilded Age (Rizzoli, 1993), p. 157 (ill.).\n\nChristoph Heinrich, Claude Monet, 1840\u20131926 (Benedikt Taschen, 1993), pp. 22 (ill.), 29, 94.\n\nJohn Sillevis, et al., Licht, lucht en water: De verloren idylle van het riviergezicht, exh. cat. (Waanders Uitgevers Zwolle\/Noordbrabants Museum\u2019s-Hertogenbosch, 1993), pp. 29, fig. 16; 31.\n\nJean-Paul Crespelle, Monet, rev. ed. (Studio Editions, 1994), p. 13.\n\nSteven Z. Levine, Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self (University of Chicago Press, 1994), pp. fig. 62; 114; 116; 125.\n\nHenri Loyrette and Gary Tinterow, Impressionnisme: Les origines, 1859\u20131869, exh. cat. (R\u00e9union des Mus\u00e9es Nationaux, 1994), pp. 297; 433, cat. 141\/ill. 181.\n\nNancy Nunhead, Claude Monet (Barnes & Noble\/Brompton, 1994), pp. 36\u201337 (ill.).\n\nGary Tinterow, \u201cFigures dans un paysage,\u201d in Henri Loyrette and Gary Tinterow, Impressionnisme: Les origines, 1859\u20131869, exh. cat. (R\u00e9union des Mus\u00e9es Nationaux, 1994), p. 144, ill. 181\/cat. 141.\n\nGary Tinterow, \u201cFigures in a Landscape,\u201d in Gary Tinterow and Henri Loyrette, Origins of Impressionism, exh. cat. (Metropolitan Museum of Art, New York\/Abrams, 1994), p. 144, fig. 181\/cat. 141.\n\nGary Tinterow and Henri Loyrette, Origins of Impressionism, exh. cat. (Metropolitan Museum of Art, New York\/Abrams, 1994), pp. 297; 436, cat. 141\/fig. 181.\n\nAlexandra Bonfante-Warren, Country Life, Celebrations in Art (MetroBooks, 1995), (ill.).\n\nAndrew Forge, Monet, Artists in Focus (Art Institute of Chicago, 1995), pp. 13; 15 (detail); 16\u201317; 36; 65; 74, pl. 3; 106.\n\nCharles F. Stuckey, with the assistance of Sophia Shaw, Claude Monet, 1840\u20131926, exh. cat. (Art Institute of Chicago\/Thames & Hudson, 1995), pp. 37, cat. 15 (ill.); 193; 218; 237; 242.\n\nGenpei Akasegawa, Akasegawa Genpei no insh\u014dha tanken 96 (Winter 1996), p. 30 (ill.).\n\nEliza E. Rathbone, Katherine Rothkopf, Richard R. Brettell, and Charles S. Moffett, Impressionists on the Seine: A Celebration of Renoir\u2019s \u201cLuncheon of the Boating Party,\u201d exh. cat. (Phillips Collection\/Counterpoint, 1996), pp. 159, pl. 1 (ill.); 255.\n\nEliza E. Rathbone, \u201cRenoir\u2019s \u201cLuncheon in the Boating Party\u201d: Tradition and the New,\u201d in Eliza E. Rathbone, Katherine Rothkopf, Richard R. Brettell, and Charles S. Moffett, Impressionists on the Seine: A Celebration of Renoir\u2019s \u201cLuncheon of the Boating Party,\u201d exh. cat. (Phillips Collection\/Counterpoint, 1996), p. 17.\n\nKatherine Rothkopf, \u201cFrom Argenteuil to Bougival: Life and Leisure on the Seine, 1868\u20131882,\u201d in Eliza E. Rathbone, Katherine Rothkopf, Richard R. Brettell, and Charles S. Moffett, Impressionists on the Seine: A Celebration of Renoir\u2019s \u201cLuncheon of the Boating Party,\u201d exh. cat. (Phillips Collection\/Counterpoint, 1996), p. 64.\n\nJohn Russell, \u201cRenoir\u2019s Paradise, and Those Who Loved It,\u201d New York Times, Sept. 29, 1996, p. H39 (ill.).\n\nDaniel Wildenstein, Monet, or The Triumph of Impressionism, cat. rais., vol. 1 (Taschen\/Wildenstein Institute, 1996), pp. 68 (ill.), 70.\n\nDaniel Wildenstein, Monet: Catalogue raisonn\u00e9\/Werkverzeichnis, vol. 2, Nos. 1\u2013968 (Taschen\/Wildenstein Institute, 1996), p. 56, cat. 110 (ill.).\n\nArt Institute of Chicago, Pocketguide, selected by James N. Wood (Art Institute of Chicago, 1997), p. 16, no. 24 (ill.).