{"@context":"http:\/\/iiif.io\/api\/presentation\/2\/context.json","@id":"https:\/\/api.artic.edu\/api\/v1\/artworks\/16362\/manifest.json","@type":"sc:Manifest","label":"Friar Pedro Shoots El Maragato as His Horse Runs Off","description":[{"value":"In the summer of 1806 in Spain, on the run after a prison escape, the dreaded bandit El Maragato overtook a family in their home and held them hostage. Among the family members was Pedro de Zaldivia, a lay Franciscan brother who stopped by the house to beg for alms. The humble monk ended up turning the tables on his captor, seizing El Maragato\u2019s ri\ufb02e and shooting him in the thigh to subdue him before he could grab another gun from his horse. The story of the heroic friar swept through Spain, not only via reports in newspapers and pamphlets but also in ballads and prints.\nAlthough at the time Francisco Goya was chief painter to the Spanish king, he was interested in the range of human experience, including current events, and the tale of Zaldivia and El Maragato evidently captured his imagination. This small, lively painting belongs to a series of six at the Art Institute, which, like a modern-day comic strip, dramatically illustrates the story. The climactic scene here presents the bandit\u2019s degrading and humorous downfall. As in all the panels, Goya\u2019s broad, quick brushwork dispenses with unnecessary detail to pinpoint the essential drama of the moment.\nThis narrative series stands in marked contrast to the portraits of royalty and nobility that make up much of Goya\u2019s painted works. His other small-format paintings similarly treat traditional pastimes, superstitions, and scenes from daily life with a popular realism that is oft en darkly comic in tone. Goya may have created the El Maragato series for his own amusement rather than as a commission, since they were still listed among his possessions in an 1812 inventory.\n","language":"en"}],"metadata":[{"label":"Artist \/ Maker","value":"Francisco Jos\u00e9 de Goya y Lucientes (Spanish, 1746\u20131828)"},{"label":"Medium","value":"Oil on panel"},{"label":"Dimensions","value":"29.2 \u00d7 38.5 cm (11 1\/2 \u00d7 15 5\/8 in.); Framed: 41.3 \u00d7 51.4 \u00d7 6.4 cm (16 1\/4 \u00d7 20 1\/4 \u00d7 2 1\/2 in.)"},{"label":"Object Number","value":"1933.1075"},{"label":"Collection","value":"<a href='http:\/\/www.artic.edu\/collection' target='_blank'>Art Institute of Chicago<\/a>"}],"attribution":"Digital image courtesy of the Art Institute of Chicago.","logo":"https:\/\/raw.githubusercontent.com\/Art-Institute-of-Chicago\/template\/main\/aic-logo.gif","within":"http:\/\/www.artic.edu\/collection","rendering":{"@id":"http:\/\/www.artic.edu\/artworks\/16362","format":"text\/html","label":"Full record"},"sequences":[{"@type":"sc:Sequence","canvases":[{"@type":"sc:Canvas","@id":"https:\/\/www.artic.edu\/iiif\/2\/622998f1-73f9-4c96-08cf-60bda7c9ce4b","label":"Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806. Francisco Jos\u00e9 de Goya y Lucientes (Spanish, 1746\u20131828)","width":843,"height":636,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","on":"https:\/\/www.artic.edu\/iiif\/2\/622998f1-73f9-4c96-08cf-60bda7c9ce4b","resource":{"@type":"dctypes:Image","@id":"https:\/\/www.artic.edu\/iiif\/2\/622998f1-73f9-4c96-08cf-60bda7c9ce4b\/full\/843,\/0\/default.jpg","width":843,"height":636,"service":{"@context":"http:\/\/iiif.io\/api\/image\/2\/context.json","@id":"https:\/\/www.artic.edu\/iiif\/2\/622998f1-73f9-4c96-08cf-60bda7c9ce4b","profile":"http:\/\/iiif.io\/api\/image\/2\/level2.json"}}}]}]}]}