{"data":{"id":81537,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/81537","is_boosted":false,"title":"Bordighera","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBgAFAPQAADc5KUNGLkJCMUZFMUFEN01TPFlXPmVlPWVsO1haRlteRl1cR1ZaT0hPUE5XWlVYVmRkQmVmQmNnSWluSlteYV1lZVlneWBmZ2dwbnd8YGVqeXeEe2t1gX2PhAAAAAAAACH5BAAAAAAALAAAAAAGAAUAAAUY4FUpRtJxVvMwW4ZRmlNMErQEAhIdA0CEADs=","width":6018,"height":4842,"alt_text":"Bright landscape painting featuring spindly trees with lush leaves surrounded by light-green foliage, a small town visible between the trees at center, and a calm blue sea in the background."},"main_reference_number":"1922.426","has_not_been_viewed_much":false,"boost_rank":null,"date_start":1884,"date_end":1884,"date_display":"1884","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Claude Monet (French, 1840\u20131926)","place_of_origin":"France","description":"<p>Early in 1884 Claude Monet traveled to Bordighera, a town on the Italian Riviera near the border between Italy and France, for a working visit of three weeks that turned into nearly three months. In a letter to sculptor <a href=\"https:\/\/www-2018.artic.edu\/artists\/36418\">Auguste Rodin<\/a> describing his efforts to capture the brilliant Mediterranean light, Monet declared that he was \u201cfencing, wrestling, with the sun.\u201d In other letters he complained of the impossibility of finding a suitable subject amid the region\u2019s abundant vegetation. In this sun-drenched composition painted from a hilltop vantage point, the sea is barely visible through the interlaced trunks of local pine trees.<\/p>\n","short_description":"Monet created this painting in 1884 when he traveled to Bordighera, a town on the Italian Riviera. In a letter to sculptor Auguste Rodin, he described his efforts to capture the brilliant Mediterranean light, declaring that he was \u201cfencing, wrestling, with the sun.\u201d In this light-drenched composition painted from a hilltop vantage point, the sea is barely visible through the interlaced trunks of pine trees.","dimensions":"65 \u00d7 80.8 cm (25 5\/8 \u00d7 31 13\/16 in.); Framed: 80.4 \u00d7 96.6 \u00d7 8.3 cm (31 5\/8 \u00d7 38 \u00d7 3 1\/4 in.)","dimensions_detail":[{"depth":null,"width":80,"height":65,"diameter":null,"clarification":null},{"depth":8,"width":96,"height":80,"diameter":null,"clarification":"Framed"}],"medium_display":"Oil on canvas","inscriptions":"Inscribed lower left: Claude Monet 84","credit_line":"Potter Palmer Collection","catalogue_display":"<p>Wildenstein, Claude Monet, biographie et catalogue raisonn\u00e9, 1979 854<\/p>","publication_history":"Gustave Geffroy, \u201cSalon de 1887. Hors du Salon: Claude Monet,\u201d La justice, pt. 2 (June 2, 1887), p. 1.\n\nGustave Geffroy, \u201cHistoire de l\u2019impressionnisme,\u201d La vie artistique 3, 2 (1894), p. 70. \n\nCopley Society, Loan Collection of Paintings by Claude Monet and Eleven Sculptures by August Rodin, exh. cat. (Copley Society, 1905), p. 15, cat. 18.