{"data":{"id":64818,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/64818","is_boosted":true,"title":"Stacks of Wheat (End of Summer)","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhCAAFAPUAAF5eVW1bVm9eVmpjW3RoXXxyV39yXmdsZmhmaXZtbG11eH57eYl5bYR7dHuAf4mDfo6HfpePdpCFeZSOfJ+VdnZ+g4ODgoCHg4iHgo+GgY2MgpmThJeTipaSjaCcmbWnh6qrpKmopqqtrKusrbGxobq4pLu5qq2zsQAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACH5BAAAAAAALAAAAAAIAAUAAAYlwJNoFAKRSiZPh7OZRCgfBWJwAAQEBU2D8VgkCAYI5uKoWDKSIAA7","width":6884,"height":4068,"alt_text":"Painting composed of short, dense brushstrokes depicts two domed stacks of wheat that cast long shadows on a field. The angled light indicates either a rising or setting sun."},"main_reference_number":"1985.1103","has_not_been_viewed_much":false,"boost_rank":126,"date_start":1890,"date_end":1891,"date_display":"1890\u201391","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Claude Monet (French, 1840\u20131926)","place_of_origin":"France","description":"<p>The monumental stacks that Claude Monet depicted in his series <a href=\"https:\/\/www.youtube.com\/watch?v=NFPs_cRRGdM&feature=youtu.be\"><em>Stacks of Wheat<\/em><\/a> rose fifteen to twenty feet and stood just outside the artist\u2019s farmhouse at Giverny. Through 1890 and 1891, he worked on this series both in the field, painting simultaneously at several easels, and in the studio, refining pictorial harmonies. In May 1891, Monet hung fifteen of these canvases next to each other in one small room in the Galerie Durand-Ruel in Paris. An unprecedented critical and financial success, the exhibition marked a breakthrough in Monet\u2019s career, as well as in the history of French art. In this view, and in nearly all of the autumn views in the series, the conical tops of the stacks break the horizon and push into the sky. But in most of the winter views, which constitute the core of the series, the stacks seem wrapped by bands of hill and field, as if bedded down for the season. For Monet, the stack was a resonant symbol of sustenance and survival. He followed this group with further series depicting poplars, the facade of Rouen Cathedral, and, later, his own garden at Giverny. The Art Institute has the largest group of Monet\u2019s <em>Stacks of Wheat<\/em> in the world.<\/p>\n","short_description":null,"dimensions":"60 \u00d7 100.5 cm (23 5\/8 \u00d7 39 9\/16 in.); Framed: 75.6 \u00d7 116.6 \u00d7 7.4 cm (29 3\/4 \u00d7 45 7\/8 \u00d7 2 7\/8 in.)","dimensions_detail":[{"depth":null,"width":100,"height":60,"diameter":null,"clarification":null},{"depth":7,"width":116,"height":75,"diameter":null,"clarification":"Framed"}],"medium_display":"Oil on canvas","inscriptions":"Inscribed lower left: Claude Monet 91","credit_line":"Gift of Arthur M. Wood, Sr. in memory of Pauline Palmer Wood","catalogue_display":"<p>Wildenstein, Claude Monet, biographie et catalogue raisonn\u00e9, 1979 1269<\/p>","publication_history":"Galeries Durand-Ruel, Exposition d\u2019oeuvres r\u00e9centes de Claude Monet, exh. cat. (Galeries Durand-Ruel, 1891), p. 13, cat. 1.\n\n\u201cClaude Monet Exhibit Opens,\u201d Boston Post, Mar. 15, 1905.\n\nCopley Society, Boston, Loan Collection of Paintings by Claude Monet and Eleven Sculptures by August Rodin, exh. cat. (Copley Society, 1905), p. 13, cat. 9.\n\nPossibly Art Institute of Chicago, Paintings from the Collection of Mrs. Potter Palmer, exh. cat. (Art Institute of Chicago, 1910), cat. 34.