{"data":{"id":61128,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/61128","is_boosted":true,"title":"At the Moulin Rouge","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBgAFAPQAAC4qHjInHDwpGjYwIDcwIzgzKVg5Cks3HF4\/EVg6FkE2Jkk3IUs2JkI7K0Q6KEs7Kko5LFtBFmNDFV5EIVBLLU9NM0hINFhFNk1SOlRQMVdTO1ZTP1hVO2ZOKQAAAAAAACH5BAAAAAAALAAAAAAGAAUAAAUYIIVZnFYdj1M0WXIxQrAhHbQQQGRIkzKEADs=","width":7788,"height":6807,"alt_text":"Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats. Five people converse in the center of the composition and a woman with a green face dominates the right foreground."},"main_reference_number":"1928.610","has_not_been_viewed_much":false,"boost_rank":null,"date_start":1892,"date_end":1895,"date_display":"1892\u201395","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Henri de Toulouse-Lautrec (French, 1864\u20131901)","place_of_origin":"France","description":"<p>Caf\u00e9-concerts were popular venues for drinking and entertainment in late nineteenth-century Paris and attracted the interest of artists such as Henri de Toulouse-Lautrec. The Moulin Rouge, which opened in 1889, was the most famous of the caf\u00e9-concerts, and Toulouse-Lautrec was a habitu\u00e9 of the establishment\u2014he even had a permanently reserved table. His painting <a href=\"https:\/\/www.artic.edu\/artworks\/16146\/equestrienne-at-the-cirque-fernando\"><em>Equestrienne<\/em><\/a> (1887\u201388), now also in the Art Institute\u2019s collection, was acquired by the owner of the nightclub as decoration for the lobby.<\/p>\n<p><em>At the Moulin Rouge<\/em> is a cleverly observed group portrait of the (in some cases) infamous customers and entertainers who formed part of the artist\u2019s circle. Standing in the background, the dancer La Goulue arranges her hair. Seated at the table are dancers La Macarona and Jane Avril, as well as photographer Paul Sescau, poet \u00c9douard Dujardin, and vintner Maurice Guibert. Singer May Milton peers out from the right edge of the painting, her face harshly lit and a shocking acid green\u2014the Moulin Rouge was designed to have electric lighting and Toulouse-Lautrec reveled in the artistic possibilities of artificial glare. The artist himself appears in the center background of the painting, a diminutive figure accompanied by his much taller cousin, the physician Gabriel Tapi\u00e9 de C\u00e9leyran.<\/p>\n","short_description":"Toulouse-Lautrec made a career depicting colorful personalities from Parisian cabarets and dance halls like the Moulin Rouge. He populated this painting with that nightclub's regulars, including himself\u2014the diminutive figure in the center background. Dancer La Goulue arranges her hair behind the table where Jane Avril, another performer, socializes. Singer May Milton peers out from the painting's right edge, her face harshly lit and acid green.","dimensions":"123 \u00d7 141 cm (48 7\/16 \u00d7 55 1\/2 in.); Framed: 136.9 \u00d7 154.7 \u00d7 8.5 cm (53 7\/8 \u00d7 60 7\/8 \u00d7 3 5\/16 in.)","dimensions_detail":[{"depth":null,"width":141,"height":123,"diameter":null,"clarification":null},{"depth":8,"width":154,"height":136,"diameter":null,"clarification":"Framed"}],"medium_display":"Oil on canvas","inscriptions":"Stamped lower left with monogram","credit_line":"Helen Birch Bartlett Memorial Collection","catalogue_display":"<p>Dortu P. 427<\/p>","publication_history":"A. Alexandre, Le Figaro Illustr\u00e9 22 (April 1902), pl. 21, no. 145.