\n\nArt Institute of Chicago, Paintings from the Collection of Mrs. Potter Palmer, exh. cat. (Art Institute of Chicago, 1910), cat. 33.\n\nArt Institute of Chicago, \u201cAccessions and Loans,\u201d Bulletin of the Art Institute of Chicago 16, 3 (May 1922), p. 47.\n\nArt Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings, pt. 2, Paintings (Art Institute of Chicago, 1922), p. 68, cat. 830. \n\nGustave Geffroy, Claude Monet: Sa vie, son temps, son oeuvre (G. Cr\u00e8s, 1922), p. 273.\n\nM. C., \u201cMonets in the Art Institute,\u201d Bulletin of the Art Institute of Chicago 19, 2 (Feb. 1925), p. 19.\n\nArt Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1925), p. 146, cat. 830.\n\nArt Institute of Chicago, Catalogue of \u201cA Century of Progress\u201d: Exhibition of Paintings and Sculpture; Lent from American Collections, ed. Daniel Catton Rich, 3rd ed., exh. cat. (Art Institute of Chicago, 1933), p. 43, cat. 290A.\n\nDaniel Catton Rich, \u201cFranz\u00f6sische Impressionisten im Art Institute zu Chicago,\u201d Pantheon: Monatsschrift f\u00fcr freunde und sammler der kunst 11, 3 (Mar. 1933), p. 77. Translated by C. C. H. Drechsel as \u201cFrench Impressionists in the Art Institute of Chicago,\u201d Pantheon\/Cicerone (Mar. 1933), p. 18.\n\nArt Institute of Chicago, Catalogue of \u201cA Century of Progress\u201d: Exhibition of Paintings and Sculpture, 1934, ed. Daniel Catton Rich, exh. cat. (Art Institute of Chicago, 1934), p. 36, cat. 207.\n\nToledo Museum of Art, Catalogue: French Impressionists and Post-Impressionists, exh. cat. (Toledo Museum of Art, 1934), cat. 9.\n\nGeorge Slocombe, \u201cGiver of Light,\u201d Coronet (Mar. 1938), p. 25 (ill.).\n\nOscar Reutersw\u00e4rd, Monet: En konstn\u00e4rshistorik (Bonniers, 1948), opp. 104 (ill.); p. 285.\n\nKenneth Clark, Landscape into Art (John Murray, 1949), pp. xiii; 93; pl. 83. \n\nArt Institute of Chicago, An Illustrated Guide to the Collections of the Art Institute of Chicago (Art Institute of Chicago, 1956), p. 34.\n\nArt Institute of Chicago, \u201dHomage to Claude Monet,\u201d Art Institute of Chicago Quarterly 51, 2 (Apr. 1, 1957), p. 24.\n\nArt Institute of Chicago, \u201cCatalogue,\u201d Art Institute of Chicago Quarterly 51, 2 (Apr. 1, 1957), p. 33.\n\nArt Institute of Chicago, \u201cChronology,\u201d Art Institute of Chicago Quarterly 51, 2 (Apr. 1, 1957), p. 30 (ill.).\n\nClaude Monet: A Loan Exhibition, exh. cat. (Minneapolis Society of the Fine Arts, 1957), pp. 64; 65, cat. 58 (ill.).\n\nEdith Weigle, \u201cThe Wonderful World of Art,\u201d Chicago Daily Tribune, May 26, 1957, p. E2.\n\nWilliam C. Seitz, \u201cClaude Monet\u2019s View of Nature,\u201d in Claude Monet: A Loan Exhibition, exh. cat. (Minneapolis Society of the Fine Arts, 1957), pp. 24, 30.\n\nDenis Rouart, Claude Monet, trans. James Emmons (Skira, 1958), pp. 80 (ill.), 129.\n\nArt Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), p. 319.