{"data":{"id":27987,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/27987","is_boosted":true,"title":"Jacques and Berthe Lipchitz","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhAwAFAPMAADAmJDEpJjYsKjcyMUg1KE5FPVxDNlNGPllDOFJORldNRVNRSkxTU2hPQWpkWQAAACH5BAAAAAAALAAAAAADAAUAAAQLsDlWVhqBAIPEUREAOw==","width":9289,"height":13930,"alt_text":"Large painting, standing man blue turtleneck, sitting woman with white collar."},"main_reference_number":"1926.221","has_not_been_viewed_much":false,"boost_rank":null,"date_start":1916,"date_end":1916,"date_display":"1916","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Amedeo Modigliani\nItalian, 1884\u20131920","place_of_origin":"Italy","description":"<p>After receiving artistic training in Italy, the sculptor and painter Amedeo Modigliani moved to the Parisian neighborhood of Montparnasse in 1906. It was there that he met the artist Jacques Lipchitz, who, wanting to help his financially troubled friend, commissioned Modigliani to paint this portrait on the occasion of his marriage to the Russian poet Berthe Kitrosser. According to Lipchitz, the picture took Modigliani only two days to paint, though Lipchitz persuaded him to work on it for another two weeks in an effort to pay him a larger fee. Despite Modigliani\u2019s exceptional talent, his work only found a market after his death in 1920, which was hastened by tuberculosis and his legendary bohemian lifestyle.<\/p>\n","short_description":"Amedeo Modigliani created his finest paintings between 1914 and his premature death in 1920. Focusing on a limited range of subjects, mainly portraits and nudes, he developed a highly distinctive style of sensitively elongated forms. Sculptor Jacques Lipchitz commissioned Modigliani to paint this portrait on the occasion of his marriage to the poet Berthe Kitrosser as a way of helping his troubled friend financially.","dimensions":"81.3 \u00d7 54.3 cm (32 \u00d7 21 3\/8 in.)","dimensions_detail":[{"depth":null,"width":54,"height":81,"diameter":null,"clarification":null}],"medium_display":"Oil on canvas","inscriptions":"Signed upper right:  modigliani\ninscribed upper center: LIPCHITZ","credit_line":"Helen Birch Bartlett Memorial Collection","catalogue_display":null,"publication_history":"Galerie Montaigne, Exposition r\u00e9trospective des oeuvres de Modigliani exh. cat. (Paris: Galerie Montaigne, 1920), n.p., cat. 14, as Portrait du sculpteur L. et de sa femme.\n\nArt Institute of Chicago, A Guide to Paintings in the Permanent Collection (Chicago: Art Institute, 1925), p. 169, cat. 2294, as Double Portrait.\n\nF., \u201cThe Birch-Bartlett Loan Collection,\u201d Bulletin of the Art Institute of Chicago, XIX, no. 7 (October 1925), p. 82.\n\nArt Institute of Chicago, Modern Paintings in the Helen Birch Bartlett Memorial from the Birch-Bartlett Collection, (Chicago: Art Institute, 1926), pp. 44. 45 (ill.), 59, as Double Portrait.\n\nZabel, Morton Dauwen, \u201cAn American Gallery of Modern Painting,\u201d Art and Archaeology 26, no. 6 (December 1928), p. 235, as Double Portrait.\n\nSherwood, Walter J., \u201cThe Famous Birsh Bartlett Collection,\u201d The Chicago Visitor (October, 1932), p. 40, as Double Portrait.\n\nArt Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture Lent from American Collections (Chicago: Art Institute, 1933), p. 79, cat.  702, as Double Portrait (Jacques Lipchitz and his Wife).\n\nArt Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture (Chicago: Art Institute, 1934), p. 53, cat. 356, as Double Portrait (Jacques Lipchitz and his Wife).