\n\nG. Geffroy, \u201cHenri de Toulouse-Lautrec,\u201d Gazette des Beaux-Arts 12 (1916), p. 100 (ill.).\n\nG. Coquiot, Lautrec (Paris, 1921), p. 109.\n\nAchille Astre, H. de Toulouse-Lautrec (Nilsson, 1925), p. 75.\n\nH. E. Schnackenberg, \u201cNew York Exhibitions,\u201d The Arts 7 (1925), p. 159 (ill.).\n\nMaurice Joyant, Henri de Toulouse-Lautrec, Peintre (Paris, 1926), vol. I, pp. 137-138 (ill.), 275, vol. II, p. 7 (ill.), 247.\n\nMaurice Joyant, \u201cToulouse-Lautrec,\u201d L\u2019Art et les Artistes 14 (1927), pp. 159-160.\n\nArt Institute of Chicago, Annual Report (1928), ill.\n\nFran\u00e7ois Fosca, Lautrec, Les Albums d\u2019Art Druet (1928), p. 1, ill.\n\nMorton Dauwen Zabel, \u201cAn American Gallery of Modern Painting,\u201d Art and Archaeology 26 (December 1928), p. 236, ill.\n\nPaul de Lapparent, Toulouse-Lautrec, Masters of Modern Art (New York, 1928), pp. 27-29, pl. 8.\n\nArt News 26 (June 16, 1928), pp. 1-2.\n\n\u201cVisiting the Art Galleries,\u201d Arts-D\u00e9corations 30 (November 1928), p. 67 (ill.).\n\nDaniel Catton Rich, \u201cAu Moulin Rouge,\u201d Bulletin of The Art Institute of Chicago 23 (1929), pp. 13-15 (ill.).\n\nArt Work 17 (Spring 1929), p. 57, ill.\n\nBulletin de\u2019Art Ancien et Moderne (1929), p. 176.\n\nCatalogue of The Birch Bartlett Collection (1929), pp. 36-37, ill.\n\nL\u2019Art Vivant 6 (February 15, 1930) p. 157, ill.\n\nE. T\u00e9riade, \u201cJeunesse,\u201d Cahiers d\u2019Art 6 (1931), p. 21 (ill.).\n\nRen\u00e9 Huyghe, \u201cAspects of Toulouse-Lautrec,\u201d L\u2019Amour de l\u2019Art (April 1931), fig. 52.\n\nRobert Rey, \u201cL\u2019Exposition Toulouse-Lautrec,\u201d Les Annales (April 15 1931), p. 377.\n\nJ. J. Sweeny, \u201cLa Peinture Fran\u00e7aise Moderne a l\u2019Institute des Beaux-Art de Chicago,\u201d Cahiers d\u2019Art 7 (1932), p. 336.\n\nMac Orlan, Lautrec (1934), p. 180, ill.\n\nDaniel Catton Rich, \u201cA Note on Sharaku\u2019s Influence in Modern Painting,\u201d Bulletin of The Art Institute of Chicago 29 (1935), pp. 5-6 (ill.).\n\nC. J. Bulliet, The Significant Moderns and Their Life (New York, 1936), pl. 122.\n\nJosephine H. Logan, Sanity in Art (Chicago, 1937), p. 110 (ill.).\n\nParnassus 9 (November 1937), p. 39 (ill. only)\n\nGerstle Mack, Toulouse-Lautrec (New York, 1938), pp. 133, 234, 258, pl. 15.\n\nJacques Lassaigne, Toulouse-Lautrec (London and New York, 1939), p. 18, no. 87 (ill.).\n\nT. Squire, \u201cToulouse-Lautrec \u2018Au Moulin Rouge,\u2019\u201d Theatre Arts Monthly 22 (June 1938), pp. 435-438 (ill.).\n\nH. F. Mackenzie, \u201cToulouse-Lautrec and The Moulin Rouge,\u201d Bulletin of The Art Institute of Chicago 33 (1939), pp. 98-99 (ill.).\n\nJ. Rinaldi, Toulouse-Lautrec (Buenos-Aires, 1942).\n\nR. Schoolman and C. E. Slatkin, The Enjoyment of Art in America (Philadelphia, 1942), pl. 551 (ill.).\n\nThe Art Institute of Chicago, Modern Paintings in the Birch Bartlett Memorial from the Birch Bartlett Collection (Chicago, 1946), pp. 46-47 (ill.).\n\nFr. Jourdain, Lautrec (1948), pl. 17.