\n \nYvon Taillandier, Monet, trans. A. P. H. Hamilton (Crown, [1963]), pp. 56, 58 (ill.). \n\nLuigina Rossi Bortolatto, L\u2019opera completa di Claude Monet: 1870\u20131889, Classici dell\u2019arte 63 (Rizzoli, 1972), pp. 105; 106, cat. 270 (ill.).\n\nGrace Seiberling, \u201cThe Evolution of an Impressionist,\u201d in Paintings by Monet, ed. Susan Wise, exh. cat. (Art Institute of Chicago, 1975), p. 30.\n\nSusan Wise, ed., Paintings by Monet, exh. cat. (Art Institute of Chicago, 1975), p. 118, cat. 64 (ill.).\n\nRodolphe Walter, with the assistance of Giuseppe E. Bessone, \u201cCharles Garnier et Claude Monet \u00e0 Bordighera,\u201d L\u2019oeil 258\u201359 (Jan.\u2013Feb. 1977), p. 26 (ill.).\n\nRoger Terry Dunn, \u201cThe Monet-Rodin Exhibition at the Galerie Georges Petit in 1889\u201d (Ph.D. diss., Northwestern University, 1978), pp. iii; 121; 272, ill. 5.\n\nDaniel Wildenstein, Claude Monet: Biographie et catalogue raisonn\u00e9, vol. 2, Peintures, 1882\u20131886 (Biblioth\u00e8que des Arts, 1979), pp. 23; 114; 115, cat. 854 (ill.); 253, letter 498.\n\nDaniel Wildenstein, Claude Monet: Biographie et catalogue raisonn\u00e9, vol. 3, Peintures, 1887\u20131898 (Biblioth\u00e8que des Arts, 1979), p. 2, n. 621.\n\nJ. Patrice Marandel, The Art Institute of Chicago: Favorite Impressionist Paintings (Crown, 1979), pp. 58\u201359 (ill.).\n\nDiane Kelder, The Great Book of French Impressionism (Abbeville, 1980), p. 211 (ill.).\n\nH\u00e9l\u00e8ne Adh\u00e9mar, Anne Distel, and Sylvie Gache, Hommage \u00e0 Claude Monet (1840\u20131926), exh. cat. (R\u00e9union des Mus\u00e9es Nationaux, 1980), pp. 256\u201358, cat. 88 (ill.).\n\nJacqueline and Maurice Guillaud, Claude Monet au temps de Giverny, exh. cat. (Centre Culturel du Marais, 1983), pp. 24; 26\u201327, fig. 9\/cat. 7; 32\u201333. Translated as Jacqueline and Maurice Guillaud, Claude Monet at the time of Giverny, exh. cat. (Centre Culturel du Marais, 1983), pp. 24; 26\u201327, fig. 9\/cat. 7; 32\u201333.\n\nRobert Gordon and Andrew Forge, Monet (Abrams, 1983), pp. 110 (ill.), 291.\n\nArt Institute of Chicago, Seibu Museum of Art, Kyoto Municipal Museum of Art, and Fukuoka Art Museum, eds., Shikago bijutsukan insho-ha ten [The Impressionist tradition: Masterpieces from the Art Institute of Chicago], trans. Akihiko Inoue, Hideo Namba, Heisaku Harada, and Yoko Maeda, exh. cat. (Nippon Television Network, 1985), pp. 92, cat. 42 (ill.); 150\u201351, cat. 42 (ill.).\n\nDaniel Wildenstein, Claude Monet: Biographie et catalogue raisonn\u00e9, vol. 4, Peintures, 1899\u20131926 (Biblioth\u00e8que des Arts, 1985), p. 44, n. 412.\n\nJohn House, Monet: Nature into Art (Yale University Press, 1986), pp. 195; 196, pl. 245.\nRichard R. Brettell, French Impressionists (Art Institute of Chicago\/Abrams, 1987), pp. 75, 77 (ill.), 118.\n\nFrancesco Arcangeli, Monet (Nuova Alfa, 1989), pp. 55; 119, fig. 45; 155.\n\nRichard Kendall, ed., Monet by Himself: Paintings, Drawings, Pastels, Letters, trans. Bridget Strevens Romer (Macdonald Orbis, 1989), pp. 147 (ill.), 319.