{"data":{"id":51374,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/51374","is_boosted":false,"title":"Crouching Tahitian Woman (related to the painting Nafea faa ipoipo [When Will You Marry?])","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBAAFAPQAAHlbOW5rR4puNIR7RoN9SIp6S5pySpl\/TZ18TpF0Vp97VaZ+Ro2EU5mDUpyGWZuFXqeNU66PYb2QY7iVZwAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACH5BAAAAAAALAAAAAAEAAUAAAURIBNA0gAIC5EYR\/EozeQgUQgAOw==","width":1930,"height":2250,"alt_text":"A work made of pastel over charcoal, selectively stumped, on cream wove paper (discolored to tan), squared in black chalk on cream wove paper (discolored to tan)."},"main_reference_number":"1944.578R","has_not_been_viewed_much":false,"boost_rank":null,"date_start":1891,"date_end":1893,"date_display":"1891\/93","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Paul Gauguin\nFrench, 1848-1903","place_of_origin":"France","description":null,"short_description":null,"dimensions":"55.5 \u00d7 48 cm (21 7\/8 \u00d7 18 15\/16 in.)","dimensions_detail":[{"depth":null,"width":48,"height":55,"diameter":null,"clarification":null}],"medium_display":"Pastel over charcoal, selectively stumped, on cream wove paper (discolored to tan), squared in black chalk on cream wove paper (discolored to tan)","inscriptions":null,"credit_line":"Margaret Day Blake Collection","catalogue_display":null,"publication_history":"Sonderbund Westdeutscher Kunstfreunde und K\u00fcnstler, Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und K\u00fcnstler zu C\u00f6ln, exh. cat. (Sonderbund Westdeutscher Kunstfreunde und K\u00fcnstler, 1912), p. 35, cat. 164a.\n\nRalph Flint, \u201cThe Private Collection of Josef Stransky,\u201d Art News 29, no. 33 (May 16, 1931), pp. 87\u201388, 101 (ill.).\n\nJohn Rewald, Gauguin (1938; repr., Hyperion, 1949), pp. 157 (ill.), 167.\n\nJulio E. Payr\u00f3, Paul Gauguin (Poseidon, 1943), p. 65, fig. 7.\n\nMaurice Malingue, Gauguin (Documents d\u2019Art, 1943), pp. 136, 156 (ill.).\n\nCarl Schniewind, Drawings Old and New, exh. cat. (Art Institute of Chicago, 1946), p. 15, cat. 20, pl. 25.\n\n\u201cAbout Drawings: An Interview with Carl. O. Schniewind,\u201d Art Institute of Chicago Bulletin 40, no. 3 (Mar. 1946), pp. 29\u201330 (ill. on cover).\n\nHans Tietze, European Master Drawings in the United States (J. J. Augustin, 1947), pp. 308\u201309, no. 154 (ill.).\n\nKlaus Berger, Franz\u00f6sische Meisterzeichnungen des Neunzehnten Jahrhunderts (Holbein-Verlag, 1949), pp. 30, 87, pl. 53.\n\nKlaus Berger, French Master Drawings of the Nineteenth Century (Harper & Bros., 1950), pp. 29, 87, cat. 53 (ill.).\n\nRegina Shoolman and Charles E. Slatkin, Six Centuries of French Master Drawings in America (Oxford University Press, 1950), pp. 214\u201315, pl. 120 (ill.).\n\nJohn Rewald, Paul Gauguin (Abrams, 1952), p. 4 (ill.).\n\nJohn Rewald, Gauguin (Abrams, 1954), p. 2 (ill.).\n\nMus\u00e9e de l\u2019Orangerie, De David \u00e0 Toulouse-Lautrec: Chefs-d\u2019oeuvres des collections am\u00e9ricaines, exh. cat. ([Presses Artistiques], 1955), cat. 73, pl. 75.\n\nRoseline Bacou and Maurice S\u00e9rullaz, French Drawings: Masterpieces from Seven Centuries, exh. cat. (R. R. Donnelley, 1955), p. 63, cat. 165.\n\nJohn Rewald, Post-Impressionism: From Van Gogh to Gauguin (Museum of Modern Art, New York, 1956), p. 500 (ill.).