\n\nWalter Kern, Lautrec (1948), pl. 17.\n\nDaniel Catton Rich, Henri de Toulouse-Lautrec \u201cAu Moulin Rouge\u201d in The Art Institute of Chicago, Gallery Book 20 (London, 1949), ill.\n\n\u201cChicago Displays Lautrec Treasures,\u201d Art Digest 23 (July 1, 1949), p. 10.\n\nLife Magazine (1950), p. 248.\n\nFr. Jourdain, Lautrec (1951), pl. 4\n\nArt News 50 (June 1951), p. 20 (ill.).\n\nThe Studio 41 (June 1951), p. 163 (ill.).\n\nAmerican Artist 15 (November 1951), p. 57 (ill. only).\n\nB. Myers, \u201cSymbolism,\u201d American Artist 15 (November 1951), p. 57 (ill.).\n\nFr. Jourdain and J. Adh\u00e9mar, Lautrec (1952), p. 45.\n\nDesign 53 (January 1952), p. 102 (ill. only).\n\n\u201cSoirs de Paris,\u201d Connaissance des Arts 8 (October 15, 1952), p. 39 (ill.)\n\nM. G. Dortu, Toulouse-Lautrec (Paris, 1952), p. 6, ill.\n\nJacques Lassaigne, Le gout de notre temps\u2013Lautrec (1953), p. 47, ill.\n\nEdouard Julian, Towards an Understanding of Toulouse-Lautrec (1953).\n\nSam Hunter, Toulouse-Lautrec (1953), pl. 20.\n\nPierre du Colombier, Toulouse-Lautrec (1953), pl. 20.\n\n\u201cDe David \u00e0 Toulouse-Lautrec dans les Collections et Mus\u00e9es Americains,\u201d Art et Style 34 (1955).\n\nDouglas Cooper, H. de Toulouse-Lautrec (New York, 1955), p. 97, ill.\n\nArt Institute of Chicago Quarterly 49 (April 1955), p. 30, ill.\n\nArt Institute of Chicago, A Brief Guide to the Collections (Chicago, 1956), p. 36, ill.\n\nP. Courthion, Le gout de notre temps\u2013Montmartre (Lausanne, 1956), p. 63.\n\nHerbert Asmodi, Toulouse-Lautrec\u2013Moulin-Rouge (1956), pl. 30.\n\nParis Journal (1958), ill.\n\n\u201cMoulin Rouge,\u201d Daily Mail (February 3, 1961), ill.\n\nPaintings in the Art Institute of Chicago (Chicago, 1961), p. 454.\n\nG\u00e9nies et R\u00e9alit\u00e9s, Toulouse-Lautrec (1962), pp. 94-95, ill.\n\nFrederick Sweet, \u201cGreat Chicago Collectors,\u201d Apollo 84 (September 1966), pp. 196-197 (ill. p. 195, fig. 18).\n\nThe WFMT Guide (November 1966), ill.\n\nRodolfo Palluchini, \u201cL\u2019Art Institute di Chicago,\u201d L\u2019Illustrazione del Medico 33 (February 1966), pp. 14-15, fig. 9.\n\nOtto Dekom, \u201cChicago: Monument of Volunteer Giving,\u201d Evening Journal (Wilmington Delaware, August 1, 1968), p. 29, ill.\n\nWilliam Gaunt, Impressionism, a visual history (New York and Washington, 1970) p. 260, ill. p. 261, pl. 261.\n\nJohn Maxon, The Art Institute of Chicago (New York, 1970), p. 96 and 287.\n\nM. G. Dortu, Toulouse-Lautrec et son oeuvre (New York, 1971), vol. II, p. 258-259 (ill.), peinture no. 427.\n\nDer ber\u00fchmstesten Gem\u00e4lde der Welt (Bergish-Gladbach, 1976), pp. 172-172, ill.\n\nRichard Thompson, Toulouse-Lautrec (London, 1977), p. 68, ill.\n\nL\u2019opera completa di Toulouse-Lautrec (Milan, 1977), p.106, no. 309, figs. 28-29.\n \nThe Art Institute of Chicago: 100 Masterpieces (Chicago, 1978), pp. 118-119, no. 71.\n\nGale B. Murray, \u201cReview of M. G. Dortu, \u2018Toulouse-Lautrec et son oeuvre,\u2019\u201d The Art Bulletin 60 (March 1978), p. 181.\n\nCharles Stuckey, Toulouse-Lautrec: Paintings, exh. cat.(Chicago, 1979), pp. 186-188, no. 52, ill.\n\nDiane Kelder, The Great Book of French Impressionism (New York, 1980) p. 290.