The landscape painter George Inness once explained, \u201cThe true purpose of the painter is simply to reproduce in other minds the impression which a scene has made upon him . . . to awaken an emotion.\u201d Inness sought, particularly in his later years, to record not so much the appearance of nature as its poetry. To achieve this, he limited his subject matter to, in his words, \u201crivers, streams, the rippling brook, the hillside, the sky, the clouds.\u201d For half a century, the artist captured these moisture-laden subjects in all seasons, during all hours of the day and night. First he made small, quick sketches in the field or wood, and then, in the seclusion of his studio, he used them to create the more than one thousand oils credited to him.<\/p>\n
Inness completed The Home of the Heron<\/em> near the end of his career, after he had finally achieved a degree of comfort and success. The painting is characteristic of his late work, with loosely rendered detail and dim objects that seem bathed in an almost incandescent glow. The picture\u2019s blurred outlines, broad handling, and delicate, subtle tonalities, as well as the solitary presence of the heron, masterfully evoke nature\u2019s stillness and mystery. With more than two dozen canvases by Inness, the Art Institute has one of the most comprehensive collections of the painter\u2019s work.<\/p>\n","short_description":null,"dimensions":"76.2 \u00d7 115.2 cm (30 \u00d7 45 in.)","dimensions_detail":[{"depth":null,"width":115,"height":76,"diameter":null,"clarification":null}],"medium_display":"Oil on canvas","inscriptions":"Signed, lower right: \"G. Inness 1893\"","credit_line":"Edward B. Butler Collection","catalogue_display":" Quick 1097<\/p>","publication_history":"Bland Simpson, \u201cCanalbank Life,\u201d Virginia Calvalcade (Spring 1990), 172\u2013181, ill. p. 177. \n\nJudith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998).\n\nMichael Quick, George Inness, a Catalogue Raisonne, vol. 2 (Rutgers University Press, 2007), no. 1097, pl. 238, as The Sun's Last Reflection.","exhibition_history":"New York, American Fine Arts Society, Exhibition of the Paintings Left by the Late George Inness, Dec. 27, 1894, no. 34.\n\nNew York, Lotos Club, Exposition of Paintings from the Collection of Mr. Emerson McMillin, Mar. 29\u201331, 1902, no. 13.\n\nChicago, Henry Reinhardt Galleries, An Exhibition of Eighteen Pictures by the American Master of Landscape Painting, the late George Inness, N.A., 1911, no. 3.\n\nAustin, Texas, University Art Museum, University of Texas, The Paintings of George Inness (1844\u20131894), 1965\u20131966, no. 122, ill.\n\nSpringfield, Illinois State Museum, Nineteenth\u2013Century American Paintings: a Collection of the Art Institute of Chicago, Mar. 5\u2013Apr. 24, 1966; Iowa, Davenport Municipal Art Gallery, May 19\u2013June 5, 1966; Muscatine, Iowa, Laura Musser Art Gallery and Museum, July 24\u2013Oct. 2, 1966; Peoria, Illinois, Lakeview Center for the Arts and Sciences, Nov. 30, 1966\u2013Jan. 8, 1967.\n\nChampaign, Illinois, Krannert Art Museum, 250 Years of American Art, Art Resources Traveler exhibition, May 1968\u2013July 1969, cat. np.\n\nSpokane, Washington, International Exposition Our Land, Our Sky, Our Water: An Exhibition of Amerian and Canadian Art, 1974, no. 20.\n\nNew York, Museum of Modern Art, The Natural Paradise: Painting in America, 1800\u20131950<\/em>, Sept. 29\u2013Nov. 30, 1976, cat.\n\nOakland Museum Art Department, George Inness Landscapes: His Signature Years, 1884\u20131894, 1978\u201379.\n\nJacksonville, Fla., Cummer Gallery of Art, George Inness in Florida, 1890\u20131894, and the South, 1884\u20131894, Apr. 11\u2013May 25, 1980, no. 21.\n\nNew York, Metropolitan Museum of Art, George Inness, Apr. 1\u2013June 9, 1985, Nicolai Chikovsky and Michael Quick, cat. no. 59, p. 195, ill. ; The Minneapolis Institute of Arts, Nov. 10, 1985\u2013Jan. 12, 1986; Los Angeles County Museum of Art, Feb. 20\u2013May 11, 1986. (Picture did not go to the final condensed exhibition at the National Gallery in Washington, June 22\u2013Sept. 7, 1986, no. 59.\n\nNational Academy of Design, New York, The Art of George Inness: A Visionary Perspective, Sept. 17\u2013Dec. 28, 2003, San Diego Museum of Art, Jan. 24\u2013Apr. 18, 2004, no. 36.\n\nWilliamstown, Massachusetts, Sterling and Francine Clark Art Institute, Like Breath on Glass: Whistler, Inness, and the Art of Painting Softly, June 22\u2013Oct. 19, 2008.","provenance_text":"Estate of the artist (sale, Fifth Avenue Galleries, New York, February 12-14, 1895, no. 69, as \"The Sun's Last Reflection\"); E.W. Bass, 1895; Emerson McMillin, New York, to 1911; Knoedler & Co., New York, 1911; Reinhardt Galleries, Chicago, 1911; sold to Edward B. Butler, Chicago, 1911; given to the Art Institute of Chicago, 1911.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":21,"fiscal_year":null,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":40.2645,"color":{"h":40,"l":43,"s":66,"percentage":0.005567189554239415,"population":26},"latitude":null,"longitude":null,"latlon":null,"is_on_view":false,"on_loan_display":null,"gallery_title":null,"gallery_id":null,"nomisma_id":null,"artwork_type_title":"Painting","artwork_type_id":1,"department_title":"Arts of the Americas","department_id":"PC-3","artist_id":35061,"artist_title":"George Inness","alt_artist_ids":[],"artist_ids":[35061],"artist_titles":["George Inness"],"category_ids":["PC-831","PC-3"],"category_titles":["Essentials","Arts of the Americas"],"term_titles":["painting","Post-Impressionism","landscapes","oil paint (paint)","oil painting","organic material","american arts","birds","weather\/seasons","circles","painting (image making)","animals"],"style_id":"TM-7547","style_title":"Post-Impressionism","alt_style_ids":[],"style_ids":["TM-7547"],"style_titles":["Post-Impressionism"],"classification_id":"TM-9","classification_title":"painting","alt_classification_ids":["TM-2191"],"classification_ids":["TM-9","TM-2191"],"classification_titles":["painting","american arts"],"subject_id":"TM-8657","alt_subject_ids":["TM-11211","TM-10095","TM-8803","TM-12218"],"subject_ids":["TM-8657","TM-11211","TM-10095","TM-8803","TM-12218"],"subject_titles":["landscapes","birds","weather\/seasons","circles","animals"],"material_id":"TM-2451","alt_material_ids":["TM-2601"],"material_ids":["TM-2451","TM-2601"],"material_titles":["oil paint (paint)","organic material"],"technique_id":"TM-4273","alt_technique_ids":["TM-3891"],"technique_ids":["TM-4273","TM-3891"],"technique_titles":["oil painting","painting (image making)"],"theme_titles":["Essentials"],"image_id":"0f2d999d-0173-2935-a6d0-0175bb97b2a9","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_boosted":"The Home of the Heron","suggest_autocomplete_all":[{"input":["1911.31"],"contexts":{"groupings":["accession"]}},{"input":["The Home of the Heron"],"weight":16556,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-08-05T16:33:53-05:00","updated_at":"2026-08-05T20:17:21-05:00","timestamp":"2026-09-06T05:52:09-05:00"},"info":{"license_text":"The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. 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