{"data":{"id":16554,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/16554","is_boosted":false,"title":"The Artist's House at Argenteuil","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBgAFAPQAAE9QPlRWP1xlRF5gVl1iWmVsTmZiV2VmVGVsVGlvX25wVm5zXHl+XGdsZ21ubW9xanFyZXJ1anx7fYJ\/fYuGc4mJe3eEgn6KjYqEgoKUq46dq4OZsoqhv5uqtwAAAAAAACH5BAAAAAAALAAAAAAGAAUAAAUYYKZxm8JYydUtkBAAVWQUyPE0AzVhkkOEADs=","width":5928,"height":4842,"alt_text":"Among potted flowers and lush foliage, a tiny child in a white dress plays with a hoop. A woman peers at the child from an ivy-covered building at right."},"main_reference_number":"1933.1153","has_not_been_viewed_much":false,"boost_rank":null,"date_start":1873,"date_end":1873,"date_display":"1873","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Claude Monet (French, 1840\u20131926)","place_of_origin":"France","description":"<p>Claude Monet and his family lived at Argenteuil, outside Paris, from 1871 to 1878. Here he depicted his five- or six-year-old son, Jean, playing with a hoop and his wife, Camille, standing in the doorway of their vine-covered house. The pleasant weather and neatly kept garden, a forerunner of the artist\u2019s celebrated garden at Giverny, give a sense of tranquility and well-being to this painting. This was a period of financial security for Monet thanks to recent sales of his work to the Paris art dealer Paul Durand-Ruel.<\/p>\n","short_description":"Claude Monet and his family lived in Argenteuil, outside Paris, from 1871 to 1878. In this painting, he depicted his five- or six-year-old son, Jean, playing with a hoop, and his wife, Camille, standing in the doorway of their vine-covered house. The pleasant weather and neatly kept garden, a forerunner of the artist\u2019s celebrated garden at Giverny, give a sense of tranquility and well-being.","dimensions":"60.2 \u00d7 73.3 cm (23 11\/16 \u00d7 28 7\/8 in.); Framed: 80.7 \u00d7 93.4 \u00d7 11.5 cm (31 3\/4 \u00d7 36 3\/4 \u00d7 4 1\/2 in.)","dimensions_detail":[{"depth":null,"width":73,"height":60,"diameter":null,"clarification":null},{"depth":11,"width":93,"height":80,"diameter":null,"clarification":"Framed"}],"medium_display":"Oil on canvas","inscriptions":"Inscribed lower right: Claude Monet","credit_line":"Mr. and Mrs. Martin A. Ryerson Collection","catalogue_display":"<p>Wildenstein, Claude Monet, biographie et catalogue raisonn\u00e9, 1979 284<\/p>","publication_history":"Foreign Exhibition, Boston, Catalogue of the Art Department, Illustrated, exh. cat. (Mills, Knight & Co., 1883), cat. 11. Simultaneously published in Foreign Exhibition Association, Official Catalogue, Foreign Exhibition, compiled by C. B. Norton (George Coolidge, 1883), p. 214, no. 164. \n\nDurand-Ruel Galleries, New York, Exposition of Forty Paintings by Claude Monet, exh. cat. (Durand-Ruel Galleries, 1895), cat. 32.\n\nDurand-Ruel Galleries, New York, Exhibition of Paintings of Different Periods by Monet, exh. cat. (Durand-Ruel Galleries, 1911), cat. 8. \n\nArt Institute of Chicago, \u201cAccessions and Loans,\u201d Bulletin of the Art Institute of Chicago 16, 3 (May 1922), p. 47.\n\nArt Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1925),  p. 162, cat. 2136. \n\nM. C., \u201cMonets in the Art Institute,\u201d Bulletin of the Art Institute of Chicago 19, 2 (Feb. 1925), p. 19.\n\nDaniel Catton Rich, \u201cThe Paintings of Martin A. Ryerson,\u201d Bulletin of the Art Institute of Chicago 27, 1 (Jan. 1933), p. 9.\n\nArt Institute of Chicago, Catalogue of \u201cA Century of Progress\u201d: Exhibition of Paintings and Sculpture; Lent from American Collections, ed. Daniel Catton Rich, 3rd ed., exh. cat. (Art Institute of Chicago, 1933), p. 43, cat. 298.