\n\nCarla Rachman, Monet (Phaidon, 1997), pp. 76\u201377, fig. 51; 78; 80; 81; 152.\n\nAnne Distel, \u201cAppendix II: The Notebooks of L\u00e9on Clapisson,\u201d in Colin B. Bailey, with the assistance of John B. Collins, Renoir\u2019s Portraits: Impressions of an Age, exh. cat. (National Gallery of Canada\/Yale University Press, 1997), p. 352\n\nMeyer Schapiro, Impressionism: Reflections and Perceptions (Braziller, 1997), pp. 56; 57, fig. 12a, fig. 12b (detail); 58; 70\u201371; 251\u201353.\n\nGenpei Akasegawa, The Impressionists, in Japanese (Kodansha, 1998), front cover (details); p. 1 (details), 3 (ill.), 4\u20135 (ill.).\n\nKermit Swiler Champa, \u201cA Complicated Codependence,\u201d in Monet and Bazille: A Collaboration, ed. David A. Brenneman, exh. cat. (High Museum of Art\/Abrams, 1998), p. 91, fig. 51.\n\nCharlotte Gere and Marina Vaizey, Great Women Collectors (Philip Wilson\/Abrams, 1999), pp. 132, 133.\n\nHenri Mitterand, Zola: Vol. 1 (1840\u20131871) (Fayard, 1999), p. 522.\n\nArt Institute of Chicago, Master Paintings in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago\/Hudson Hills, 1999), p. 54 (ill.).\n\nRichard R. Brettell, Modern Art, 1851\u20131929: Capitalism and Representation (Oxford University Press, 1999), pp. 17; 181\u201382, fig. 116; 183.\n\nArt Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago\/Hudson Hills, 2000), p. 33 (ill.).\n\nAsano Haruo and Nakamori Yoshimune, Sezannu to sono jidai [Cezanne and his time], Library of World Art and Artistic Theory 7 (Toshindo, 2000), pp. 40; 41, fig. 32.\n\nRichard R. Brettell, Impression: Painting Quickly in France, 1860\u20131890, exh. cat. (Sterling and Francine Clark Art Institute\/Yale University Press, 2000), pp. 112, fig. 66; 113.\n\nIvan Olson, The Arts and Critical Thinking in American Education (Bergin & Garvey, 2000), pp. 16; ill. 2.1.\n\nBelinda Thomson, Impressionism: Origins, Practice, Reception (Thames & Hudson, 2000), pp. 97, ill. 90; 98; 266.\n\nCharles Stuckey, \u201cMonet e la Senna,\u201d in Monet: I luoghi della pittura, ed. Marco Goldin, exh. cat. (Linea d\u2019Ombra, 2001), p. 52 (ill.).\n\nRichard R. Brettell, From Monet to Van Gogh: A History of Impressionism, vol. 1 (Teaching Co., 2002), pp. 63, 74, 173.\n\nSylvie Patin, L\u2019impressionisme (Biblioth\u00e8que des Arts, 2002), pp. 32; 33, no. 20 (ill.); 294.\n\nDebra N. Mancoff, Monet: Nature into Art (Publications International, 2003), pp. 22 (ill.).\n\nMarco Goldin, ed., Monet, la Senna, le ninfee: Il grande fiume e il nuovo secolo, exh. cat. (Linea d\u2019Ombra, 2004), p. 310.\n\nDorothee Hansen, \u201cMonet und Camille: Biographie einer Beziehung,\u201d in Monet und Camille: Frauenportraits im Impressionismus, ed. Dorothee Hansen and Wulf Herzogenrath, exh. cat. (Kunsthalle Bremen\/Hirmer, 2005), pp. 25 (ill.), 28.\n\nDorothee Hansen and Wulf Herzogenrath, eds., Monet und Camille: Frauenportraits im Impressionismus, exh. cat. (Kunsthalle Bremen\/Hirmer, 2005), pp. 78\u201379, cat. 10 (ill.); 90; 128; 187, cat. 10 (ill.). Translated by John Southard, Holly Richardson, and Elizabeth Volk as Monet and Camille: Portraits of Women in Impressionism (Kunsthalle Bremen, 2005), pp. 25\u201326, cat. 10 (ill.); 32; 50.\n\nBirgit Zeidler, Claude Monet: Life and Work, trans. Paul Aston in association with Goodfellow & Egan (K\u00f6nemann, 2005), p. 30 (ill.). \n\nChristopher Riopelle, \u201cRowers at Argenteuil, about 1873\u20134,\u201d in Renoir Landscapes 1865\u20131883, ed. Colin B. Bailey and Christopher Riopelle, exh. cat (National Gallery, London, 2007), p. 142.