\n\nWheeler, Monroe, Twentieth-Century Portraits exh. cat. (New York: Museum of Modern Art, 1942), pp. 16, 140, pl. 66 (ill.), as Double Portrait (M. and Mme. Jacques Lipchitz), 1916\u201317.\n\nArt Institute of Chicago, Modern Paintings in the Helen Birch Bartlett Memorial, from the Birch Bartlett Collection (Chicago: Art Institute, 1946), pp. 36, 37 (ill.), 58, as Double Portrait (Jacques Lipchitz and His Wife).\n\nSoby, James Thrall and Alfred H. Barr, Jr.,  Twentieth-Century Italian Art exh. cat. (New York: Museum of Modern Art, 1949), pp. 24, pl. 52 (ill.), as Jacques Lipchitz and His Wife.\n\nLipchitz, Jacques, \u201cI Remember Modigliani,\u201d Art News 49 (February 1951), pp. 27 (ill.), 28\u201329, 64\u201365.\n\nSixth Quadrennial National Art Exhibition of Rome [VI Quadriennale nazionale d\u2019arte di Roma] (Rome: Palazzo delle Exposizioni, 1951), p. 175, cat. 9, as Jacques Lipchitz e sua moglie, 1917.\n\nSoby, James Thrall, and Alfred H. Barr, Jr., Modigliani: Paintings, Drawings, Sculpture exh. cat. (New York: Museum of Modern Art, 1951), p. 51, as Jacques Lipchitz and his Wife, 1916\u201317.\n\nBucci, Anselmo, \u201cModigliani\u2014Nach Dem Leben,\u201d Das Kunstwerk 6, no. 5 (1952), p. 28 (ill.), as Jacques Lipchitz und seine Frau.\n\nCarli, Enzo, Amedeo Modigliani (Rome: De Luca Editore, 1952), pp. 21-22, 30\u201331, pl. 8 (ill.), cat. 8, as Jacques Lipchitz e sua moglie.\n\nLombardo, Joseph Vincent, \u201c20th Century Italian Art,\u201d Art Education 5, no. 6 (December, 1952), p. 2 (ill.), 7, as Jacques Lipchitz and Wife.\n\nTate Gallery, Twentieth-Century Masterpieces: An Exhibition of Paintings and Sculpture exh. cat. (London: Tate Gallery, 1952), p. 14, cat. 66, pl. III (ill.), as Portrait of Jacques Lipchitz and His Wife, 1917.\n\nLipchitz, Jacques, Amedeo Modigliani 1884-1920 (New York: Harry N. Abrams, 1954), n.p., pl. 45 (ill.), pl. 46 (ill.), as Jacques Lipchitz and his Wife, 1916\u201317.\n\nTaillander, Yvon, \u201cModigliani,\u201d Connaissance des arts 38 (April 15, 1955), p. 65 (ill.), as Le sculpteur Lipchitz et sa femme.\n\nFels, Florent, L\u2019Art vivant de 1900 \u00e1 nos jours (Geneva: 1956), pl. 8 (ill.).\n\nPfannstiel, Arthur, Modigliani et son ouevre (Paris: La Biblioth\u00e8que des Arts, 1956), p. 90, cat. 115, as Jacques Lipchitz et sa femme.\n\nLipchitz, Jacques, Modigliani (London: Beaverbrook Newspapers Ltd., 1958), pp. 4\u20135, 6 (ill.).\n\nModigliani, Jeanne, Modigliani: Man and Myth, translated by Esther Rowland Clifford (New York: Orion Press, 1958), p. 81.\n\nRussoli, Franco, Modigliani, translated by Isabel Quigly (London: Thames and Hudson, 1959), n.p., pl. 13 (ill.), as Jacques Lipchitz and his Wife, 1916.\n\nSchulze, Franz, \u201cChicago: Portraiture at the Institute,\u201d Art News 57, no. 9 (January 1959), p. 49 (ill.), as M. and Mme. Lipchitz.\n\nArt Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute, 1961), p. 315\u201316, as Jacques Lipchitz and His Wife, 1916.\n\nPatai, Irene, Encounters: The Life of Jacques Lipchitz (New York: Funk & Wagnalls Company, 1961), pp. 165\u2013166.\n\nCeroni, Ambrogio, Amedeo Modigliani, dessins et sculptures (Milan: Edizioni del milione, 1965), p. 44, pl. 189 (ill.), as Le sculpteur Jacques Lipchitz et sa femme, 1917.\n\nPavolini, Corrado, Modigliani (New York: UNESCO, 1966), p. 10 (ill.)\n\nWerner, Alfred, Amedeo Modigliani (New York: Harry N. Abrahams, 1966), pp. 108, 109 (ill.), as Portrait of Jacques Lipchitz and his Wife, 1916\u201317.