\n\nArt Institute of Chicago, Catalogue of \u201cA Century of Progress\u201d: Exhibition of Paintings and Sculpture, 1934, ed. Daniel Catton Rich, exh. cat. (Art Institute of Chicago, 1934), p. 36, cat. 209.\n\nArt Institute of Chicago, A Brief Illustrated Guide to the Collections (Art Institute of Chicago, 1935), p. 28.\n\nGeorge Slocombe, \u201cGiver of Light,\u201d Coronet (Mar. 1938), p. 22 (ill.).\n\nArt Institute of Chicago, \u201cDepartment of Reproductions,\u201d Bulletin of the Art Institute of Chicago 38, 5 (Sept.\u2013Oct. 1944), p. 85 (ill.).\n\nArt Institute of Chicago, \u201cDepartment of Reproductions,\u201d Bulletin of the Art Institute of Chicago 38, 6 (Nov. 1944), p. 100.\n\nArt Institute of Chicago, A Brief Illustrated Guide to the Collections (Art Institute of Chicago, 1945), p. 37.\n\nArt Institute of Chicago, \u201cDepartment of Reproductions,\u201d Bulletin of the Art Institute of Chicago 39, 1 (Jan. 1945), p. 14.\n\nArt Institute of Chicago, \u201cChristmas Cards at the Institute,\u201d Bulleting of the Art Institute of Chicago 39, 6 (Nov. 1945), p. 93.\n\nHans Huth, \u201cImpressionism Comes to America,\u201d Gazette des beaux-arts 29 (1946), pp. 228, fig. 2; 229, n. 6; 230.\n\nOscar Reutersw\u00e4rd, Monet: En konstn\u00e4rshistorik (Bonniers, 1948), p. 282.\n\nCharles Fabens Kelley, \u201cChicago: Record Years,\u201d Art News 51, 4 (June\u2013Aug. 1952), p. 54 (ill.).\n\nArt Institute of Chicago, An Illustrated Guide to the Collections of the Art Institute of Chicago (Art Institute of Chicago, 1956), p. 34.\n\nArt Center in La Jolla, Great French Paintings, 1870\u20131910, exh. cat. (Art Center in La Jolla, 1956), p. 11, cat. 8 (ill.).\n\n[Art Institute of Chicago], \u201cHomage to Claude Monet,\u201d Art Institute of Chicago Quarterly 51, 2 (Apr. 1, 1957), p. 26 (ill.).\n\nArt Institute of Chicago, \u201cCatalogue,\u201d Art Institute of Chicago Quarterly 51, 2 (Apr. 1, 1957), p. 33.\n\nArt Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), p. 318. \n\nFrederick A. Sweet, \u201cGreat Chicago Collectors,\u201d Apollo 84 (Sept. 1966), p. 202.\n\nRodolphe Walter, \u201cLes maisons de Claude Monet \u00e0 Argenteuil,\u201d Gazette des beaux-arts (Dec. 1966), front cover (detail); pp. 335; 336, fig. 2.\n\nCharles C. Cunningham and Satoshi Takahashi, Shikago bijutsukan [Art Institute of Chicago], Museums of the World 32 (Kodansha, 1970), p. 56, cat. 42, (ill.); 161.\n\nGerald Needham, \u201cThe Paintings of Claude Monet, 1859\u20131878\u201d (Ph.D. diss., New York University, 1971), pp. 226, 240.\n\nFran\u00e7ois Daulte, Exposition Claude Monet, exh. cat. (Yomiuri Shimbun Sha, 1973), cat. 7 (ill.).\n\nDaniel Wildenstein, Claude Monet: Biographie et catalogue raisonn\u00e9, vol. 1, Peintures, 1840\u20131881 (Biblioth\u00e8que des Arts, 1974), pp. 65; 236; 237, cat. 284 (ill.).\n\nGrace Seiberling, \u201cThe Evolution of an Impressionist,\u201d in Paintings by Monet, ed. Susan Wise, exh. cat. (Art Institute of Chicago, 1975), p. 28.\n\nSusan Wise, ed., Paintings by Monet, exh. cat. (Art Institute of Chicago, 1975), p. 83, cat. 29 (ill.).\n\nAndrew Forge, Claude Monet, exh. cat. (Acquavella Galleries, 1976), cat. 13 (ill.).\n\nAlice Bellony-Rewald, The Lost World of the Impressionists (Weidenfeld & Nicolson, 1976), pp. 124 (ill.), 125.\n\nJoel Isaacson, Claude Monet: Observation and Reflection (Phaidon\/Dutton, 1978), p. 205.\n\nJ. Patrice Marandel, \u201cNew Installation of Earlier Paintings,\u201d Bulletin of the Art Institute of Chicago 73, 1 (Jan.\u2013Feb., 1979), p. 15 (ill.).