\n\nEric M. Zafran, \u201cMonet in America,\u201d in Wildenstein and Co., Claude Monet (1840\u20131926): A Tribute to Daniel Wildenstein and Katia Granoff, exh. cat. (Wildenstein and Co., 2007), p. 112.\n\nRuth Butler, Hidden in the Shadow of the Master: The Model-Wives of C\u00e9zanne, Monet, and Rodin (Yale University Press, 2008), pp. 138, 139 (ill.).\n\nJeanne-Marie David, \u201cUne \u00e9tude de la signature de Claude Monet,\u201d Zeitschrift f\u00fcr Kunsttechnologie und Konservierung 22, 2 (2008), front cover (ill.); pp. 303; 304, fig. 8.\n\nGloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago\/Kimbell Art Museum, 2008), pp. 13 (ill.); 48\u201349, cat. 13 (ill.); 111. Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago\/Yale University Press, 2008), pp. 13 (ill.); 48\u201349, cat. 13 (ill.); 111. \n\nSt\u00e9phane Lambert, L\u2019adieu au paysage: Les Nymph\u00e9as de Claude Monet (\u00c9d. de la Diff\u00e9rence, 2008), pp. 21, fig. 5; 63; 119.\n\nDenis Rouart, \u201cAppearances and Reflections,\u201d in Denis Rouart and Jean-Dominique Rey, Monet, Water Lilies: The Complete Series, with a cat. rais. by Julie Rouart, trans. David Radzinowicz (Flammarion\/Rizzoli, 2008), pp. 22, 38, 48. Simultaneously revised and published in French as Denis Rouart and Jean-Dominique Rey, with a cat. rais. by Julie Rouart, Monet, les nymph\u00e9as (Flammarion, 2008).\n\nJames H. Rubin, Impressionism and the Modern Landscape: Productivity, Technology, and Urbanization from Manet to Van Gogh (University of California Press, 2008), p. 136. \n\nCharles Stuckey, \u201cMonet et la vision immediate (Monet and the Act of Vision),\u201d in Mus\u00e9e Marmottan Monet, Monet, l\u2019oeil impressionniste (Monet, the Impressionist\u2019s eye),\u201d exh. cat. (Mus\u00e9e Marmottan Monet, 2008), pp. 37; 38, fig. 2; 39\u201340.\n\nJay A. Clarke, Becoming Edvard Munch: Influence, Anxiety, and Myth, exh. cat. (Art Institute of Chicago\/Yale University Press, 2009), pp. 14; 15, fig. 4; 203 (ill.); 226, cat. 126.\n\nRen\u00e9e Grimaud, 50 ans d\u2019expositions au Grand Palais, Galeries nationales (R\u00e9union des Mus\u00e9es Nationaux, 2009), p. 104 (detail).\n\nSusie Hodge, Monet: His Life and Works in 500 Images (Lorenz, 2009), p. 110 (ill.).\n\nDavid Clarke, Water and Art: A Cross-Cultural Study of Water as Subject and Medium in Modern and Contemporary Artistic Practice (Reaktion, 2010), pp. 87; 88, ill.. 32; 89.\n\nMichael H. Duffy, The Influence of Charles-Fran\u00e7ois Daubigny (1817\u20131878) on French Plein-Air Landscape Painting: Rustic Portrayals of Everyday Life in the Work of a Forerunner to Impressionism, with a preface by Fronia E. Wissman (Edwin Mellen, 2010), p. 111.\n\nStephen F. Eisenman, \u201cFr\u00e9d\u00e9ric Bazille, View of a Village,\u201d in From Corot to Monet: The Ecology of Impressionism, ed. Stephen F. Eisenman, exh. cat. (Skira\/Rizzoli, 2010), p. 210.\n\nMary Mathews Gedo, Monet and His Muse: Camille Monet in the Artist\u2019s Life (University of Chicago Press, 2010), pp. 48; 76; 77, fig. 5.1; 78\u201379; 80, fig. 5.2, fig. 5.3; 81, fig. 5.4, fig. 5.5, fig. 5.6, fig. 5.7; 82, fig. 5.8, fig. 5.9; 83\u201385; 95\u201396; 98; 102; 104; 182; 219\u201320; 251, n.17; 259, n. 9.\n\nS\u00e9gol\u00e8ne Le Men, Monet (Citadelles & Mazenod, 2010), pp. 122; 124\u201325, ill. 100.\n\nJane Mayo Roos, Auguste Rodin (Phaidon, 2010), p. 6, fig. 2.