\n\nFrederick B. Adams, Jr., Carl O. Schniewind, 1900\u20131957: Catalogue of the Carl O. Schniewind Memorial Exhibition of Prints and Drawings, exh. cat. (Art Institute of Chicago, 1958), cat. 13.\n\nHenri Perruchot, Gauguin Tahiti (Hazan, 1958), cover ill., pl. 2.\n\nJohn Rewald, Gauguin Drawings, Bittner Art Book (T. Yoseloff, 1958), p. 29, fig. 47, 74.\n\nVan Wyck Brooks, Paul Gauguin\u2019s Intimate Journals (Indiana University Press, 1958), p. 205 (ill.).\n\nArt Institute of Chicago, Gauguin: Paintings, Drawings, Prints, Sculpture, exh. cat. (Art Institute of Chicago, 1959), pp. 68\u201369, cat. 105.\n\nCarl Georg Heise, Grosse Zeichner des XIX Jahrhunderts (Gebr. Mann, 1959), pp. 179 (ill.), 188, no. 46.\n\nJean Leymarie, Paul Gauguin: Water-colours, Pastels and Drawings in Colour (Faber & Faber, 1960), n.pag., no. 24 (ill.).16 Translated as Gauguin: Aquarelles, pastels et dessins (Skira, 1988), pp. 50\u201351 (ill.).\n\nIra Moskowitz, ed., Great Drawings of All Time, vol. 3 (Shorewood, 1962), n.pag., no. 827 (ill.).\n\nArt Institute of Chicago, Master Drawings from the Art Institute of Chicago: An Exhibition Held at Wildenstein, exh. cat. (Art Institute of Chicago, 1963), cat. 115, pl. 45.\n\nLawrence and Elisabeth Hanson, The Seekers: Gauguin, Van Gogh, Cezanne (Random House, 1963), n.pag. (ill.).\n\nMerete Bodelsen, review of Paul Gauguin: Water-colours, Pastels, and Drawings in Colour by Jean Leymarie, Burlington Magazine 105, no. 723 (June 1963), p. 285.\n\nMerete Bodelsen, Gauguin\u2019s Ceramics: A Study in the Development of His Art (Faber & Faber 1964), pp. 186\u201388, fig. 136.\n\nGeorges Wildenstein, Gauguin, with Raymond Cogniat and Daniel Wildenstein, vol. 1, Catalogue (Beaux-Arts, 1964), pp. 176, 181, under cats. 445, 454.\n\nAlfred Langer, Paul Gauguin (VEB E.A. Seemann, Buch- und Kunstverlag, 1965), pp. 47, 49, 87, pl. 14.\n\nStephen Longstreet, The Drawings of Gauguin (Borden, 1965), n.pag. (ill. and ill. on cover).\n\nAndr\u00e9 Balland, Noa Noa (Andr\u00e9 Balland, 1966), pp. 38, 193 (ill.).\n\nRen\u00e9 Huyghe, Gauguin (Flammarion, 1967), p. 55 (ill.).\n\nParker Taylor, C\u00e9zanne\/Gauguin (World Art Series, 1968), p. 122 (ill.).\n\nMargaret Day Blake, Drawings Given to the Art Institute of Chicago, 1944\u20131970 by Margaret Day Blake, exh. cat. (Art Institute of Chicago, 1970), n.pag., cat. 37 (ill.).\n\nRonald Pickvance, The Drawings of Gauguin (P. Hamlyn, 1970), p. 33; pl. 67; p. 34, pl. 12.\n\nElda Fezzi and Fiorella Minervino, \u201cNoa Noa\u201d e il primo viaggio a Tahiti di Gauguin (Rizzoli, 1974), p. 87, no. 173 (ill.); 174 (ill.)\n\nAlberto Martini, I maestri del colore: Gauguin (1953; 2nd ed., Fratelli Fabbri, 1977), n.pag., fig. 3.\n\nHarold Joachim and Sandra Haller Olsen, French Drawings and Sketchbooks of the Nineteenth Century, vol. 2 (University of Chicago Press, 1979), p. 59, nos. 3E9 and 3E10 (ill.).\n\nRichard Shone, The Post-Impressionists (Book Club Associates, 1980), pp. 96\u201397 (ill).\n\nJoseph-\u00c9mile Muller, Gauguin (Hazan, 1981), p. 36, fig. 31.\n\nMichel Hoog, Paul Gauguin: Life and Work (Rizzoli, 1987), frontispiece (ill.).\n\nRichard R. Brettell, Fran\u00e7oise Cachin, Claire Fr\u00e8ches-Thory, and Charles F. Stuckey, The Art of Paul Gauguin, with assistance from Peter Zegers, exh. cat. (National Gallery of Art, Washington, D.C.