\n\nGale B. Murray, \u201cHenri de Toulouse-Lautrec: a checklist of revised dates, 1878-1891,\u201d Gazette des Beaux Arts 95 (February 1980), p. 90. \n\nDaniel and Eugenia S. Robbins, Henri de Toulouse-Lautrec: a selection of works from The Art Institute of Chicago (Chicago, 1980), no. 3.\n\nRichard R. Brettell, \u201cThe Bartletts and the \u2018Grand Jatte:\u2019 Collecting Modern Painting in the 1920s,\u201d Art Institute of Chicago Museum Studies 12 (1986), pp. 103-113.\n\nReinhold Heller, \u201cRediscovering Henri de Toulouse-Lautrec\u2019s \u2018At the Moulin Rouge,\u201d Art Institute of Chicago Museum Studies 12 (1986), pp. 115-135 (ill.).\n\nG. M. Sugana, Tout l\u2019Oeuvre peint de Toulouse-Lautrec (Paris, 1986), p. 417.\n\nRichard R. Brettell, Post-Impressionists (Chicago, 1987), p. 45, ill.\n\nMaster Paintings in the Art Institute of Chicago (Chicago, 1988), p. 70.\n\nDominique Jarrass\u00e9, Henri de Toulouse-Lautrec-Monfa: Entre le mythe et la modernit\u00e9 (Paris, 1991), pl. 42.\n\nToulouse-Lautrec, exh. cat. (Hayward Gallery, London, 1991-1992), pp. 266-268 (ill.).\n\nJames Hall, \u201cInto the limelight: Henri de Toulouse-Lautrec,\u201d Apollo (December 1991) p. 424, ill.\n\nLesley Stevenson, H. de Toulouse-Lautrec (London, 1991), pp. 58, ill., 73-74.\n\nCharles Stuckey, French Painting (New York, 1991), p. 193, ill.\n\nPatrick O\u2019Connor, Nightlife of Paris: the art of Toulouse-Lautrec (New York, 1991).\n\nGuggenheim Museum: Thannhauser Collection (New York, 1992), n. p., ill.\n\nConnaissance des Arts, special number on Toulouse-Lautrec (1992), pp. 36-37, ill.\n\nThomas Parsons, Post-impressionism: the rise of modern art (London, 1992), pp. 57, 72-73, ill.\n\nGerard Durozoi, Toulouse-Lautrec (London, 1992), pp. 94-95, ill.\n\nGale B. Murray, Toulouse-Lautrec: A Retrospective (New York, 1992), pl. 70.\n\nFrank Milner, Toulouse-Lautrec (New York, 1992), pp. 92-93, ill.\n\nGeorge H. Hamilton, Painting and Sculpture in Europe, 1880-1940 (New Haven, 1993), pp. 114-115, fig. 54.\n\nDuane Preble, Artforms: An Introduction to the Visual Arts (New York, 1994), p. 40, fig. 564.\n\nH. W. Janson, History of Art (New York, 1994, 5th edition; 1997, revised ed.), p. 752, ill.\n\nRiva Castleman, Toulouse-Lautrec: posters and prints from the collection of Irene and Howard Stein (Atlanta, 1998), p. 92, ill.\n\nDavid Sweetman, Explosive acts: Toulouse-Lautrec, Oscar Wilde, F\u00e9lix F\u00e9neon and the art & anarchy of the fin de si\u00e8cle (New York, 1999), pp. 282-285 (ill.), 286, 351, 354-355, 357-358, 491.\n\nHelen Gardner, Art Through the Ages (Fort Worth, 2001, eleventh ed.), pp. 914-915, fig. 29-31.\n\nMichael Laclotte, ed., The art and spirit of Paris (New York, 2003), vol. II, pp. 1171-1172, fig, 7.87.\n\nJulia Frey, Toulouse-Lautrec: A Life (London, 1994).\n\nThe Age of Impressionism at the Art Institute of Chicago (New Haven and London, 2008), cat. 62, pp. 132-33 (ill.).\n\nNancy Ireson, \u201cToulouse-Lautrec and Jane Avril: Capturing the Moment.