\n\nPaul Hayes Tucker, Monet at Argenteuil (Yale University Press, 1982), pp. xi; 136; 137; 139; 140, fig. 112; 163.\n\nSylvie Gache-Patin, \u201cPrivate and Public Gardens,\u201d in A Day in the Country: Impressionism and the French Landscape, ed. Andrea P. A. Belloli, exh. cat. (Los Angeles County Museum of Art, 1984), pp. 220; 221, no. 80 (ill.).\n\nSylvie Gache-Patin, \u201cJardins priv\u00e9s et jardins publics,\u201d in R\u00e9union des Mus\u00e9es Nationaux, L\u2019impressionnisme et le paysage fran\u00e7ais, exh. cat. (R\u00e9union des Mus\u00e9es Nationaux, 1985), pp. 226\u201327, no. 80 (ill.); 228.\n\nCharles F. Stuckey, ed., Monet: A Retrospective (Hugh Lauter Levin, 1985), p. 344 (ill.).\n\nArt Institute of Chicago, Seibu Museum of Art, Kyoto Municipal Museum of Art, and Fukuoka Art Museum, eds., Shikago bijutsukan insho-ha ten [The Impressionist tradition: Masterpieces from the Art Institute of Chicago], trans. Akihiko Inoue, Hideo Namba, Heisaku Harada, and Yoko Maeda, exh. cat. (Nihon Nippon Television Network, 1985), pp. 58, cat. 21 (ill.); 140, cat. 21 (ill.).\n\nJohn House, Monet: Nature into Art (Yale University Press, 1986), pp. 5; 6, pl. 3; 18; 30; 34; 80; 115.\n\nRichard R. Brettell, French Impressionists (Art Institute of Chicago\/Abrams, 1987), pp. 16 (ill.), 17, 118.\n\nLeningrad (now Saint Petersburg), State Hermitage Museum, Ot Delakrua do Matissa: Shedevry frantsuzskoi zhivopisi XIX\u2013nachala XX veka, iz Muzeia Metropoliten v N\u2019iu-Iorke i Khudozhestvennogo Instituta v Chikago [From Delacroix to Matisse: Masterpieces of French painting of the nineteenth to the beginning of the twentieth century from the Metropolitan Museum of Art, New York, and the Art Institute of Chicago] exh. cat. (Avrora, 1988), pp. 78\u201379, cat. 28 (ill.).\n\nMary Mathews Gedo, \u201cThe Grande Jatte as the Icon of a New Religion: A Psycho\u2013Iconographic Interpretation,\u201d \"The Grande Jatte at 100,\" special issue, Art Institute of Chicago Museum Studies 14, 2 (1989), pp. 235, fig 10; 237.\n\nMichael Howard, Monet (Brompton, 1989), pp. 82\u201383 (ill.).\n\nRichard R. Brettell, with the assistance from Joachim Pissarro, Pissarro and Pontoise: The Painter in a Landscape (Yale University Press, 1990), p. 175, fig. 153.\n\nRodolphe Rapetti, Monet (Anaya\/Giorgio Mondadori, 1990), p. 29, pl. 9. Translated by Richard Crevier as Monet, Masters\u2019 Gallery (Arch Cape\/Outlet, 1990), p. 29, pl. 9.\n\nKarin Sagner-D\u00fcchting, Claude Monet, 1840\u20131926: Ein Fest f\u00fcr die Augen (Benedikt Taschen, 1990), p. 73 (ill.). Translated by Karen Williams as Claude Monet, 1840\u20131926: A Feast for the Eyes (Taschen, 2004), p. 73 (ill.).\n\nBernard Denvir, Impressionism: The Painters and the Paintings (Studio Editions, 1991), pp. 179; 180, pl. 175; 418.\n\nDaniel Wildenstein, Claude Monet: Biographie et catalogue raisonn\u00e9, vol. 5, Suppl\u00e9ment aux peintures: Dessins; Pastels; Index (Wildenstein Institute, 1991), p. 28, no. 284.\n\nSylvie Patin, Monet: \u201cUn oeil . . . mais, bon Dieu, quel oeil!\u201d (Gallimard\/R\u00e9union des Mus\u00e9es Nationaux, 1991), pp. 45; 46\u201347 (ill., details); 170. Translated by Anthony Roberts as Monet: The Ultimate Impressionist (Abrams, 1993), pp. 45; 46\u201347 (ill., details); 170.\n\nSophie Fourny-Darg\u00e8re, Monet, Profils de l\u2019art (Ch\u00eane, 1992), pp. 60; 61, fig. 6.\n\nArt Institute of Chicago, Treasures of 19th- and 20th-Century Painting: The Art Institute of Chicago, with an introduction by James N. Wood (Art Institute of Chicago\/Abbeville, 1993), p. 57 (ill.).