\n\nKarin Sagner-D\u00fcchting, Claude Monet, 1840\u20131926: Ein Fest f\u00fcr die Augen (Benedikt Taschen, 1990), p. 137 (ill.). Translated by Karen Williams as Claude Monet, 1840\u20131926: A Feast for the Eyes (Taschen, 2004), p. 137 (ill.).\n\nRachel Barnes, ed., Monet by Monet, Artists by Themselves (Webb & Bower, 1990), pp. 42\u201343 (ill.).\n\nDaniel Wildenstein, Claude Monet: Catalogue raisonn\u00e9, vol. 5, Suppl\u00e9ment aux peintures: Dessins; Pastels; Index (Wildenstein Institute, 1991), p. 41.\n\nMichael Howard, ed., The Impressionists by Themselves: A Selection of Their Paintings, Drawings and Sketches with Extracts from their Writings (Conran Octopus, 1991), p. 249 (ill.).\n\nBernd K\u00fcster, Monet: Seine Reisen in den S\u00fcden (Ellert and Richter, 1992), pp. 24\u201325, fig. 1.\n\nSophie Fourny-Darg\u00e8re, Monet, Profils de l\u2019art (Ch\u00eane, 1992), p. 153, fig. 22.\n\nChristoph Heinrich, Claude Monet, 1840\u20131926 (Benedikt Taschen, 1993), pp. 63 (ill.), 95.\n\nArt Institute of Chicago, Treasures of 19th- and 20th-Century Painting: The Art Institute of Chicago, with an introduction by James. N. Wood (Art Institute of Chicago\/Abbeville, 1993), p. 96 (ill.).\n\nSteven Z. Levine, Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self (University of Chicago Press, 1994), pp. 41; fig. 39; 94.\n\nPaul Hayes Tucker, Claude Monet: Life and Art (Yale University Press, 1995), pp. 120; 121, fig. 137.\n\nCharles F. Stuckey, with the assistance of Sophia Shaw, Claude Monet, 1840\u20131926, exh. cat. (Art Institute of Chicago\/Thames & Hudson, 1995), pp. 13; 17; 98, cat. 77 (ill.); 210; 215; 237.\n\nAndrew Forge, Monet, Artists in Focus (Art Institute of Chicago, 1995), pp. 29\u201331; 33 (detail); 34; 79, pl. 8; 107.\n\nDaniel Wildenstein, Monet, or The Triumph of Impressionism, cat. rais., vol. 1 (Taschen\/Wildenstein Institute, 1996), pp. 198, 200 (ill.).\n\nDaniel Wildenstein, Monet: Catalogue raisonn\u00e9\/Werkverzeichnis, vol. 2, Nos. 1\u2013968 (Taschen\/Wildenstein Institute, 1996), pp. 316, cat. 854 (ill.); 319.\n\nStephan Koja, Claude Monet, exh. cat. (\u00d6sterreichische Galerie\/Prestel, 1996), pp. 27 \n(ill.), 100. Translated by John Brownjohn as Claude Monet, exh. cat. (\u00d6sterreichische Galerie\/Prestel, 1996), pp. 26, 27 (ill.).\n\nGenevieve Morgan, ed., Monet: The Artist Speaks (Collins, 1996), pp. 53 (ill.), 95.\n\nHelen Dudar, \u201cMonet on the Mediterranean: When Light Meets Water,\u201d Smithsonian (July 1997), p. 81 (detail).\n\nJoachim Pissarro, Monet and the Mediterranean, exh. cat. (Kimbell Art Museum\/Rizzoli, 1997), pp. 31; 37; 74; 76, pl. 4; 182, n. 52.\n\nKimbell Art Museum, \u201cMonet and the Mediterranean,\u201d Calendar (Feb.\u2013Aug. 1997), p. 11 (ill.).\n\nMeyer Schapiro, Impressionism: Reflections and Perceptions (Braziller, 1997), pp. 72, fig. 22; 73; 348.\n\nSilvia Alborno, Monet: A Bordighera, exh. cat. (Citt\u00e0 di Bordighera\/Leonardo Periodici, 1998), p. 86 (ill.).\n\nMatthias Arnold, Claude Monet, Rowohlts Monographien (Rowohlt, 1998), back cover (ill.), pp. 16, 17 (ill.).