\n\nEl Mundo de los Museos, Instituto de arte de Chicago (Madrid: Editorial Codex, 1967), pp. 13 (ill.), 67 (ill.), fig. 5, as Jacques Lipchitz y su esposo.\n\nSichel, Pierre, Modigliani: A Biography of Amedeo Modigliani (New York: E. P. Dutton & Co., Inc., 1967), p. 336\u2013337, 368\u2013369.\n\nGindertael, R. V., Modigliani e Montparnasse (Milan: Fratelli Fabbri Editori, 1969), p. 15, 43 (ill.), pl. XVII, as Jacques Lipchitz e sua moglie, 1916.\n\nCeroni, Ambrogio, and Leone Piccioni, I dipinti di Modigliani, Classici dell\u2019arte 40 (Milan: Rizzoli, 1970), p. 96 (ill.), cat. 161, pl. XXXI, as Jacques Lipchitz e la moglie, 1917.\n\nLanthemann, J, Modigliani 1884-1920: Catalogue raisonn\u00e9 (Barcelona: Gr\u00e1ficas Condal, 1970), p. 115, 189 (ill.), cat. 116, as Portrait du couple Jacques Lipchitz, 1916.\n\nLipchitz, Jacques, with H. H. Arnason, My Life in Sculpture (New York: The Viking Press, 1972), pp. 28 (ill.), 30, fig. 21, as Portrait of Jacques Lipchitz and His Wife, 1916.\n\nFifield, William, Modigliani (New York: William Morrow and Company, 1976), pp. 199, n.p. (ill.), as Jacques Lipchitz and his Wife, 1916.\n\nWarnod, Jeanne, La Ruche & Montparnasse (Geneva: Weber, 1978), p. 121 (ill.), as Jacques Lipchitz et sa femme, 1917.\n\nHall, Douglas, Modigliani (Oxford: Phaidon, 1979), pp. 16, pl. 29 (ill.), as The Sculptor Lipchitz and his Wife, 1916\n\nMann, Carol, Modigliani (London: Thames and Hudson, 1980), pp. 104, 106, 107 (ill.), 212, fig. 73, as Jacques and Bertha Lipchitz, 1917.\n\nMus\u00e9e Saint-Georges, Modigliani exh. cat. (Liege, Belgium, 1980), p. 36 (ill.), fig. 26, as Portrait Jacques Lipchitz et sa femme, 1917 (cat. only).\n\nSpeyer, A. James, and Courtney Graham Donnell, Twentieth-Century European Paintings (Chicago, 1980), p. 57, cat. 3A1, as Jacques Lipchitz and His Wife, 1916.\n\nZurcher, Bernard, Modigliani (Paris: Fernand Hazan, 1980), p. 17, as Lipchitz.\n\nPelayo, Antonio, \u201c\u2019Modigliani sin leyenda,\u2019 en Par\u00eds,\u201d Ya (Madrid), (April 12, 1981), Culture section (ill.), as Jacques Lipchitz y su esposa.\n\nModigliani, Jeanne, Raconnta Modigliani (Livorno: Edizioni Graphis Arte, 1984), p. 119, n.p. (ill.), as Jacques Lipchitz e la moglie, 1917.\n\nRoy, Claude, Modigliani, trans. by James Emmons and Stuart Gilbert (New York: Skira, 1985), pp. 39, 68\u201369 (ill.), 156, as Jacques Lipchitz and His Wife, 1916.\n\nSilver, Kenneth E., and Romy Golan, The Circle of Montparnasse: Jewish Artists in Paris 1905\u20131945 (New York: The Jewish Museum, 1985), pp. 22\u201323, 24 (ill.), fig. 14, as Portrait of Jacques Lipchitz and His Wife, 1916\u201317.\n\nBenezra, Neal, \u201cA Study in Irony: Modigliani\u2019s Jacques and Berthe Lipchitz,\u201d Museum Studies 12, no, 2 (Art Institute of Chicago: 1986), pp. 188 (ill.), 189-99, 223.\n\nWood, James N., \u201cPreface,\u201d Museum Studies 12, no. 2 (Chicago: Art Institute, 1986), pp.82, 83, 223, cat. 18, as Jacques and Berthe Lipchitz, 1916.\n\nCastieau-Barreille, Th\u00e9r\u00e8se, La Vie et l\u2019oeuvre de Amedeo Modigliani (Paris: Vilo, ACR \u00c9dition, 1987), pp. 166, 167 (ill.), as Jacques Lipchitz et sa femme, 1917.\n\nWood, James, N., and Katharine C. Lee, Master Paintings in the Art Institute of Chicago (Chicago: Art Institute, 1988), p. 123 (ill.), as Jacques and Berthe Lipchitz, 1916\n\nGalleria d\u2019Arte Moderna e Contemporanea, Modigliani a Montparnasse (Milan: Arnoldo Mondadori Editore, 1988), p. 21 (ill.) as Jacques Lipchitz e la moglie, 1917.