\/Art Institute of Chicago\/New York Graphic Society Books, 1988), pp. 265\u201366, cat. 146 (ill.).\n\nRen\u00e9 Huyghe, Gauguin (Crown, 1988), p. 56 (ill.).\n\nVojt\u00each Jirat-Wasiutye\u0144ski and H. Travers Newton, Jr., review, Paul Gauguin: Chicago Art Institute, Burlington Magazine 130, no. 1026 (Sept. 1988), p. 721, fig. 48.\n\nPushkin State Museum of Fine Arts, Gogen, exh. cat. (Sov. Khudozhnik, 1989), p. 156 (ill.).\n\nFran\u00e7oise Cachin, Gauguin (1988; reprint, Flammarion, 2003), p. 148, 308, fig. 156.17\n\nFran\u00e7oise Cachin, Gauguin: Ce malgr\u00e9 moi des sauvage (Gallimard, 1989), pp. 70 (ill.), 190. Translated as Gauguin: The Quest for Paradise (Abrams, 1992), pp. 70 (ill.), p. 190.\n\nAssja Kanto-Gukowskaja with Anna Barskaja and Marina Bessonowa, Paul Gauguin: In den Museen der Sowjetunion (Aurora-Kunstverlag, 1989), p. 92 (ill.).\n\nIngo F. Walther, Paul Gauguin: The Primitive Sophisticate (Benedikt Taschen, 1992), p. 59 (ill.).\n\nBelinda Thomson, ed., Gauguin by Himself (Bullfinch, 1993), pp. 222, 308, fig. 179. \n\nZiva Amishai-Maisels et al., Paul Gauguin: E l\u2019avanguardia russa, exh. cat. (Artificio Edizioni, 1995), p. 78 (ill.).\n\nBelinda Thomson, Gauguin (Thames & Hudson, 1987), p. 149, fig. 133 (ill.).\n\nDouglas Druick and Peter Zegers, Paul Gauguin: Pages from the Pacific, exh. cat. (Auckland City Art Gallery\/Art Institute of Chicago, 1995), pp. 39, 51, cat. 13 (ill.).\n\nAnna Maria Damigella, Paul Gauguin: La vita e l\u2019opera (Mondadori, 1997), p. 162 (ill.).\n\nChristoph Becker, ed., Paul Gauguin: Tahiti, exh. cat. (G. Hatje, 1998), pp. 70\u201371 (ill.); 168, cat. 49.\n\nBritt Salvesen, Gauguin, in association with Douglas W. Druick and Peter Kort Zegers, Artists in Focus (Art Institute of Chicago\/Abrams, 2001), pp. 86, 108, no. 14 (ill.).\n\nBarbara Schaefer, 1912 Mission Moderne: Die Jahrhundertschau des Sonderbundes (Wallraf-Richartz, 2012), p. 559, no. 164a.","exhibition_history":"Cologne, St\u00e4dtische Ausstellungshalle am Aachener Tor, Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und K\u00fcnstler zu C\u00f6ln, May 25\u2013Sept. 30, 1912, cat. 164a, as Tahitanerm\u00e4dchen.\n\nArt Institute of Chicago, Drawings Old and New, 1946, cat. 20, pl. 25, as Tahitian Woman.\n\nParis, Mus\u00e9e de l\u2019Orangerie, De David \u00e0 Toulouse-Lautrec: Chefs-d\u2019oeuvres des collections am\u00e9ricaines, 1955, cat. 73, pl. 75, as Tahitienne.\n\nArt Institute of Chicago, French Drawings: Masterpieces from Seven Centuries, Oct. 13\u2013Nov. 27, 1955, cat. 165, as Tahitian Woman; Minneapolis Institute of Arts, Dec. 2\u201329, 1955; Detroit Institute of Arts, Jan. 7\u2013Feb. 11, 1956; San Francisco, California Palace of the Legion of Honor, Mar. 7\u2013Apr. 10, 1956.\n\nArt Institute of Chicago, Carl O. Schniewind: Memorial Exhibition, Jan. 22\u2013Mar. 3, 1958, cat. 13, as Tahitian Woman.\n\nArt Institute of Chicago, Gauguin: Paintings, Drawings, Prints, Sculpture, Feb. 12\u2013Mar. 29, 1959, cat. 105; New York, Metropolitan Museum of Art, Apr. 21\u2013May 31, 1959.\n\nArt Institute of Chicago, Master Drawings from the Art Institute of Chicago: An Exhibition Held at Wildenstein, Oct. 17\u2013Nov. 30, 1963, cat. 115, pl. 45.\n\nArt Institute of Chicago, A Quarter Century of Collecting: Drawings Given to the Art Institute of Chicago, 1944\u20131970 by Margaret Day Blake, Apr. 28\u2013June 7, 1970, cat. 37 (ill.).