\n\nGrace Seiberling, \u201cThe Evolution of an Impressionist,\u201d in Paintings by Monet, ed. Susan Wise, exh. cat (Art Institute of Chicago, 1975), p. 32, 33.\n\nSusan Wise, ed., Paintings by Monet, exh. cat. (Art Institute of Chicago, 1975), p. 145, cat. 88 (ill.).\n\nDaniel Wildenstein, Claude Monet: Biographie et catalogue raisonn\u00e9, vol. 3, Peintures, 1887\u20131898 (Biblioth\u00e8que des Arts, 1979), pp. 38; 42, n. 1032; 47, n. 1086; 138; 139, cat. 1269 (ill.); 262, letter 1114.\n\nRichard R. Brettell, \u201cMonet\u2019s Haystacks Reconsidered,\u201d Art Institute of Chicago Museum Studies 11, 1 (Fall 1984), pp. 7; 10, fig. 1; 11; 16, pl. 6; 19; 21, n. 6, n. 7, n. 17.\n\nAndrea P. A. Belloli, ed., A Day in the Country: Impressionism and the French Landscape, exh. cat. (Los Angeles County Museum of Art, 1984), p. 364.\n\nRichard R. Brettell, \u201cThe Fields of France,\u201d in A Day in the Country: Impressionism and the French Landscape, ed. Andrea P. A. Belloli, exh. cat. (Los Angeles County Museum of Art, 1984), pp. 246; 260\u201362; 267, no. 108 (ill.).\n\nRichard R. Brettell, \u201cLa campagne fran\u00e7aise,\u201d in R\u00e9union des Mus\u00e9es Nationaux, L\u2019impressionnisme et le paysage fran\u00e7ais, exh. cat. (R\u00e9union des Mus\u00e9es Nationaux, 1985), pp. 261; 282\u201391, no. 108 (ill.).\n\nArt Institute of Chicago, Art Institute of Chicago Annual Report, 1985-86 (Art Institute of Chicago, 1986), pp. 6, pl. 8; 28; 71.\n\nArt Institute of Chicago, \u201cAcquisitions,\u201d Mosaic (Mar.\u2013Apr. 1986), p. 8 (ill.).\n\nArt Institute of Chicago, Annual Report, 1986\u20131987 (Art Institute of Chicago, 1987), p. 56.\n\nYvon Taillandier, Monet, rev. ed. (Crown, 1987), p. 67 (ill.).\n\nPaul Hayes Tucker, Monet in the \u201990s : The Series Paintings, exh. cat. (Museum of Fine Arts, Boston\/Yale University Press, 1989), pp. 3; 77; 78, pl. 20; 79; 80; 82; 296, cat. 17.\n\nKarin Sagner-D\u00fcchting, Claude Monet, 1840\u20131926: Ein Fest f\u00fcr die Augen (Benedikt Taschen, 1990), pp. 159, 161 (ill.).\n\nSylvie Patin, Monet: \u201cUn oeil . . . mais, bon Dieu, quel oeil!\u201d (Gallimard\/R\u00e9union des Mus\u00e9es Nationaux, 1991), pp. 104 (ill.), 105 (detail), 172. Translated by Anthony Roberts as Monet: The Ultimate Impressionist(Abrams, 1993), pp. 104 (ill.), 105 (detail), 171.\n\nAnne Rorimer, \u201cThe Date Paintings of On Kawara,\u201d Art Institute of Chicago Museum Studies 17, 2 (1991), p. 122, fig. 2.\n\nJohn Sallis, \u201cMonet\u2019s Grainstacks: Shades of Time,\u201d Tema Celeste International Art Magazine 30 (Mar.\u2013Apr. 1991), pp. 62; 67, n. 2.\n\nDaniel Wildenstein, Claude Monet: Catalogue raisonn\u00e9, vol. 5, Suppl\u00e9ment aux peintures: Dessins; Pastels; Index (Wildenstein Institute, 1991), p. 47.\n\nSerge Bonnet, D\u2019une fenaison \u00e0 l\u2019autre (G\u00e9rard Klopp, 1992), cover (ill.).\n\nGeorge Keyes, \u201cClaude Monet\u2019s Grainstack, Sun in the Mist,\u201d Arts 16, 12 (Dec. 1993), contents page (detail), p. 8 (ill.).\n\nAndrew Forge, Monet, Artists in Focus (Art Institute of Chicago, 1995), pp. 44; 48; 49; 86, pl. 15; 108.\n\nJon Margolis, \u201cWhen Paintings Talk . . . ,\u201d Chicago Tribune Magazine, Sept. 17, 1995, p. 21 (ill.).\n\nCharles F. Stuckey, with the assistance of Sophia Shaw, Claude Monet, 1840\u20131926, exh. cat. (Art Institute of Chicago\/Thames & Hudson, 1995), pp. 118, cat. 97 (ill.); 220; 237.