\u201d Toulouse-Lautrec and Jane Avril: Beyond the Moulin Rouge, Exh. cat. (The Courtauld Gallery, 2011), p. 11, p. 72-72, cat. 6. \n\nMarilyn McCully, \u201cPicasso\u2019s Discovery of Paris,\u201d Eating Fire: Picasso in Paris 1900-1907 Exh. cat (Van Gogh Museum and Museu Picasso, 2011), p. 25-26, fig. 4. \n\nMus\u00e9e d'Orsay, Splendeurs & mis\u00e8res, Images de la prostitution, 1850-1910, publisher Flammarion, Paris (Septembre 2015). Cette exposition a \u00e9t\u00e8 organis\u00e9e par le mus\u00e9e d'Orsay, Paris et le Van Gogh Museum, Amsterdam, front cover detail, [232] p.249: Toulouse-Lautrec, At the Moulin Rouge (1928.610), [61] p.109:Toulouse-Lautrec, Moulin de la Galette (1933.458), and [100] p. 138-139 Courbet, M\u00e9r\u00e8 Gr\u00e9goire (1930.78).\n\nAdriano Pedrosa and Luciano Migliaccio, Toulouse-Lautrec em Vermelho [in Red], exh. cat. (Museu de Arte de S\u00e3o Paulo, 2017), p. 118-119, img. 62, 128.\n\nSt\u00e9phane Gu\u00e9gan, Toulouse-Lautrec: R\u00e9solument modern, exh. cat. (Paris: Mus\u00e9e d\u2019Orsay; RMN \u2013 Grand Palaise, 2019), 110, 112-13 cat. 88, 330.\n\nJames Rondeau, ed., Paintings at the Art Institute of Chicago: Highlights of the collection (New Haven and London: Yale University Press, 2025), 94 (ill.).\n\nJames Rondeau, ed., Highlights of the Art Institute of Chicago (New Haven and London: Yale University Press, 2026), 139, 261, no. 102, (ill.).","exhibition_history":"Possibly, Paris, Les XX, January 1892, as Nocturne [see Murray 1980].\n\nParis, Boussod et Valadon, 1893 [according to Toulouse-Lautrec 1991-92].\n\nParis, Le Barc de Boutteville, 7e Exposition des peintures impressionnists et symbolists, July 1894, cat. 84, as Un Coin du Moulin Rouge.\n\nParis, Salon des Ind\u00e9pendants (March 29-May 5, 1902), not in catalogue [see Heller 1986].\n\nParis, Galerie Manzi-Joyant, Exposition Retrospective de l\u2019Oeuvre de H. de Toulouse-Lautrec, June-July 1914, cat. 32.\n\nParis, Galeries Paul Rosenberg, Exposition d\u2019oeuvres de Toulouse-Lautrec, 1914, cat. 19.\n\nBarcelona, Palacio de Bellas Artes, Salon des Artistes Fran\u00e7ais, 1917, cat. 2038. \n\nThe Arts Club of Chicago, Catalogue of an Exhibition of Paintings by Henri de Toulouse-Lautrec, December 1924-January 1925, cat. 7.\n\nParis, Grand Palais, Trente ans d\u2019Art Ind\u00e9pendant, 1926, cat. 3253.\n \nAmsterdam, Stedelijk Museum, Cent Ans de Peinture Fran\u00e7aise, April-May 1928.\n\nNew York, M. Knoedler & Co., A Century of French Painting, 1928, cat. 34 (ill.).\n\nArt Institute of Chicago, Loan Exhibition of Paintings, Drawings, Prints and Posters by Henri de Toulouse-Lautrec, December 23, 1930-January 18, 1931, cat. 19 (ill).\n \nNew York, Museum of Modern Art, Tenth Loan Exhibition: Lautrec-Redon, February-March 1931, cat. 19 (ill.).\n\nParis, Mus\u00e9e des Arts D\u00e9coratifs, Exposition H. de Toulouse-Lautrec, April-May 1931, cat. 92, pl. 5.\n\nThe Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1-November 1, 1933, cat. 371, pl. 63.\n\nThe Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1-November 1, 1934, cat. 325.\n\nToledo, Ohio, Museum of Art, French Impressionists and Post-Impressionists, November 1934, cat. 22.\n\nPittsburgh, Carnegie Institute, A Survey of French Painting, April-May 1936, cat. 33.\n\nCleveland Museum of Art, Twentieth Anniversary Exhibition, The Official Art Exhibit of the Great Lakes Exposition, June-October 1936, cat. 344, pl. 68.