\n\nDerek Fell, The Impressionist Garden (Frances Lincoln, 1994), pp. 68 (ill.), 69, 72.\n\nNancy Nunhead, Claude Monet (Barnes & Noble\/Brompton, 1994), pp. 66\u201367 (ill.).\n\nAndrew Forge, Monet, Artists in Focus (Art Institute of Chicago, 1995), pp. 17; 19 (detail); 21; 22; 69; 75, pl.  4.\n\nCharles F. Stuckey, with the assistance of Sophia Shaw, Claude Monet, 1840\u20131926, exh. cat. (Art Institute of Chicago\/Thames & Hudson, 1995), pp. 51, cat. 28 (ill.); 210; 243.\n\nRa Myuzu Henshubu, Mone: Yureru hikari [Monet] (Kodansha, 1995), pp. 48\u201349, pl. 17; 123.\n\nDaniel Wildenstein, Claude Monet, or The Triumph of Impressionism, cat. rais., vol. 1 (Taschen\/Wildenstein Institute, 1996), pp. 96 (ill.), 103.\n\nDaniel Wildenstein, Claude Monet: Catalogue raisonn\u00e9\/Werkverzeichnis, vol. 2, Nos. 1\u2013968 (Taschen\/Wildenstein Institute, 1996), pp. 120\u201321, cat. 284 (ill.).\n\nCarla Rachman, Monet (Phaidon, 1997), pp. 101; 102\u201303, fig. 72.\n\nLisa N. Peters, Visions of Home: American Impressionist Images of Suburban Leisure and Country Comfort, ed. Lisa N. Peters and Peter M. Lukehart, exh. cat. (Trout Gallery, Dickinson College\/University Press of New England, 1997), p. 25, fig. 8.\n\nArt Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago\/Hudson Hills, 2000), pp. 9, 39 (ill.).\n\nArt Institute of Chicago, Treasures from the Art Institute of Chicago, selected by James N. Wood, commentaries by Debra N. Mancoff (Art Institute of Chicago\/Hudson Hills, 2000), p. 202 (ill.).\n\nPaul Hayes Tucker, The Impressionists at Argenteuil, exh. cat. (National Gallery of Art, Washington, D.C.\/Wadsworth Atheneum Museum of Art\/Yale University Press, 2000), pp. 32; 88\u201389, cat. 18 (ill.).\n\nDebra N. Mancoff, Monet\u2019s Garden in Art (Viking Studio, 2001), pp. 18 (ill.), 19, 21, 22.\n\nSylvie Patin, L\u2019impressionisme (Biblioth\u00e8que des Arts, 2002), pp. 66; 70, no. 47 (ill.); 296.\n\nRichard Shone, The Janice H. Levin Collection of French Art (Metropolitan Museum of Art, New York\/Yale University Press, 2002), p. 22, fig. 8.\n\nDebra N. Mancoff, Monet: Nature into Art (Publications International, 2003), pp. 8 (ill.), 28\u201329 (ill.).\n\nChristoph Becker, \u201cMonet\u2019s Garten,\u201d Monet\u2019s Garten, ed. Christoph Becker, exh. cat. (Kunsthaus Z\u00fcrich\/Hatje Cantz, 2004), pp. 24; 26, cat. 10 (ill.). Translated by Fiona Elliot as \u201cMonet\u2019s Garden,\u201d in Monet\u2019s Garden, ed. Christoph Becker, exh. cat. (Kunsthaus Z\u00fcrich\/Hatje Cantz, 2004), pp. 23; 26, cat. 10 (ill.).\n\nCatherine Hug and Monika Leonhardt, \u201cDer G\u00e4rtner Claude Monet,\u201d Monet\u2019s Garten, ed. Christoph Becker, exh. cat. (Kunsthaus Z\u00fcrich\/Hatje Cantz, 2004), p. 116. Translated by Will Furth as \u201cClaude Monet the Gardener,\u201d in Monet\u2019s Garden, ed. Christoph Becker, exh. cat. (Kunsthaus Z\u00fcrich\/Hatje Cantz, 2004), p. 115.\n\nPaul Soderberg, \u201cMasters and Mentors: Art\u2019s Endless Golden Line,\u201d Plein air (July 2005), p. 60 (ill.).\n\nDorothee Hansen and Wulf Herzogenrath, eds., Monet und Camille: Frauenportraits im Impressionismus, exh. cat. (Kunsthalle Bremen\/Hirmer, 2005), pp. 32, 33 (ill.).\n\nDoris Kutschback, Monet: Seine G\u00e4rten, seine kunst, seine leben (Prestel, 2006), pp. 16\u201317 (ill.). Translated as Living Monet: The Artist\u2019s Gardens (Prestel, 2006), pp. 16\u201317 (ill.).\n\nSidel Maria S\u00f8ndergaard, \u201cWomen in Impressionism: An Introduction,\u201d in Women in Impressionism: From Mythical Feminine to Modern Woman, ed. Sidsel Maria S\u00f8ndergaard, exh. cat. (Ny Carlsberg Glyptotek\/Skira, 2006), p. 32.