\n\nJohn Russell Taylor, Claude Monet: Impressions of France, from Le Havre to Giverny (Collins & Brown, 1995), pp. 106\u201307 (ill.).\n\nMarietta S. Millet, Light Revealing Architecture (Van Nostrand Reinhold, 1996), p. 27, fig. 1-41a.\n\nDaniel Wildenstein, Monet, or The Triumph of Impressionism, cat. rais., vol. 1 (Taschen\/Wildenstein Institute, 1996), pp. 266, cat. 1269 (ill.); 275.\n\nDaniel Wildenstein, Monet: Catalogue raisonn\u00e9\/Werkverzeichnis, vol. 3, Nos. 969\u20131595 (Taschen\/Wildenstein Institute, 1996), pp. 483; 485, cat. 1269 (ill.).\n\nAnne-Marie Bergeret-Gourbin, Monet: La Normandie (Herscher, 1997), pp. 54\u201355 (ill.).\n\nMasaki Fujihata and Yasuhito Nagahara, Kara azu a konseputo [Color as a concept] (Bijutsu Shuppan-Sha, 1997), pp. 34\u201335 (ill.), 160.\n\nJohn Sallis, Shades\u2014of Painting at the Limit (Indiana University Press, 1998), n.pag., pl. 2; 26, n. 13; 46.\n\nArt Institute of Chicago, Master Paintings in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago\/Hudson Hills, 1999), p. 68 (ill.).\n\nSimonella Condemi and Andrew Forge, Claude Monet: La poesia della luce; Sette capolavori dell\u2019Art Institute di Chicago a Palazzo Pitti, exh. cat. (Giunti Gruppo, 1999), pp. 34\u201335 (ill.), 36\u201337 (detail).\n\nArt Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago\/Hudson Hills, 2000), p. 132 (ill.).\n\nChristoph Heinrich, \u201cUne s\u00e9rie d\u2019effets diff\u00e9rents: Monets \u2018Getreideschober\u2019 als H\u00fclle f\u00fcr das Licht, die Zeit, das Universum\u2014und \u2018die m\u00e4rchenhafte Kraft und Pracht der Malerei,\u2019\u201d in Monets Verm\u00e4chtnis: Serie\u2014Ordnung und Obsession, ed. Christoph Heinrich, exh. cat. (Hamburger Kunsthalle\/Hatje Cantz, 2001), p. 17.\n\nChristoph Heinrich, ed., Monets Verm\u00e4chtnis: Serie\u2014Ordnung und Obsession, exh. cat. (Hamburger Kunsthalle\/Hatje Cantz, 2001), pp. 59 (detail), 62 (ill.), 183.\n\nPhillips, New York, Impressionist and Modern Art, sale cat. (Phillips, May 7, 2001), p. 86, fig. 1.\n\nNorio Shimada and Keiko Sakagami, Kur\u014ddo Mone meigash\u016b: Hikari to kaze no kiseki [Claude Monet, 1881\u20131926], vol. 2 (Nihon Bijutsu Ky\u014diku Sent\u0101, 2001), pp. 67, no. 195 (ill.); 189.\n\nRichard R. Brettell, From Monet to Van Gogh: A History of Impressionism, vol. 2 (Teaching Co., 2002), pp. 161, 166, 183.\n\nArt Institute of Chicago, The Art Institute of Chicago: The Essential Guide, selected by James N. Wood, rev. ed. (Art Institute of Chicago, 2003), p. 165 (ill.).\n\nRhoda Feldman, \u201cArt-Science Integration: Portrait of a Residency\u201d (Ph.D. diss., University of Illinois at Urbana-Champaign, 2003), pp. 274; 275, fig. 7.\n\nEleanor Dwight, ed., The Letters of Pauline Palmer: A Great Lady of Chicago\u2019s First Family (M. T. Train\/Scala, 2005), pp. 290 (ill.), 293, 326.\n\nGloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago\/Kimbell Art Museum, 2008), pp. 21 (ill.); 22; 103; 108; 156; 157, cat. 75 (ill.). Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago\/Yale University Press, 2008), pp. 21 (ill.); 22; 103; 108; 156; 157, cat. 75 (ill.).\n\nIris Schaefer, Caroline von Saint-George, and Katja Lewerentz, Impressionismus: Wie das Licht auf die Leinwand kam, exh. cat. (Wallraf-Richartz-Museum and Fondation Corboud\/Skira, 2008), pp. 23, abb. 8; 26. Translated as Painting Light: The Hidden Techniques of the Impressionists, exh. cat. (Wallraf-Richartz-Museum and Fondation Corboud\/Skira, 2008), pp. 23, ill. 8; 26.