\n\nScott Heller, \u201cThe Good, the Bad & the Hard to Look at,\u201d Artnews (Dec. 1998), p. 123 (ill.).\n\nKenneth Wayne, Impressions of the Riviera: Monet, Renoir, Matisse and Their Contemporaries, exh. cat. (Portland Museum of Art, 1998), pp. 6, fig. 2; 7; 78, cat. 50.\n\nThomas McBurney, Artistic Greatness: A Comparative Exploration of Michelangelo, Beethoven, and Monet (Galde, 1999), p. 287 (ill.).\n\nRenaud Temperini, \u201cEstetiche della modernit\u00e0,\u201d in La pittura francese, vol. 3, ed. Pierre Rosenberg, trans. Cosima Campagnolo, Valentina Palombi, and Stefano Salpietro (Electra, 1999), pp. 801, fig. 815; 806. \n\nVanessa Potts, Essential Monet, with an introduction by Claire I. R. O\u2019Mahony (Dempsey Parr\/Parragon, 1999), pp. 142\u201343 (ill.).\n\nVivian Russell, Monet\u2019s Landscapes (Frances Lincoln, 2000), pp. 20 (ill.), 160.\n\nArt Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago\/Hudson Hills, 2000), p. 75 (ill.).\n\nMaria Teresa Benedetti, Monet: I luoghi (Giunti, 2001), p. 177 (ill.).\n\nFabrizio d\u2019Amico, \u201cMonet e il Mediterraneo: Da Bordighera ad Antibes,\u201d in Monet: I luoghi della pittura, ed. Marco Goldin, exh. cat. (Linea d\u2019Ombra Libri, 2001), p. 177 (ill.).\n\nNorio Shimada and Keiko Sakagami, Kurodo Mone meigashu: Hikari to kaze no kiseki [Claude Monet: 1881\u20131926], vol. 2 (Nihon Bijutsu Kyoiku Senta, 2001), pp. 52, no. 185 (ill.); 189.\n\nRichard R. Brettell, From Monet to Van Gogh: A History of Impressionism, vol. 2 (Teaching Co., 2002), pp. 78, 89, 179.\n\nGuido Giuffr\u00e8, \u201cMonet e l\u2019arte italiana nell\u2019ultimo quarto dell\u2019Ottocento,\u201d in Monet: Atti del convegno, ed. Rodolphe Rapetti, MaryAnne Stevens, Michael Zimmerman, and Marco Goldin (Linea d\u2019Ombra, 2003), p. 22 (ill.).\n\nChris Stolwijk, Sjraar van Heugten, Leo Jansen, and Andreas Bl\u00fchm, eds., Vincent\u2019s Choice: Van Gogh\u2019s Mus\u00e9e Imaginaire, exh. cat. (Van Gogh Museum\/Thames & Hudson, 2003), pp. 273, pl. 138; 308. \n\nRichard Thomson, \u201cMonet e il mare di Nettuno: Bordighera, 1884. Antibes, 1888,\u201d in L\u2019oro e l\u2019azzurro: I colori del sud da C\u00e9zanne a Bonnard, ed. Marco Goldin, trans. Viviana Tonon, exh. cat. (Linea d\u2019Ombra Libri, 2003), pp. 69, 70, 71 (ill.).\n\nNienke Bakker, \u201cChronology: Vincent van Gogh as Connoisseur and Bookworm,\u201d in Vincent\u2019s Choice: Van Gogh\u2019s Mus\u00e9e Imaginaire, ed. Chris Stolwijk, Sjraar van Heugten, Leo Jansen, and Andreas Bl\u00fchm, exh. cat. (Van Gogh Museum\/Thames & Hudson, 2003), p. 305.\n \nEleanor Dwight, ed., The Letters of Pauline Palmer: A Great Lady of Chicago\u2019s First Family (M. T. Train\/Scala, 2005), pp. 301 (ill.), 302.\n\nBirgit Zeidler, Claude Monet: Life and Work, trans. Paul Aston in association with Goodfellow & Egan (K\u00f6nemann, 2005), p. 58 (ill.). \n\nRichard Thomson, \u201cMonet and Neptune\u2019s Sea: Bordighera 1884. Antibes, 1888,\u201d in Right under the Sun: Landscape in Provence, From Classicism to Modernism (1750\u20131920), ed. Guy Cogeval and Marie-Paule Vial, exh. cat. (Montreal Museum of Fine Arts\/Snoeck, 2005), pp. 115; 116; 118, fig. 3; 119.