\n\nCharles F. Stuckey, \u201cJean-Baptiste Camille Corot, Ville-d\u2019Avray: the Birch,\u201d in From Corot to Monet: The Ecology of Impressionism, ed. Stephen F. Eisenman, exh. cat. (Skira\/Rizzoli, 2010), p. 146.\n\nWilliam Rubin, A Curator\u2019s Quest: Building the Collection of Painting and Sculpture of the Museum of Modern Art, 1967\u20131988 (Overlook Duckworth, 2011), pp. 537, fig. 4.2; 538; 548.\n\nLynne D. Ambrosini, \u201cMirrored Waters: Reflections on Monet and His Predecessors,\u201d in Monet in Giverny: Landscapes of Reflection, ed. Benedict Leca, exh. cat. (Cincinnati Art Museum, 2012), pp. 53, fig. 8; 54.\n\nChristopher Lloyd, \u201cCoastal Adventures, Riparian Pleasures: The Impressionists and Boating,\u201d in Christopher Lloyd, Daniel Charles, and Phillip Dennis Cate, Impressionists on the Water, with a contribution by Giles Chardeau, exh. cat. (Fine Arts Museum of San Francisco\/Skira Rizzoli, 2013), pp. 15; ill. 8.\n\n\u201cCat. 14: On the Bank of the Seine, Bennecourt, 1868,\u201d in Monet Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014), <a href=\"https:\/\/publications.artic.edu\/monet\/reader\/paintingsanddrawings\/section\/135470\">https:\/\/publications.artic.edu\/monet\/reader\/paintingsanddrawings\/section\/135470<\/a>.\n\nHelga Kessler Aurisch, \"The Early Days on the Seine: Le Havre, Paris, Argenteuil,\" in Helga Kessler Aurisch and Tanya Paul, Monet and the Seine: Impressions of a River, exh. cat. (Houston: The Museum of Fine Arts Houston, 2014) 20-21 (ill.)\n\nRichard Shiff, \"Paraph Painter,\" in Monet Early Years, by George T. M. Shackelford, Kimbell Art Museum, exh. cat. (Yale University Press, 2016),  pp. p.59-67 (ill.), fig. 68, 142-145, 204. cat. 30. \n\nMarco Goldin, ed., Storie dell'Impressionismo: I grandi protagonist da Monet a Renoir da Van Gogh a Gauguin (Linea d\u2019ombre, 2016), 183 (ill.)\n\nRebecca Malinsky, \"Pastoral Report: In Fashion and Design, the French Countryside is Abloom this Spring,\" Wall Street Journal, April 8-9, 2017, D1 (ill.)\n\nGloria Groom, et. al. Monet and Chicago, exh. Cat. (Chicago: Art Institute, 2020), 26, 28-29, 48 (detail ill.), 49 cat. 15, 130.","exhibition_history":"Paris, Galerie Georges Petit, Claude Monet\u2014A. Rodin, June 21\u2013Sept. 21, 1889, cat. 7, as Au bord de l\u2019eau; Bennecourt. 1868. Appartient \u00e0 M. Clapisson. \n\nBoston, Copley Society, Loan Collection of Paintings by Claude Monet and Eleven Sculptures by Auguste Rodin, Mar. 1905, cat. 78, as Argenteuil. 1868. Lent by Mrs. Potter Palmer.\n\nArt Institute of Chicago, Paintings from the Collection of Mrs. Potter Palmer, May 10\u2013Nov. 1910, cat. 40, as Belle Isle, sunshine or cat. 41, as The river. \n\nArt Institute of Chicago, \u201cA Century of Progress\u201d: Loan Exhibition of Paintings and Sculpture, May 23\u2013Nov. 1, 1933, cat. 291 (ill.). \n\nArt Institute of Chicago, \u201cA Century of Progress\u201d: Loan Exhibition of Paintings and Sculpture for 1934, June 1\u2013Oct. 31, 1934, cat. 208. \n\nCity Art Museum of St. Louis, Paintings by French Impressionists (1860\u20131880), Apr. 17\u2013May 16, 1934, no cat. \n\nArt Institute of Chicago, The Paintings of Claude Monet, Apr. 1\u2013June 15, 1957, no cat. no. \n\nEdinburgh, Royal Scottish Academy, Claude Monet: An Exhibition of Paintings, Aug. 17\u2013Sept. 15, 1957, cat. 13 (ill.); London, Tate Gallery, Sept. 26\u2013Nov. 3, 1957.