\n\nIris Schaefer, Caroline von Saint-George, and Katja Lewerentz, Impressionismo: Dipingere la luce; Le tecniche nascoste de Monet, Renoir e Van Gogh, ed. Monica Maroni, exh. cat. (Fondazione Palazzo Strozzi\/Wallraf-Richartz-Museum and Foundation Corboud\/Skira, 2008), pp. 23, ill. 8; 26.\n\nArt Institute of Chicago, Master Paintings in the Art Institute of Chicago, selected by James Cuno (Art Institute of Chicago\/Yale University Press, 2009), p. 67 (ill.).\n\nArt Institute of Chicago, The Essential Guide (Art Institute of Chicago, 2009), p. 227 (ill.).\n\nClaudia Beltramo Ceppi, Monet: Il tempo delle ninfee, exh. cat. (Palazzo Reale\/Giunti, 2009), pp. 65; 69, fig 22.\n\nRichard Ormond and Elaine Kilmurray, John Singer Sargent: Complete Paintings, vol. 5, Figures and Landscapes, 1883\u20131899, with a preface by Warren Adelson and research assistance from Richard H. Finnegan (Paul Mellon Centre for Studies in British Art\/Yale University Press, 2010), p. 61, fig. 25.\n\nCaroline Spelman, \u201cMy Favourite Painting,\u201d Country Life 205, 36 (Sept. 7, 2011), p. 82 (ill.).\n\n\u201cCat. 27: Stacks of Wheat (End of Summer), 1890\/91,\u201d in Monet Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014), <a href=\"https:\/\/publications.artic.edu\/monet\/reader\/paintingsanddrawings\/section\/135470\">https:\/\/publications.artic.edu\/monet\/reader\/paintingsanddrawings\/section\/135470<\/a>.\n\nGloria Groom, et. al. Monet and Chicago, exh. Cat. (Chicago: Art Institute, 2020), 33, 95 cat. 52, 137-38.\n\nAndr\u00e8 Dombrowski, Monet's Minutes: Impressionism and the Industrialization of Time (New Haven and London: Yale University Press, 2023), 154\u201355 fig. 91, 156.\n\nHarmon Siegel, Painting with Monet (Princeton and Oxford: Princeton University Press, 2024), 51, 53 fig. 1.26.\n\nJames Rondeau, ed., Paintings at the Art Institute of Chicago: Highlights of the collection (New Haven and London: Yale University Press, 2025), 88 (ill.).\n\nAdriano Pedrosa and Fernando Oliva, eds., Monet's Ecology, exh. cat. (S\u00e3o Paulo: Museu de Arte de S\u00e3o Paulo Assis Chateaubriand, 2005), 70, 73 fig. 46\n\nGloria Groom, \"A Stack for Every Season\" in Highlights of the Art Institute of Chicago, James Rondeau, ed. (New Haven and London: Yale University Press, 2026), 122\u201324, fig. 1.","exhibition_history":"Paris, Galeries Durand-Ruel, Exposition d\u2019oeuvres r\u00e9centes de Claude Monet, May 1891, cat. 1, as Meules. (Fin de l\u2019\u00e9t\u00e9.). Appartient \u00e0 M. Durand-Ruel. \n\nBoston, Copley Society, Loan Collection of Paintings by Claude Monet and Eleven Sculptures by Auguste Rodin, Mar. 1905, cat. 9, as Meules. Fin de l\u2019Et\u00e9. 1891. Lent by Mrs. Potter Palmer. \n\nPossibly Art Institute of Chicago, Paintings from the Collection of Mrs. Potter Palmer, May 10\u2013Aug., 1910, cat. 34, as Haystacks. \n\nArt Institute of Chicago, Paintings by Monet, Mar. 15\u2013May 11, 1975, cat. 88 (ill.). \n\nLos Angeles County Museum of Art, A Day in the Country: Impressionism and the French Landscape, June 28\u2013Sept. 16, 1984, cat. 108 (ill.); Art Institute of Chicago, Oct. 23, 1984\u2013Jan. 6, 1985; Paris, Galeries Nationales d\u2019Exposition, Grand Palais, as L\u2019impressionnisme et le paysage fran\u00e7ais, Feb. 4\u2013Apr. 22, 1985. \n\nArt Institute of Chicago, The Art of the Edge: European Frames, 1300\u20131900, Oct. 17\u2013Dec. 14, 1986, not in cat. \n\nBoston, Museum of Fine Arts, Monet in the \u201990s: The Series Paintings, February 7\u2013April 29, 1990, cat. 17 (ill.); Art Institute of Chicago, May 19\u2013August 12, 1990; London, Royal Academy of Arts, September 7\u2013December 9, 1990 [Boston and Chicago only].