\n\nWashington, D.C., National Gallery of Art, The Art of Paul Gauguin, May 1\u2013July 31, 1988, cat. 146; Art Institute of Chicago, Sept. 17\u2013Dec. 11, 1988; Paris, Galeries Nationales du Grand Palais, as Gauguin, Jan. 10\u2013Apr. 20, 1988.\n\nAuckland (New Zealand) City Art Gallery, Paul Gauguin: Pages from the Pacific, Aug. 4\u2013Oct. 15, 1995, cat. 13.\n\nStaatsgalerie Stuttgart, Paul Gauguin: Tahiti, Feb. 7\u2013Jun. 6, 1998, cat. 49.\n\nArt Institute of Chicago, The Broad Spectrum: Color on Paper, Past and Present, Sept. 12\u2013Oct. 31, 1999, not in cat.","provenance_text":"Alphonse Kann (1868-1948) Paris [Flint 1931]. Joseph Stransky (died 1936), New York by May 1931 [Flint 1931].  Sold by Wildenstein and Company, New York, to the Art Institute, 1944.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":3,"fiscal_year":1945,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":true,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":49.0943,"color":{"h":39,"l":43,"s":42,"percentage":0.2770708207981715,"population":2296},"latitude":null,"longitude":null,"latlon":null,"is_on_view":false,"on_loan_display":null,"gallery_title":null,"gallery_id":null,"nomisma_id":null,"artwork_type_title":"Drawing and Watercolor","artwork_type_id":14,"department_title":"Prints and Drawings","department_id":"PC-13","artist_id":34611,"artist_title":"Paul Gauguin","alt_artist_ids":[],"artist_ids":[34611],"artist_titles":["Paul Gauguin"],"category_ids":["PC-13"],"category_titles":["Prints and Drawings"],"term_titles":["chalk","paper (fiber product)","drawings (visual works)","prints and drawing"],"style_id":null,"style_title":null,"alt_style_ids":[],"style_ids":[],"style_titles":[],"classification_id":"TM-209","classification_title":"chalk","alt_classification_ids":["TM-5","TM-4"],"classification_ids":["TM-209","TM-5","TM-4"],"classification_titles":["chalk","drawings (visual works)","prints and drawing"],"subject_id":null,"alt_subject_ids":[],"subject_ids":[],"subject_titles":[],"material_id":"TM-2982","alt_material_ids":[],"material_ids":["TM-2982"],"material_titles":["paper (fiber product)"],"technique_id":null,"alt_technique_ids":[],"technique_ids":[],"technique_titles":[],"theme_titles":[],"image_id":"c54324cd-b9dd-c8ab-9034-94cf6f60a2e7","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[39588477323],"section_titles":["Cat. 46 \u00a0Crouching Tahitian Woman (recto), Seated Tahitian Woman\u00a0(verso), 1891\/93"],"site_ids":[],"suggest_autocomplete_all":[{"input":["1944.578R"],"contexts":{"groupings":["accession"]}},{"input":["Crouching Tahitian Woman (related to the painting Nafea faa ipoipo [When Will You Marry?])"],"weight":2316,"contexts":{"groupings":["title"]}}],"source_updated_at":"2025-07-02T11:22:08-05:00","updated_at":"2026-09-01T03:05:37-05:00","timestamp":"2026-09-17T02:42:16-05:00"},"info":{"license_text":"The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. All other data in this response is licensed under a Creative Commons Zero (CC0) 1.0 designation and the Terms and Conditions of artic.edu.","license_links":["https:\/\/creativecommons.org\/publicdomain\/zero\/1.0\/","https:\/\/www.artic.edu\/terms"],"version":"1.15"},"config":{"iiif_url":"https:\/\/www.artic.edu\/iiif\/2","website_url":"http:\/\/www.artic.edu"}}