\n\nNew York, M. Knoedler & Co., Toulouse-Lautrec, Paintings, Drawings, Posters, November-December 1937, cat. 11 (ill.).\n\nNew York, Century Club, Post-Impressionist Painting, February-April 1949.\n\nParis, Mus\u00e9e de l\u2019Orangerie, De David a Toulouse-Lautrec, Chefs d\u2019Oeuvres des Collections Americaines, April-July 1955, cat. 54, pl. 84.\n\nPhiladelphia Museum of Art, Toulouse-Lautrec (organized with the Albi Museum), October 29-December 11, 1955, cat. 38 (ill.), traveled to The Art Institute of Chicago, January 2-February 15, 1956.\n\nNew York, Museum of Modern Art, Toulouse-Lautrec, Paintings, Drawings, Posters and Lithographs, March 20-May 6, 1956, cat. 19 (ill.).\n\nArt Institute of Chicago, Toulouse-Lautrec: Paintings, October 4-December 2, 1979, cat. 52.\n\nLondon, Hayward Gallery, Toulouse-Lautrec, October 10, 1991-January 19, 1992; Paris, Galeries Nationales du Grand Palais, February 18-June 1, 1992.\n\nAmsterdam, Van Gogh Museum, , Light: The Industrial Age 1750-1900: Art and Science, Technology and Society, October 2000-February 2001, traveled to Pittsbugh, Carnegie Museum of Art, April-July 2001, no cat. no. (ill.), shown in Pittsburgh only.\n\nNational Gallery, Washington, D.C., Toulouse-Lautrec and Montmartre, March 20-June 12, 2005, cat. 66 (ill.), traveled to The Art Institute of Chicago, July 16-October 10, 2005.\n\nFort Worth, Tex., Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29\u2013November 2, 2008, cat. 62 (ill.).\n\nLondon, Courtauld Institute of Art, Toulouse-Lautrec and Jane Avril: Beyond the Moulin Rouge, June 16- September 18, 2011. cat. 6. \n\nParis, Mus\u00e9e d'Orsay, Splendour and Misery, Images of prostitution in France, 1850-1910 < Splendeurs & mis\u00e8res, Images de la prostitution, 1850-1910> September 21, 2015-June 19, 2016. Please note that Toulouse-Lautrec, At the Moulin Rouge (1928.610) was not in Amsterdam, Van Gogh Museum, same exhibition but title \"  Easy Virtue. Prostitution in French Art, 1850-1910, February 19, 2016-June 19, 2016.\n\nParis, Galeries nationales du Grand Palais, Toulouse-Lautrec: Resolutely Modern October 9, 2019 \u2013 January 27, 2020, cat. 88.\n\nMinneapolis Institute of Art, At The Moulin Rouge, Oct. 12, 2024\u2013Mar. 9, 2025, no cat.","provenance_text":"Maurice Joyant, executor of the artist's estate and co-director of Galerie Manzi-Joyant, Paris, by 1902 [according to  Heller 1986]; sold to Manzi [according to Dortu 1971 and Heller 1986]. Jean Laroche, Paris, 1926.  Paul Rosenberg [according to Dortu 1971].  Mssrs. Reid & Lefevre, London, June 1928.  Frederick Clay Bartlett, Chicago; given to the Art Institute, 1928.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":14,"fiscal_year":1928,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":33.589,"color":{"h":38,"l":35,"s":58,"percentage":0.01400309999661994,"population":87},"latitude":41.8795504881539,"longitude":-87.6227517250271,"latlon":"41.879550488154,-87.622751725027","is_on_view":true,"on_loan_display":null,"gallery_title":"Gallery 242","gallery_id":2147479704,"nomisma_id":null,"artwork_type_title":"Painting","artwork_type_id":1,"department_title":"Painting and Sculpture of Europe","department_id":"PC-10","artist_id":40869,"artist_title":"Henri de