{"@context":"http:\/\/iiif.io\/api\/presentation\/2\/context.json","@id":"https:\/\/api.artic.edu\/api\/v1\/artworks\/16487\/manifest.json","@type":"sc:Manifest","label":"The Bay of Marseille, Seen from L'Estaque","description":[{"value":"In a letter to his friend and teacher Camille Pissarro, Paul C\u00e9zanne compared the view of the sea from L\u2019Estaque to a playing card, with its simple shapes and colors. The landscape\u2019s configuration and color fascinated him. This painting is one of more than a dozen such vistas created by the artist during the 1880s. C\u00e9zanne divided the canvas into four zones\u2014architecture, water, mountain, and sky. Although these four elements are seen repeatedly in Impressionist paintings, C\u00e9zanne\u2019s work is very different from that of his fellow artists. Whereas their primary purpose was to record the transient effects of light, C\u00e9zanne was interested in the underlying structure and composition of the views he painted. Filling the canvas with shapes defined by strong, contrasting colors and a complex grid of horizontal, vertical, and diagonal lines, he created a highly compact, dynamic pattern of water, sky, land, and village that at once refers back to traditionally structured landscape paintings and looks forward to the innovations of Cubism. Using blocklike brushstrokes to build the space, C\u00e9zanne created a composition that seems both two- and three-dimensional. Not locked tightly in place, his forms appear to touch and shift continually, creating a sense of volume and space that strengthens the composition and brings it to life.\n","language":"en"}],"metadata":[{"label":"Artist \/ Maker","value":"Paul Cezanne (French, 1839\u20131906)"},{"label":"Medium","value":"Oil on canvas"},{"label":"Dimensions","value":"80.2 \u00d7 100.6 cm (31 5\/8 \u00d7 39 5\/8 in.); Framed: 107.4 \u00d7 127.4 \u00d7 10.5 cm (42 1\/4 \u00d7 50 1\/8 \u00d7 4 1\/8 in.)"},{"label":"Object Number","value":"1933.1116"},{"label":"Collection","value":"<a href='http:\/\/www.artic.edu\/collection' target='_blank'>Art Institute of Chicago<\/a>"}],"attribution":"Digital image courtesy of the Art Institute of Chicago.","logo":"https:\/\/raw.githubusercontent.com\/Art-Institute-of-Chicago\/template\/main\/aic-logo.gif","within":"http:\/\/www.artic.edu\/collection","rendering":{"@id":"http:\/\/www.artic.edu\/artworks\/16487","format":"text\/html","label":"Full record"},"sequences":[{"@type":"sc:Sequence","canvases":[{"@type":"sc:Canvas","@id":"https:\/\/www.artic.edu\/iiif\/2\/d4ca6321-8656-3d3f-a362-2ee297b2b813","label":"The Bay of Marseille, Seen from L'Estaque, c. 1885. Paul Cezanne (French, 1839\u20131906)","width":843,"height":676,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","on":"https:\/\/www.artic.edu\/iiif\/2\/d4ca6321-8656-3d3f-a362-2ee297b2b813","resource":{"@type":"dctypes:Image","@id":"https:\/\/www.artic.edu\/iiif\/2\/d4ca6321-8656-3d3f-a362-2ee297b2b813\/full\/843,\/0\/default.jpg","width":843,"height":676,"service":{"@context":"http:\/\/iiif.io\/api\/image\/2\/context.json","@id":"https:\/\/www.artic.edu\/iiif\/2\/d4ca6321-8656-3d3f-a362-2ee297b2b813","profile":"http:\/\/iiif.io\/api\/image\/2\/level2.json"}}}]}]}]}