\n\nJohn House, \u201cWomen Out of Doors,\u201d in Women in Impressionism: From Mythical Feminine to Modern Woman, ed. Sidsel Maria S\u00f8ndergaard, exh. cat. (Ny Carlsberg Glyptotek\/Skira, 2006), p. 158.\n\nNorio Shimada, Claude Monet, Great Masters of Western Art 1 (Shogakukan, 2006), p. 61 (ill.).\n\nRuth E. Iskin, \u201cWas There a New Woman in Impressionist Painting?,\u201d in Women in Impressionism: From Mythical Feminine to Modern Woman, ed. Sidsel Maria S\u00f8ndergaard, exh. cat. (Ny Carlsberg Glyptotek\/Skira, 2006), p. 217, fig. 192\/cat. 63; 311.\n\nKatja Matauschek, \u201c\u2018Field\u2019 Studies: Observations on the Painting Technique and Condition of Monet\u2019s Fields in Spring,\u201d in Christian von Holst and Christofer Conrad, with contributions by Roman Zieglg\u00e4nsberger and Katja Matauschek, Claude Monet: Fields in Spring, exh. cat. (Staatsgalerie Stuttgart\/Hatje Cantz, 2006), p. 146.\n\nEric M. Zafran, \u201cMonet in America,\u201d in Wildenstein and Co., Claude Monet (1840\u20131926): A Tribute to Daniel Wildenstein and Katia Granoff, exh. cat. (Wildenstein, 2007), pp. 85\u201386; 87, fig. 10.\n\nDenis Rouart, \u201cAppearances and Reflections,\u201d in Denis Rouart and Jean-Dominique Rey, with a cat. rais. by Julie Rouart, Monet, Water Lilies: The Complete Series, trans. David Radzinowicz (Flammarion\/Rizzoli, 2008), pp. 22, 25. Simultaneously revised and published in French as Denis Rouart and Jean-Dominique Rey, with a cat. rais. by Julie Rouart, Monet, les nymph\u00e9as (Flammarion, 2008).\n\nGeorge T. M. Shackelford, Monet and the Impressionists, exh. cat. (Art Gallery of New South Wales\/Yale University Press, 2008), pp. 27; 31, n. 17.\n\nGloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago\/Kimbell Art Museum, 2008), pp. 46 (detail); 47, cat. 12 (ill.). Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago\/Yale University Press, 2008), pp. 46 (detail); 47, cat. 12 (ill.). \n\nRuth Butler, Hidden in the Shadow of the Master: The Model-Wives of C\u00e9zanne, Monet, and Rodin (Yale University Press, 2008), pp. 159 (ill.), 175.\n\nClaudia Beltramo Ceppi, Monet: Il tempo delle ninfee, exh. cat. (Palazzo Reale\/Giunti, 2009), p. 44.\n\nSusie Hodge, Monet: His Life and Works in 500 Images (Lorenz, 2009), p. 128 (ill.).\n\nGabrielle van Zuylen, \u201cL\u2019oeil du jardini\u00e8re . . . Claude Monet,\u201d in Le jardin de Monet \u00e0 Giverny: L\u2019invention d\u2019un paysage, exh. cat. (Mus\u00e9e des Impressionnismes, Giverny\/Five Continents, 2009), pp. 40; 41, ill. 2. Translated by Gabrielle van Zuylen as \u201cThe Eye of a Gardener . . . Claude Monet,\u201d in Monet\u2019s Garden in Giverny: Inventing the Landscape, trans. Simon Pleasance and Fronza Woods, exh. cat. (Mus\u00e9e des Impressionnismes, Giverny\/Five Continents, 2009), pp. 40; 41, fig. 2; 43.\n\nGreg M. Thomas, Impressionist Children: Childhood, Family, and Modern Identity in French Art (Yale University Press, 2010), pp. 31; 115; 116, fig. 105; 184.\n\nMary Mathews Gedo, Monet and His Muse: Camille Monet in the Artist\u2019s Life (University of Chicago Press, 2010), pp. 127, fig. 8.10; 128.\n\nClare A. P. Willsdon, Impressionist Gardens, exh. cat. (National Galleries of Scotland, 2010), pp. 2\u20133 (ill.); 4; 48, cat. 18 (ill.); 146\u201347, cat. 18.\n\nCaroline Holmes, Impressionists in their Garden (Antique Collectors\u2019 Club, 2012), pp. 170\u201371 (ill.).\n\n\u201cCat. 15: The Artist\u2019s House at Argenteuil, 1873\u201d in Monet Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014), <a href=\"https:\/\/publications.artic.edu\/monet\/reader\/paintingsanddrawings\/section\/135470\">https:\/\/publications.artic.edu\/monet\/reader\/paintingsanddrawings\/section\/135470<\/a>.