\n\nArt Institute of Chicago, Chicago\u2019s Dream, a World\u2019s Treasure: The Art Institute of Chicago, 1893\u20131993, Nov. 1, 1993\u2013Jan. 9, 1994, not in cat.\n\nArt Institute of Chicago, Claude Monet, 1840\u20131926, July 22\u2013Nov. 26, 1995, cat. 97 (ill.). \n\nFlorence, Sala Bianca di Palazzo Pitti, Claude Monet: La poesia della luce; Sette capolavori dell\u2019Art Institute di Chicago a Palazzo Pitti, June 2\u2013Aug. 29, 1999, no cat. no. (ill.).\n\nHamburg, Hamburger Kunsthalle, Monets Verm\u00e4chtnis: Serie\u2014Ordnung und Obsession, Sept. 28, 2001\u2013Jan. 6, 2002, no cat. no. (ill.).\n\nFort Worth, Tex., Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29\u2013Nov. 2, 2008, cat. 75 (ill.).\n\nArt Institute of Chicago, Monet and Chicago, September 5, 2020-June 14, 2021, cat. 52.","provenance_text":"The artist (d. 1926); sold to Durand-Ruel, Paris, May 9, 1891, for 3,000 francs [this and the following per Durand-Ruel, Paris, stock book for 1891\u20131901 (no. 938, as Meules, fin de l\u2019\u00e9t\u00e9), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Feb. 5, 2013, curatorial object file]; sold to Charles Fairchild, Boston, June 26, 1891, for 5,000 francs; returned to Durand-Ruel, Paris, Aug. 4, 1891, in exchange for Monet\u2019s Sur la falaise \u00e0 Pourville, 1882 [per Durand-Ruel, Paris, Brouillard for 1888\u201391 (as Meules, fin de l\u2019\u00e9t\u00e9): \u201cSold on 26 June 1891 to Ch. Fairchilds [sic], 191 Commonwealth Av. Boston, for 5 000 F. Exchanged for another Monet (Wildenstein 755) on 4 August 1891,\u201d as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Feb. 5, 2013, curatorial object file. Fairchild exchanged the painting now in the Art Institute\u2019s collection for Sur la falaise \u00e0 Pourville (1882) now in the Nationalmuseum, Stockholm, see Wildenstein 1996]; sold to Potter Palmer (d. 1902), Chicago, Aug. 4, 1891, for 6,000 francs [per Durand-Ruel, Paris, stock book for 1888\u20131901 and Brouillard 1888\u201391 (no. 938, as Meules, fin de l\u2019\u00e9t\u00e9), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Feb. 5, 2013, curatorial object file]; by descent to the Palmer Family; by descent to Arthur M. Wood and Pauline Palmer Wood (d. 1984), Lake Forest, Illinois; given to the Art Institute of Chicago, beginning in 1985 [The painting was given to the Art Institute of Chicago in undivided fractional interests beginning in 1985. The Art Institute received the final fractional interest for one hundred percent ownership in 2007].","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":14,"fiscal_year":2006,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":true,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":21.8816,"color":{"h":52,"l":38,"s":47,"percentage":0.004525813812783756,"population":19},"latitude":41.8796004140935,"longitude":-87.622807045588,"latlon":"41.879600414094,-87.622807045588","is_on_view":true,"on_loan_display":null,"gallery_title":"Gallery 