\n\nGuy Cogeval and Marie-Paule Vial, eds., Right under the Sun: Landscape in Provence, From Classicism to Modernism (1750\u20131920), exh. cat. (Montreal Museum of Fine Arts\/Snoeck, 2005), p. 259.\n\nJesse Matz, \u201cCultures of Impression,\u201d in Bad Modernisms, ed. Douglas Mao and Rebecca L. Walkowitz (Duke University Press, 2006), pp. 313; 314, fig. 7 (detail).\n\nChristiane Elu\u00e8re, Monet et la Riviera (Citadelle & Mazenod, 2006), pp. 46\u201347, ill. 35; 48; 175, ill. 135.\n\nCharles F. Stuckey, \u201cMonet\u2019s Path at Cap Martin: Adding a Very Big Piece to the Impressionist Puzzle,\u201d in Wildenstein and Co., Claude Monet (1840\u20131926): A Tribute to Daniel Wildenstein and Katia Granoff, exh. cat. (Wildenstein, 2007), pp. 61, 62.\n\nSotheby\u2019s, London, Impressionist & Modern Art Evening Sale, sale cat. (Sotheby\u2019s, London, Feb. 5, 2007), pp. 20, fig. 2; 21.\n\nGloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago\/Kimbell Art Museum, 2008), pp. 13; 106\u201307, cat. 47 (ill.). Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago\/Yale University Press, 2008), pp. 13; 106\u201307, cat. 47 (ill.). \n\nJon Kear, The Treasures of the Impressionists (Andre Deutsch, 2008), pp. 58 (ill.), 72.\n\nSusie Hodge, Monet: His Life and Works in 500 Images (Lorenz, 2009), p. 62 (detail).\n\nPascal Bonafoux, Monet, peintre de l\u2019eau (Du Ch\u00eane\/Hachette, 2010), pp. 82 (ill.), 173.\n\nManlio Brusatin, \u201cMediterraneo. La strada dei colori,\u201d in Mediterraneo: Da Courbet a Monet a Matisse, ed. Marco Goldin, exh. cat. (Linea d\u2019Ombra, 2010), p. 65.\n\nS\u00e9gol\u00e8ne Le Men, Monet (Citadelles & Mazenod, 2010), pp. 248\u201349, ill. 200.\n\nClaire Maingon and F\u00e9licie de Maupeou, La biblioth\u00e8que de Monet, under the direction of S\u00e9gol\u00e8ne Le Men, exh. cat. (Citadelles & Mazenod, 2013), p. 45 (ill.).\n\n\u201cCat. 20: Bordighera, 1884,\u201d in Monet Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014). <a href=\"https:\/\/publications.artic.edu\/monet\/reader\/paintingsanddrawings\/section\/135470\">https:\/\/publications.artic.edu\/monet\/reader\/paintingsanddrawings\/section\/135470<\/a>.\n\nMabuchi, Akiko, Hiroyo. Hakamata, Y\u016bko. Ikeda, Yomiuri Shinbunsha. T\u014dky\u014d Honsha, and Kokuritsu Seiy\u014d Bijutsukan. Hokusai to Japonisme. Exh. cat. (The National Museum of Western Art, Tokyo\/ The Yomiuri Shimbun, 2017.) p. 190-191, 197, cat. 153, 390.\n\n\nGloria Groom, et. al. Monet and Chicago, exh. Cat. (Chicago: Art Institute, 2020), 28-29, 67 cat. 31, 133.","exhibition_history":"Paris, Georges Petit, 6e exposition internationale de peinture et de sculpture, May 8\u2013June 8, 1887, no cat. no. \n\nBoston, Copley Society, Loan Collection of Paintings by Claude Monet and Eleven Sculptures by Auguste Rodin, Mar. 1905, cat. 18, as Bordighera, 1884. Lent by Mrs. Potter Palmer.