\n\nAnn Dumas and William H. Robinson, eds., Painting the Modern Garden: Monet to Matisse, exh. cat. (London: Royal Academy of Arts, 2015), 96 cat. 9.\n\nMarco Goldin, ed., Storie dell'Impressionismo: I grandi protagonist da Monet a Renoir da Van Gogh a Gauguin (Linea d\u2019ombre, 2016), 276-77 (color ill.) 412 cat. 43.\n\nJill Shaw, Monet: Framing Life, cat. exh. (The Detroit Institute of Art\/ Yale University Press, 2017), 15, 27, 50, cat. 2 (ill), 60. \n\n\"Detroit Institute of Arts to open two major painting exhibitions October 22: 'Monet: Framing Life' and 'Church: A Painter\u2019s Pilgrimage',\" ArtfixDaily, September 17, 2017, ill.\n\nClaude Monet: The Truth of Nature, exh. cat. (Denver Art Museum\/Prestel, 2019), 148-149, 266, 280.\n\nGloria Groom, et. al. Monet and Chicago, exh. Cat. (Chicago: Art Institute, 2020), 25, 31, 56 cat. 21, 131.\n\nCyrille Sciama, ed., Les Enfants de l'impressionnisme, exh. cat. (Paris: Editions Flammarion, 2023), cover ill., 150-51 cat. 92.","exhibition_history":"Possibly Paris, Durand-Ruel, Exposition des oeuvres de Cl. Monet, Mar. 1\u201325, 1883, no cat. no. \n\nPossibly Boston, American Exhibition of Foreign Products, Art and Manufactures, Art Department, Sept. 1\u2013Dec. 1, 1883, cat. 11, as My Garden. \n\nLondon, Dudley Gallery, Egyptian Hall, Piccadilly, Exposition de tableaux Impressionnistes appartenant \u00e0 Durand-Ruel, May, 1884, no cat. no.\n\nNew York, Durand-Ruel Galleries, Exposition of Forty Paintings by Claude Monet, Jan. 12\u201327, 1895, cat. 32, as Maison de Monet \u00e0 Argenteuil, 1872. \n\nNew York, Durand-Ruel Galleries, Exhibition of Paintings of Different Periods by Monet, Feb. 8\u201325, 1911, cat. 8, as Maison de Monet \u00e0 Argenteuil, 1872. \n\nArt Institute of Chicago, \u201cA Century of Progress\u201d: Loan Exhibition of Paintings and Sculpture, May 23\u2013Nov. 1, 1933, cat. 298.\n\nArt Institute of Chicago, \u201cA Century of Progress\u201d: Loan Exhibition of Paintings and Sculpture for 1934, June 1\u2013Oct. 31, 1934, cat. 209. \n\nChicago, Lakeside Press Galleries, R. R. Donnelley & Sons, Dec. 27, 1944\u2013Jan. 24, 1945, no cat. \n\nArt Center in La Jolla (Calif.), Great French Paintings, 1870\u20131910, June 15\u2013July 26, 1956, cat. 8 (ill.).\n\nArt Institute of Chicago, The Paintings of Claude Monet, Apr. 1\u2013June 15, 1957, no cat. no. \n\nTokyo, Galeries Seibu, Claude Monet, Mar. 30\u2013May 15, 1973, cat. 7 (ill.); Kyoto Municipal Museum, May 19\u2013June 26, 1973; Centre Culturel de Fukuoka, July 11\u201329, 1973.\n\nArt Institute of Chicago, Paintings by Monet, Mar. 15\u2013May 11, 1975, cat. 29 (ill.). \n\nNew York, Acquavella Galleries, Claude Monet, Oct. 27\u2013Nov. 28, 1976, cat. 13 (ill.).\n\nLos Angeles County Museum of Art, A Day in the Country: Impressionism and the French Landscape, June 28\u2013Sept. 16, 1984, cat. 80 (ill.); Art Institute of Chicago, Oct. 23, 1984\u2013Jan. 6, 1985; Paris, Galeries Nationales d\u2019Exposition du Grand Palais, as L\u2019impressionnisme et le paysage fran\u00e7ais, Feb. 4\u2013Apr. 22, 1985.\n\nTokyo, Seibu Museum of Art, Shikago bijutsukan insho-ha ten [The impressionist tradition: Masterpieces from the Art Institute of Chicago], Oct. 18\u2013Dec. 17, 1985, cat. 21 (ill.); Fukuoka Art Museum, Jan. 5\u2013Feb. 2, 1986; Kyoto Municipal Museum of Art, Mar. 4\u2013Apr. 13, 1986.