\n\nParisot, Christian, Modigliani (Livorno: Edizioni Graphis Arte, 1988), pp., 138\u2013139 (ill.), as Lipchitz e la moglie, 1917.\n\nBuisson, Sylvie, La Scuola di Parigi e Modigliani (Livorno: Cassa di Risparmi di Livorno\/Graphis Arte, 1989), pp. 104, 105 (ill.), as Lipchitz e la moglie, 1917\n\nSzabo, George, \u201cA Study in Jealousy: A Drawing by Amedeo Modigliani,\u201d Drawing 10, no. 5 (January\u2013February 1989), pp. 105 (ill.), 106, fig. 1, as Jacques and Berthe Lipchitz, 1916.\n\nParisot, Christian, Modigliani: Catalogue raisonn\u00e9: Dessins, aquarelles, 1 (Livorno: Edizioni Graphis Arte, 1990), pp. 138, 139 (ill.), as Jacques Lipchitz et sa femme, 1917.\n\nRose, June, Modigliani: The Pure Bohemian (London: Constable, 1990), pp. 7, 33, as Jacques and Berthe Lipchitz, 1917.\n\nParisot, Christian, Modigliani: Catalogue raisonn\u00e9: Peintures, dessins, aquarelles, 2 (Livorno: Edizioni Graphis Arte, 1991), pp. 163 (ill.), 310, 311, cat. 27\/1917, as Jacques Lipchitz et sa femme, 1917.\n\nPatani, Osvaldo, Amedeo Modigliani: Catalogo generale, dipinti, 1 (Milan: Leonardo Editore, 1991), p. 181 (ill.), as Jacques Lipchitz e la moglie, 1917.\n\nSchmalenbach, Werner, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen exh. cat. (Munich: Prestel Verlag, 1991), pp. 39 (ill.), 95 (ill.), pl. 45, cat. 49, as Jacques Lipchitz und seine Frau, 1917\n\nButler, Stephen, Modigliani (London: Studio Editions, 1994), pp. 80, 81 (ill.), 143, cat. 81, as Jacques and Bertha Lipchitz, 1916\u201317.\n\nShiff, Bennett, \u201cA Line as Clear and Tensile as a Lightning Flash,\u201d Smithsonian 24, no. 10 (January 1994), pp. 68 (ill.), 70, 72.\n\nWood, James N., and Teri J. Edelstein, The Art Institute of Chicago: Twentieth-Century Painting and Sculpture (Chicago: The Art Institute, 1996), p. 38 (ill.), as Jacques and Berthe Lipchitz, 1916.\n\nKruszynski, Anette, Amedeo Modigliani: Portraits and Nudes (Munich: Prestel, 1996), pp., 60\u201361 (ill.), 119, as Jacques and Bertha Lipchitz, 1917.\n\nKrystof, Doris, Amedeo Modigliani 1884\u20131920: The Poetry of Seeing (New York: Taschen, 1996), pp. 46 (ill.), 47, as Jacques and Berthe Lipchitz, 1916\n\nSotheby\u2019s, Impressionist and Modern Art Part I (November 9, 2000), p. 124 (ill.), 126, fig. 1, as Jacques et Berthe Lipchitz, 1917.\n\nWayne, Kenneth, Modigliani and the Artists of Montparnasse exh. cat. (New York\/Buffalo: Harry H. Abrams\/Albright-Knox Art Gallery, 2002), pp. 32, 86 (ill., cat. 9), as Jacques and Berthe Lipchitz, 1916.\n\nKlein, Mason, ed., Modigliani: Beyond the Myth exh. cat. (Jewish Museum\/Yale University Press, 2004), pp. 11, fig 10 (color ill.); 79.\n\nChiappini, Rudi, ed., Modigliani (Milan: Skira, 2006), pp. 24, 25 (ill.), fig. 4, as Jacques Lipchitz e la moglie, 1917.\n\nStephanie D'Alessandro, with contributions from Ren\u00e9e Devoe Mertz, The Age of Picasso and Matisse: Modern Masters from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago\/Kimball Art Museum, 2013), p. 69 (color ill.).\n\nStephanie D'Alessandro, with contributions from Ren\u00e9e Devoe Mertz, The Age of Picasso and Matisse: Modern Art at the Art Institute of Chicago (Art Institute of Chicago, 2014), p. 69 (color ill.).\n\nBiusson, Silvi, \u201cRussian artists in Paris,\u201d in Modigliani, exh. cat. (Moscow: Red Square Publishing, 2007), pp. 54 (cat. 30), 55 (ill.), 90, as Portrait of Jacques and Berthe Lipchitz, 1917.