\n\nArt Institute of Chicago, Paintings from the Collection of Mrs. Potter Palmer, May 10\u2013Nov., 1910, cat. 33, as Antibes. \n\nArt Institute of Chicago, \u201cA Century of Progress\u201d: Loan Exhibition of Paintings and Sculpture, May 23\u2013Nov. 1, 1933, cat. 290A.\n\nArt Institute of Chicago, \u201cA Century of Progress\u201d: Loan Exhibition of Paintings and Sculpture for 1934, June 1\u2013Oct. 31, 1934, cat. 207. \n\nToledo (Ohio) Museum of Art, French Impressionists and Post\u2013Impressionists, Nov. 1934, cat. 9. \n\nOberlin (Ohio) College, Allen Art Museum, Feb. 10\u2013Mar. 19, 1953, no cat. \n\nArt Institute of Chicago, The Paintings of Claude Monet, Apr. 1\u2013June 15, 1957, no cat. no. \n\nCity Art Museum of St. Louis, Claude Monet: A Loan Exhibition, Sept. 25\u2013Oct. 22, 1957, cat. 58 (ill.); Minneapolis Institute of Arts, Nov. 1\u2013Dec. 1, 1957.\nArt Institute of Chicago, Paintings by Monet, Mar. 15\u2013May 11, 1975, cat. 64 (ill.). \n\nParis, Galeries Nationales du Grand Palais, Hommage \u00e0 Claude Monet (1840\u20131926), Feb. 8\u2013May 5, 1980, cat. 88 (ill.).\n\nParis, Centre Culturel du Marais, Claude Monet au temps de Giverny, Apr. 6\u2013July 17, 1983, cat. 7 (ill.). \n\nTokyo, Seibu Museum of Art, Shikago bijutsukan insho-ha ten [The Impressionist tradition: Masterpieces from the Art Institute of Chicago], Oct. 18\u2013Dec. 17, 1985, cat. 42 (ill.); Fukuoka Art Museum, Jan. 5\u2013Feb. 2, 1986; Kyoto Municipal Museum of Art, Mar. 4\u2013Apr. 13, 1986.\n\nArt Institute of Chicago, Claude Monet, 1840\u20131926, July 22\u2013Nov. 26, 1995, cat. 77 (ill.).\n\nForth Worth, Tex., Kimbell Art Museum, Monet and the Mediterranean, June 8\u2013Sept. 7, 1997, cat. 4 (ill.); New York, Brooklyn Museum of Art, Oct. 10, 1997\u2013Jan. 18, 1998.\n\nPortland (Ore.) Museum of Art, Impressions of the Riviera: Monet, Renoir, Matisse and Their Contemporaries, June 25\u2013Oct. 18, 1998, cat. 50 (ill.).\n\nAmsterdam, Van Gogh Museum, Vincent\u2019s Choice: The Mus\u00e9e Imaginaire of Van Gogh, Feb. 14\u2013June 15, 2003, cat. 138 (ill.).\n\nFort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29\u2013Nov. 2, 2008, cat. 47 (ill.).\n\nTokyo, Japan, The National Museum of Western Art, Hokusai and Japonisme. Oct. 21, 2017-Jan. 28, 2018, cat. 153 (ill.).\n\nArt Institute of Chicago, Monet and Chicago, September 5, 2020-June 14, 2021, cat. 31.","provenance_text":"The artist (d. 1926); sold to Isidore Montaignac, Paris, as the agent for Knoedler and Company, New York, September 1891 [this and the following per Wildenstein 1996]; sold to Potter Palmer (d. 1902), Chicago, September 1891; by descent to the Potter Family; given to the Art Institute of Chicago, 1922.