\n\nLeningrad [St. Petersburg], Hermitage Museum, Ot Delakrua do Matissa: shedevry frantsuzsko\u012d zhivopici XIX-nachala XX veka, iz Muieia Metropoliten v Niu-\u012corke i Khudozhestvennogo Instituta v Chikago [From Delacroix to Matisse: Great Paintings From the XIX century to the Beginning of the XXth century From Metropolitan Museum of Art in New York and the Art Institute of Chicago], March 15-May 19, 1988, cat. 28; Moscow, Pushkin Museum, June 10-July 30, 1988.\n\nArt Institute of Chicago, Claude Monet, 1840\u20131926, July 22\u2013Nov. 26, 1995, cat. 28 (ill.).\n\nWashington, D.C., National Gallery of Art, The Impressionists at Argenteuil, May 28\u2013Aug. 20, 2000, cat. 18 (ill.); Hartford, Conn., Wadsworth Atheneum Museum of Art, Sept. 6\u2013Dec. 3, 2000.\n\nKunsthaus Z\u00fcrich, Monet\u2019s Garten, Oct. 29, 2004\u2013Mar. 13, 2005, cat. 10 (ill.). \n\nCopenhagen, Ny Carlsberg Glyptotek, Women in Impressionism: From Mythical Feminine to Modern Woman, Oct. 6, 2006\u2013Jan. 21, 2007, cat. 63 (ill.).\n\nFort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29\u2013Nov. 2, 2008, cat. 12 (ill.).\n\nEdinburgh, National Gallery of Scotland, Impressionist Gardens, July 31\u2013Oct. 17, 2010, cat. 18 (ill.); Madrid, Museo Thyssen-Bornemisza, Nov. 16, 2010\u2013Feb. 14, 2011 (Edinburgh only). \n\nCleveland, Ohio, Cleveland Museum of Art, Painting the Modern Garden: Monet to Matisse, Oct. 11, 2015-Jan.3, 2016, cat. 9.\n\nTreviso, Museo di Santa Caterina, Storie dell'Impressionismo, October 29, 2016-April 17, 2017, cat. 43.\n\nDetroit, Monet: Framing Life, Oct. 22, 2017-March 4, 2018, cat. 2 (ill.). \n\nDenver, Colorado, Denver Art Museum, Claude Monet: The Truth of Nature, Oct. 10 2019 - Feb. 2, 2020.  \n\nArt Institute of Chicago, Monet and Chicago, September 5, 2020-June 14, 2021, cat. 21.\n\nMus\u00e9e des impressionnismes Giverny, Les Enfants de l'impressionnisme. Au-del\u00e0 des images, Mar. 31 - July 2, 2023, cat. 92.","provenance_text":"The artist (d. 1926); possibly sold to Alexandre Dubourg, Paris, 1873 [per Wildenstein 1996, the Durand-Ruel Archives could not verify this information, as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file]; possibly sold to Durand-Ruel, Paris, Jan. 9, 1882 [per Wildenstein 1996, the Durand-Ruel Archives could not verify this information: \u201cDurand-Ruel Paris (stock 2147) ach\u00e8te \u00e0 Dubourg un tableau de Monet intitul\u00e9 Son jardin le 9 janvier 1882 mais nous n\u2019avons aucune preuve qu\u2019il s\u2019agisse du tableau du AIC,\u201d Durand-Ruel, Paris, stock book for 1880\u201382 and stock book for 1880\u201384; as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file]. Durand-Ruel, Paris, Apr. 29, 1890, for 1,500 francs [this and the following per Durand-Ruel, Paris, stock book May 1, 1890 (no. 277, as Maison de l\u2019artiste), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file; in the same letter, the Durand-Ruel Archives state that they do not know from whom the painting was purchased]; sold to Potter Palmer, Chicago, July 8, 1891, for 5,000 francs; sold to Durand-Ruel, New York, Nov. 23, 1894, for $2,500 [this and the following per Durand-Ruel, New York, stock book for 1894\u20131905 (no. 1279, as Sa Maison \u00e0 Argenteuil), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file]; sold to Martin A. Ryerson (d. 1932), Chicago, Apr. 24, 1912, for $6,200 [see previous; a purchase receipt on Durand-Ruel letterhead, dated May 23, 1912, includes this painting as one of several sold by Durand-Ruel, New York, to M. A. Ryerson, photocopy in curatorial object file]; bequeathed to the Art Institute of Chicago, 1933.