\n\nNew York, Wildenstein and Co., Masterpieces: Loan Exhibition of Paintings and Drawings; A Memorial Exhibition for Adele R. Levy, Benefit of the Citizens\u2019 Committee for Children of New York, Inc., Apr. 6\u2013May 7, 1961, cat. 40 (ill.).\n\nArt Institute of Chicago, Paintings by Monet, Mar. 15\u2013May 11, 1975, cat. 17 (ill.). \n\nArt Institute of Chicago, Fr\u00e9d\u00e9ric Bazille and Early Impressionism, Mar. 4\u2013Apr. 30, 1978, cat. 71 (ill.).\n\nParis, Galeries Nationales, Grand Palais, Hommage \u00e0 Claude Monet (1840\u20131926), Feb. 8\u2013May 5, 1980, cat. 18 (ill.).\n\nAlbi, Mus\u00e9e Toulouse-Lautrec, Tr\u00e9sors impressionnistes du Mus\u00e9e de Chicago, June 27\u2013Aug. 31, 1980, cat. 10 (ill.).\n\nLos Angeles County Museum of Art, A Day in the Country: Impressionism and the French Landscape, June 28\u2013Sept. 16, 1984, cat. 47 (ill.); Art Institute of Chicago, Oct. 23, 1984\u2013Jan. 6, 1985; Paris, Galeries Nationales, Grand Palais, as L\u2019impressionnisme et le paysage fran\u00e7ais, Feb. 4\u2013Apr. 22, 1985, cat. 52 (ill.).\n\nTokyo, Seibu Museum of Art, Shikago bijutsukan insho-ha ten [The Impressionist tradition: Masterpieces from the Art Institute of Chicago], Oct. 18\u2013Dec. 17, 1985, cat. 18 (ill.); Fukuoka Art Museum, Jan. 5\u2013Feb. 2, 1986; Kyoto Municipal Museum of Art, Mar. 4\u2013Apr. 13, 1986.\n\nEdinburgh, National Gallery of Scotland, Lighting Up the Landscape: French Impressionism and Its Origins, Aug. 1\u2013Oct. 19, 1986, cat. 86 (ill.).\n\nParis, Galeries Nationales du Grand Palais, Impressionnisme: Les origines, 1859\u20131869, April 19\u2013August 8, 1994, cat. 141; New York, Metropolitan Museum of Art, Origins of Impressionism, September 27, 1994\u2013January 8, 1995.\n\nArt Institute of Chicago, Claude Monet, 1840\u20131926, July 22\u2013Nov. 26, 1995, cat. 15 (ill.).\n\nWashington, D.C., Phillips Collection, Impressionists on the Seine: A Celebration of Renoir\u2019s Luncheon of the Boating Party, Sept. 21, 1996\u2013Feb. 23, 1997, cat. 1 (ill.).\n\nKunsthalle Bremen, Monet und Camille: Frauenportraits im Impressionismus, October 15, 2005\u2013February 26, 2006, cat. 10 (ill.).\n\nFort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29\u2013Nov. 2, 2008, cat. 13 (ill.).\n\nArt Institute of Chicago, Becoming Edvard Munch: Influence, Anxiety, and Myth, Feb. 14\u2013Apr. 26, 2009, cat. 126 (ill.).\n\nAlbright-Knox Art Gallery, Buffalo, New York, Monet and the Impressionist Revolution, 1860-1910, Nov. 14, 2015-Mar 20, 2016.\n\nFort Worth, Texas, Kimbell Art Museum,  Monet: The Early Years, Oct. 16, 2016-Jan. 29, 2017, then to San Francisco, California, Legion of Honor, Feb.25-May 29, 2017, cat. 30.\n\nArt Institute of Chicago, Monet and Chicago, September 5, 2020-June 14, 2021, cat. 15.","provenance_text":"Louis Aim\u00e9 L\u00e9on Clapisson, Neuilly-sur-Seine, by June 21, 1889, for 500 francs [per Galerie Georges Petit exhibition catalogue and Distel, Appendix II in Bailey, 1997]; sold to Durand-Ruel, Paris, April 21, 1892, for 1,500 francs [this and the following per Durand-Ruel, Paris, stock book for 1891 (no. 2127, as Argenteuil), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file]; sold to Potter Palmer (d. 1902), Chicago, May 18, 1892, for 7,500 francs; by descent to the Potter Family, Chicago; given to the Art Institute of Chicago, 1922.