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":14,"fiscal_year":1922,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":true,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":34.0399,"color":{"h":46,"l":47,"s":69,"percentage":0.002099539151156321,"population":12},"latitude":null,"longitude":null,"latlon":null,"is_on_view":true,"on_loan_display":null,"gallery_title":"Gallery 240","gallery_id":2147478672,"nomisma_id":null,"artwork_type_title":"Painting","artwork_type_id":1,"department_title":"Painting and Sculpture of Europe","department_id":"PC-10","artist_id":35809,"artist_title":"Claude Monet","alt_artist_ids":[],"artist_ids":[35809],"artist_titles":["Claude Monet"],"category_ids":["PC-10"],"category_titles":["Painting and Sculpture of Europe"],"term_titles":["painting","Impressionism","oil painting","landscapes","oil paint (paint)","nineteenth century","19th century","painting techniques","painting (image making)","painting","painting","paint","canvas","paint","oil paintings (visual works)","oil on canvas","french","trees","nature","towns","France","green (color)","blue (color)","european painting","weather\/seasons","water","Century of Progress","world's fairs","Chicago World's Fairs"],"style_id":"TM-7543","style_title":"Impressionism","alt_style_ids":["TM-15636","TM-13203"],"style_ids":["TM-7543","TM-15636","TM-13203"],"style_titles":["Impressionism","nineteenth century","19th century"],"classification_id":"TM-9","classification_title":"painting","alt_classification_ids":["TM-10387","TM-78","TM-66","TM-14976","TM-54"],"classification_ids":["TM-9","TM-10387","TM-78","TM-66","TM-14976","TM-54"],"classification_titles":["painting","paint","oil paintings (visual works)","oil on canvas","french","european painting"],"subject_id":"TM-8657","alt_subject_ids":["TM-11205","TM-12261","TM-12677","TM-12288","TM-11849","TM-11843","TM-10095","TM-8681","TM-12169","TM-11299","TM-12176"],"subject_ids":["TM-8657","TM-11205","TM-12261","TM-12677","TM-12288","TM-11849","TM-11843","TM-10095","TM-8681","TM-12169","TM-11299","TM-12176"],"subject_titles":["landscapes","trees","nature","towns","France","green (color)","blue (color)","weather\/seasons","water","Century of Progress","world's fairs","Chicago World's Fairs"],"material_id":"TM-2451","alt_material_ids":["TM-13502","TM-2577","TM-3124"],"material_ids":["TM-2451","TM-13502","TM-2577","TM-3124"],"material_titles":["oil paint (paint)","painting","paint","canvas"],"technique_id":"TM-4273","alt_technique_ids":["TM-3971","TM-3891","TM-14210"],"technique_ids":["TM-4273","TM-3971","TM-3891","TM-14210"],"technique_titles":["oil painting","painting techniques","painting (image making)","painting"],"theme_titles":[],"image_id":"4d1b3ad0-14db-0d21-ad9f-17abb8bdfbb5","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[36727817411],"section_titles":["Cat. 20 \u00a0Bordighera, 1884"],"site_ids":[],"suggest_autocomplete_all":[{"input":["1922.426"],"contexts":{"groupings":["accession"]}},{"input":["Bordighera"],"weight":35945,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-07-28T15:48:10-05:00","updated_at":"2026-09-01T03:06:00-05:00","timestamp":"2026-09-07T05:05:38-05:00"},"info":{"license_text":"The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. 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