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":14,"fiscal_year":1933,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":true,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":25.0588,"color":{"h":56,"l":38,"s":46,"percentage":0.004655300835885128,"population":27},"latitude":null,"longitude":null,"latlon":null,"is_on_view":true,"on_loan_display":null,"gallery_title":"Gallery 201","gallery_id":2147483643,"nomisma_id":null,"artwork_type_title":"Painting","artwork_type_id":1,"department_title":"Painting and Sculpture of Europe","department_id":"PC-10","artist_id":35809,"artist_title":"Claude Monet","alt_artist_ids":[],"artist_ids":[35809],"artist_titles":["Claude Monet"],"category_ids":["PC-10"],"category_titles":["Painting and Sculpture of Europe"],"term_titles":["oil on canvas","oil painting","Impressionism","landscapes","oil paint (paint)","nineteenth century","19th century","painting techniques","painting (image making)","painting","painting","paint","canvas","paint","oil paintings (visual works)","french","garden","girl","woman","trees","flowers","house","homes","France","toys","toy","foliage","bushes","painting","european painting","children","weather\/seasons","leisure","domestic scenes","families","Century of Progress","world's fairs","Chicago World's Fairs"],"style_id":"TM-7543","style_title":"Impressionism","alt_style_ids":["TM-15636","TM-13203"],"style_ids":["TM-7543","TM-15636","TM-13203"],"style_titles":["Impressionism","nineteenth century","19th century"],"classification_id":"TM-66","classification_title":"oil on canvas","alt_classification_ids":["TM-10387","TM-78","TM-14976","TM-9","TM-54"],"classification_ids":["TM-66","TM-10387","TM-78","TM-14976","TM-9","TM-54"],"classification_titles":["oil on canvas","paint","oil paintings (visual works)","french","painting","european painting"],"subject_id":"TM-8657","alt_subject_ids":["TM-15203","TM-15436","TM-13813","TM-11205","TM-10482","TM-14552","TM-12546","TM-12288","TM-13271","TM-15105","TM-11206","TM-15367","TM-10118","TM-10095","TM-10094","TM-10120","TM-10123","TM-12169","TM-11299","TM-12176"],"subject_ids":["TM-8657","TM-15203","TM-15436","TM-13813","TM-11205","TM-10482","TM-14552","TM-12546","TM-12288","TM-13271","TM-15105","TM-11206","TM-15367","TM-10118","TM-10095","TM-10094","TM-10120","TM-10123","TM-12169","TM-11299","TM-12176"],"subject_titles":["landscapes","garden","girl","woman","trees","flowers","house","homes","France","toys","toy","foliage","bushes","children","weather\/seasons","leisure","domestic scenes","families","Century of Progress","world's fairs","Chicago World's Fairs"],"material_id":"TM-2451","alt_material_ids":["TM-13502","TM-2577","TM-3124"],"material_ids":["TM-2451","TM-13502","TM-2577","TM-3124"],"material_titles":["oil paint (paint)","painting","paint","canvas"],"technique_id":"TM-4273","alt_technique_ids":["TM-3971","TM-3891","TM-14210"],"technique_ids":["TM-4273","TM-3971","TM-3891","TM-14210"],"technique_titles":["oil painting","painting techniques","painting (image making)","painting"],"theme_titles":[],"image_id":"7d533ed4-ff54-fa2c-64f4-2b16bfbb5880","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[36725378204],"section_titles":["Cat. 15 \u00a0The Artist\u2019s House at Argenteuil, 1873"],"site_ids":[],"suggest_autocomplete_all":[{"input":["1933.1153"],"contexts":{"groupings":["accession"]}},{"input":["The Artist's House at Argenteuil"],"weight":21430,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-10-01T15:02:55-05:00","updated_at":"2026-10-05T23:25:42-05:00","timestamp":"2026-10-10T21:56:06-05:00"},"info":{"license_text":"The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. 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