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":14,"fiscal_year":1922,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":true,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":26.7713,"color":{"h":212,"l":59,"s":49,"percentage":0.04703152680013169,"population":270},"latitude":41.8796554,"longitude":-87.6234381,"latlon":"41.8796554,-87.6234381","is_on_view":true,"on_loan_display":null,"gallery_title":"Gallery 201","gallery_id":2147483643,"nomisma_id":null,"artwork_type_title":"Painting","artwork_type_id":1,"department_title":"Painting and Sculpture of Europe","department_id":"PC-10","artist_id":35809,"artist_title":"Claude Monet","alt_artist_ids":[],"artist_ids":[35809],"artist_titles":["Claude Monet"],"category_ids":["PC-10"],"category_titles":["Painting and Sculpture of Europe"],"term_titles":["painting","Impressionism","oil painting","landscapes","oil paint (paint)","trees","reflections","house","hills","France","flowers","figures","building","boats","nineteenth century","19th century","painting techniques","painting (image making)","painting","painting","paint","canvas","french","oil paintings (visual works)","oil on canvas","paint","european painting","weather\/seasons","leisure","women","families","water","Century of Progress","world's fairs","Chicago World's Fairs"],"style_id":"TM-7543","style_title":"Impressionism","alt_style_ids":["TM-15636","TM-13203"],"style_ids":["TM-7543","TM-15636","TM-13203"],"style_titles":["Impressionism","nineteenth century","19th century"],"classification_id":"TM-9","classification_title":"painting","alt_classification_ids":["TM-14976","TM-78","TM-66","TM-10387","TM-54"],"classification_ids":["TM-9","TM-14976","TM-78","TM-66","TM-10387","TM-54"],"classification_titles":["painting","french","oil paintings (visual works)","oil on canvas","paint","european painting"],"subject_id":"TM-8657","alt_subject_ids":["TM-11205","TM-12891","TM-14552","TM-15366","TM-12288","TM-10482","TM-15161","TM-14683","TM-8737","TM-10095","TM-10094","TM-8735","TM-10123","TM-8681","TM-12169","TM-11299","TM-12176"],"subject_ids":["TM-8657","TM-11205","TM-12891","TM-14552","TM-15366","TM-12288","TM-10482","TM-15161","TM-14683","TM-8737","TM-10095","TM-10094","TM-8735","TM-10123","TM-8681","TM-12169","TM-11299","TM-12176"],"subject_titles":["landscapes","trees","reflections","house","hills","France","flowers","figures","building","boats","weather\/seasons","leisure","women","families","water","Century of Progress","world's fairs","Chicago World's Fairs"],"material_id":"TM-2451","alt_material_ids":["TM-13502","TM-2577","TM-3124"],"material_ids":["TM-2451","TM-13502","TM-2577","TM-3124"],"material_titles":["oil paint (paint)","painting","paint","canvas"],"technique_id":"TM-4273","alt_technique_ids":["TM-3971","TM-3891","TM-14210"],"technique_ids":["TM-4273","TM-3971","TM-3891","TM-14210"],"technique_titles":["oil painting","painting techniques","painting (image making)","painting"],"theme_titles":[],"image_id":"66f95ea3-a11a-1cf4-6599-d0a49bb25744","alt_image_ids":[],"document_ids":["622c74a8-5201-da40-0a8f-4f215fde626d"],"sound_ids":["622c74a8-5201-da40-0a8f-4f215fde626d"],"video_ids":[],"text_ids":[],"section_ids":[36724836169],"section_titles":["Cat. 14 \u00a0On the Bank of the Seine, Bennecourt, 1868"],"site_ids":[],"suggest_autocomplete_all":[{"input":["1922.427"],"contexts":{"groupings":["accession"]}},{"input":["On the Bank of the Seine, Bennecourt"],"weight":23143,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-10-01T15:11:56-05:00","updated_at":"2026-10-05T23:25:39-05:00","timestamp":"2026-10-10T23:28:55-05:00"},"info":{"license_text":"The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. 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