243","gallery_id":2147479703,"nomisma_id":null,"artwork_type_title":"Painting","artwork_type_id":1,"department_title":"Painting and Sculpture of Europe","department_id":"PC-10","artist_id":35809,"artist_title":"Claude Monet","alt_artist_ids":[],"artist_ids":[35809],"artist_titles":["Claude Monet"],"category_ids":["PC-10","PC-831"],"category_titles":["Painting and Sculpture of Europe","Essentials"],"term_titles":["oil on canvas","Impressionism","seasons","oil painting","oil paint (paint)","nineteenth century","19th century","painting techniques","painting","painting","paint","canvas","paint","oil paintings (visual works)","french","nature","farm","trees","bushes","hills","building","pink (color)","green (color)","painting (image making)","painting","european painting","weather\/seasons","landscapes","rural life","summer","wheat","farm life","farming"],"style_id":"TM-7543","style_title":"Impressionism","alt_style_ids":["TM-15636","TM-13203"],"style_ids":["TM-7543","TM-15636","TM-13203"],"style_titles":["Impressionism","nineteenth century","19th century"],"classification_id":"TM-66","classification_title":"oil on canvas","alt_classification_ids":["TM-10387","TM-78","TM-14976","TM-9","TM-54"],"classification_ids":["TM-66","TM-10387","TM-78","TM-14976","TM-9","TM-54"],"classification_titles":["oil on canvas","paint","oil paintings (visual works)","french","painting","european painting"],"subject_id":"TM-12632","alt_subject_ids":["TM-12261","TM-15559","TM-11205","TM-15367","TM-15366","TM-14683","TM-11848","TM-11849","TM-10095","TM-8657","TM-12814","TM-12826","TM-12764","TM-12105","TM-11914"],"subject_ids":["TM-12632","TM-12261","TM-15559","TM-11205","TM-15367","TM-15366","TM-14683","TM-11848","TM-11849","TM-10095","TM-8657","TM-12814","TM-12826","TM-12764","TM-12105","TM-11914"],"subject_titles":["seasons","nature","farm","trees","bushes","hills","building","pink (color)","green (color)","weather\/seasons","landscapes","rural life","summer","wheat","farm life","farming"],"material_id":"TM-2451","alt_material_ids":["TM-13502","TM-2577","TM-3124"],"material_ids":["TM-2451","TM-13502","TM-2577","TM-3124"],"material_titles":["oil paint (paint)","painting","paint","canvas"],"technique_id":"TM-4273","alt_technique_ids":["TM-3971","TM-14210","TM-3891"],"technique_ids":["TM-4273","TM-3971","TM-14210","TM-3891"],"technique_titles":["oil painting","painting techniques","painting","painting (image making)"],"theme_titles":["Essentials"],"image_id":"a38e2828-ec6f-ece1-a30f-70243449197b","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[36738388244],"section_titles":["Cat. 27 \u00a0Stacks of Wheat (End of Summer), 1890\/91"],"site_ids":[],"suggest_autocomplete_boosted":"Stacks of Wheat (End of Summer)","suggest_autocomplete_all":[{"input":["1985.1103"],"contexts":{"groupings":["accession"]}},{"input":["Stacks of Wheat (End of Summer)"],"weight":75972,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-09-03T13:39:39-05:00","updated_at":"2026-09-03T16:41:43-05:00","timestamp":"2026-09-06T05:51:22-05:00"},"info":{"license_text":"The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. All other data in this response is licensed under a Creative Commons Zero (CC0) 1.0 designation and the Terms and Conditions of artic.edu.","license_links":["https:\/\/creativecommons.org\/publicdomain\/zero\/1.0\/","https:\/\/www.artic.edu\/terms"],"version":"1.15"},"config":{"iiif_url":"https:\/\/www.artic.edu\/iiif\/2","website_url":"http:\/\/www.artic.edu"}}