\n\nC\u00e9cile Girardeau, Peter Kropmanns, Nathalie Lachmann, Christiane Lange, Victoria Noel-Johnson, Beate S\u00f6ntgen, and Ortrud Westheider, Modigliani: Modern Gazes, exh. cat. (Munich: Prestel, 2024), 166, 167 (color ill.), 280.\n\nJames Rondeau, Paintings at the Art Institute of Chicago: Highlights of the Collection (Chicago: The Art Institute of Chicago, 2025), 120 (color ill.).","exhibition_history":"Paris, Galerie Montaigne, Exposition r\u00e9trospective des oeuvres de Modigliani, December 11\u201329, 1920, cat. 14, as Portrait du sculpteur L. et de sa femme.\n\nChicago, The Art Institute of Chicago, Birch-Bartlett Collection of Modern European Paintings, September 8\u2013October 8, 1925; Boston, Art Club, Birch Bartlett Collection of Modern French Painting, December 9\u201326, 1925, cat. 40, as Double Portrait.\n\nChicago, The Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1\u2013November 1, 1933, cat.  702, as Double Portrait (Jacques Lipchitz and his Wife).\n\nChicago, The Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1\u2013November 1, 1934, cat. 356, as Double Portrait (Jacques Lipchitz and his Wife).\n\nNew York, Museum of Modern Art, Twentieth-Century Portraits, December 9, 1942\u2013January 24, 1943, pl. 66, as Double Portrait (M. and Mme. Jacques Lipchitz), 1916\u201317; Baltimore, Baltimore Museum of Art, February 12\u2013March 7, 1943; Worchester Art Museum, March 24\u2013April 18, 1943.\n\nNew York, Museum of Modern Art, Twentieth-Century Italian Art, June 28\u2013September 12, 1949, pl. 52, as Jacques Lipchitz and His Wife.\n\nCleveland, Cleveland Museum of Art, Modigliani: Paintings, Drawings, Sculpture, January 30\u2013March 18, 1951, as Jacques Lipchitz and his Wife, 1916\u201317; New York, Museum of Modern Art, April 11\u2013June 10, 1951.\n\nRome, Palazzo delle Exposizioni, Sixth Quadrennial National Art Exhibition of Rome [VI Quadriennale nazionale d\u2019arte di Roma], December 15, 1951\u2013April 1952, cat. 9, as Jacques Lipchitz e sua moglie, 1917.\n\nParis, Mus\u00e9e national d\u2019arte moderne, May\u2013June 1952, cat. 72; London, Tate Gallery, Arts Council of Great Britain, Twentieth-Century Masterpieces: An Exhibition of Paintings and Sculpture, July 15\u2013August 17, 1952, cat. 66, as Portrait of Jacques Lipchitz and His Wife, 1917.\n\nChicago, The Art Institute of Chicago, The Artist Looks at People, November 13, 1958\u2013January 11, 1959, no cat.\n\nD\u00fcsseldorf, Kunstsammlung Nordrhein-Westfahlen, Amedeo Modigliani: Malerei, Skulpturen, Zeichnungen, January 19\u2013April 1, 1991, cat. 49, as Jacques Lipchitz und seine Frau, 1917; Z\u00fcrich, Kunsthaus Z\u00fcrich, April 19\u2013July 7, 1991.\n\nBuffalo, Albright-Knox Art Gallery, Modigliani and the Artists of Montparnasse, October 19, 2002\u2013January 12, 2003; cat. 9, as Jacques and Berthe Lipchitz, 1916; Fort Worth, Kimbell Art Museum, February 9\u2013May 25, 2003; and Los Angeles, Los Angeles County Museum of Art, June 29\u2013Sept. 28, 2003.\n\nMoscow, Pushkin State Museum of Fine Arts, Modigliani March 21\u2013June 17, 2007, as Portrait of Jacques and Berthe Lipchitz, 1917.   \n\nFort Worth, Kimball Art Museum, The Age of Picasso and Matisse: Modern Masters from the Art Institute of Chicago, Oct. 6, 2013\u2013Feb. 16, 2014, no cat. no.\n\nLondon, Tate Modern, Modigliani, Nov. 23, 2017\u2013Apr. 2, 2018, no cat.