Toulouse-Lautrec","alt_artist_ids":[],"artist_ids":[40869],"artist_titles":["Henri de Toulouse-Lautrec"],"category_ids":["PC-10","PC-831"],"category_titles":["Painting and Sculpture of Europe","Essentials"],"term_titles":["oil on canvas","nightlife","oil painting","Post-Impressionism","oil paint (paint)","table","performers","performance","dancers","dance","chairs","bars","nineteenth century","19th century","painting techniques","painting","painting","paint","canvas","french","oil paintings (visual works)","paint","painting (image making)","interiors","painting","european painting","women","men","leisure","night scenes","urban life","Century of Progress","world's fairs","Chicago World's Fairs"],"style_id":"TM-7547","style_title":"Post-Impressionism","alt_style_ids":["TM-15636","TM-13203"],"style_ids":["TM-7547","TM-15636","TM-13203"],"style_titles":["Post-Impressionism","nineteenth century","19th century"],"classification_id":"TM-66","classification_title":"oil on canvas","alt_classification_ids":["TM-14976","TM-78","TM-10387","TM-9","TM-54"],"classification_ids":["TM-66","TM-14976","TM-78","TM-10387","TM-9","TM-54"],"classification_titles":["oil on canvas","french","oil paintings (visual works)","paint","painting","european painting"],"subject_id":"TM-12278","alt_subject_ids":["TM-14175","TM-12346","TM-12949","TM-10119","TM-14180","TM-12404","TM-12282","TM-12285","TM-8735","TM-10121","TM-10094","TM-8868","TM-10126","TM-12169","TM-11299","TM-12176"],"subject_ids":["TM-12278","TM-14175","TM-12346","TM-12949","TM-10119","TM-14180","TM-12404","TM-12282","TM-12285","TM-8735","TM-10121","TM-10094","TM-8868","TM-10126","TM-12169","TM-11299","TM-12176"],"subject_titles":["nightlife","table","performers","performance","dancers","dance","chairs","bars","interiors","women","men","leisure","night scenes","urban life","Century of Progress","world's fairs","Chicago World's Fairs"],"material_id":"TM-2451","alt_material_ids":["TM-13502","TM-2577","TM-3124"],"material_ids":["TM-2451","TM-13502","TM-2577","TM-3124"],"material_titles":["oil paint (paint)","painting","paint","canvas"],"technique_id":"TM-4273","alt_technique_ids":["TM-3971","TM-14210","TM-3891"],"technique_ids":["TM-4273","TM-3971","TM-14210","TM-3891"],"technique_titles":["oil painting","painting techniques","painting","painting (image making)"],"theme_titles":["Essentials"],"image_id":"defb4004-b500-218d-3d9b-9a02423f097d","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_boosted":"At the Moulin Rouge","suggest_autocomplete_all":[{"input":["1928.610"],"contexts":{"groupings":["accession"]}},{"input":["At the Moulin Rouge"],"weight":98364,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-08-25T14:04:41-05:00","updated_at":"2026-08-25T23:21:11-05:00","timestamp":"2026-09-01T23:15:51-05:00"},"info":{"license_text":"The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. All other data in this response is licensed under a Creative Commons Zero (CC0) 1.0 designation and the Terms and Conditions of artic.edu.","license_links":["https:\/\/creativecommons.org\/publicdomain\/zero\/1.0\/","https:\/\/www.artic.edu\/terms"],"version":"1.15"},"config":{"iiif_url":"https:\/\/www.artic.edu\/iiif\/2","website_url":"http:\/\/www.artic.edu"}}