\n\nStuttgart, Germany, Staatsgalerie Stuttgart, Modigliani: Modern Gazes, Nov. 24, 2023\u2013Apr. 1, 2024, cat. 40; Potsdam, Museum Barberini, Apr. 27\u2013Aug. 18, 2024 (Stuttgart only).","provenance_text":"Jacques Lipchitz (1891-1973), Paris, acquired directly from the artist, 1916 [Lipchitz 1954]; by exchange to L\u00e9once Rosenberg (1879\u20131947), Galerie de l\u2019Effort Moderne, Paris, c. 1921 [Paris 1920; Lipchitz 1954; Benezra 1986]; sold to Frederick C. (1873\u20131953) and Helen Birch (1883-1925) Bartlett, Chicago, 1922 [Benezra 1986]; upon her death, given to the Art Institute of Chicago, Jan. 27, 1926.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":246,"fiscal_year":1926,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":true,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":23.4946,"color":{"h":66,"l":45,"s":4,"percentage":0.00034545178717975094,"population":447},"latitude":41.8804132028912,"longitude":-87.6218598905297,"latlon":"41.880413202891,-87.62185989053","is_on_view":true,"on_loan_display":null,"gallery_title":"Gallery 391","gallery_id":25474,"nomisma_id":null,"artwork_type_title":"Painting","artwork_type_id":1,"department_title":"Modern Art","department_id":"PC-11","artist_id":35801,"artist_title":"Amedeo Modigliani","alt_artist_ids":[],"artist_ids":[35801],"artist_titles":["Amedeo Modigliani"],"category_ids":["PC-11","PC-831","PC-839"],"category_titles":["Modern Art","Essentials","Save Ferris"],"term_titles":["painting","oil painting","oil paint (paint)","Century of Progress","Modernism","painting (image making)","canvas","modern and contemporary art","world's fairs","Chicago World's Fairs","suits","interiors","couples","portraits"],"style_id":"TM-5981","style_title":"Modernism","alt_style_ids":[],"style_ids":["TM-5981"],"style_titles":["Modernism"],"classification_id":"TM-9","classification_title":"painting","alt_classification_ids":["TM-155"],"classification_ids":["TM-9","TM-155"],"classification_titles":["painting","modern and contemporary art"],"subject_id":"TM-12169","alt_subject_ids":["TM-11299","TM-12176","TM-12649","TM-12285","TM-9130","TM-8658"],"subject_ids":["TM-12169","TM-11299","TM-12176","TM-12649","TM-12285","TM-9130","TM-8658"],"subject_titles":["Century of Progress","world's fairs","Chicago World's Fairs","suits","interiors","couples","portraits"],"material_id":"TM-2451","alt_material_ids":["TM-3124"],"material_ids":["TM-2451","TM-3124"],"material_titles":["oil paint (paint)","canvas"],"technique_id":"TM-4273","alt_technique_ids":["TM-3891"],"technique_ids":["TM-4273","TM-3891"],"technique_titles":["oil painting","painting (image making)"],"theme_titles":["Essentials","Save Ferris"],"image_id":"7e649536-b186-c3f5-3e6d-0d22d5d798ef","alt_image_ids":["ea11274d-3d26-fcd7-d112-d24154cb7b76"],"document_ids":["db2154f5-380a-fce0-dab1-59e6d3c46d16"],"sound_ids":["db2154f5-380a-fce0-dab1-59e6d3c46d16"],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_boosted":"Jacques and Berthe Lipchitz","suggest_autocomplete_all":[{"input":["1926.221"],"contexts":{"groupings":["accession"]}},{"input":["Jacques and Berthe Lipchitz"],"weight":9219,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-07-13T10:50:00-05:00","updated_at":"2026-10-01T20:55:25-05:00","timestamp":"2026-10-04T06:56:54-05:00"},"info":{"license_text":"The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. All other data in this response is licensed under a Creative Commons Zero (CC0) 1.0 designation and the Terms and Conditions of artic.edu.","license_links":["https:\/\/creativecommons.org\/publicdomain\/zero\/1.0\/","https:\/\/www.artic.edu\/terms"],"version":"1.16"},"config":{"iiif_url":"https:\/\/www.artic.edu\/iiif\/2","website_url":"http:\/\/www.artic.edu"}}