{"data":{"id":16159,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/16159","is_boosted":false,"title":"Ecce Agnus Dei","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhAwAFAPMAADYqFzgoFUs8IFVKJllMJ1xMKFxRNWRRKmVWKWFQLXJYL3ZcLWFWM3dXMHdUOAAAACH5BAAAAAAALAAAAAADAAUAAAQLEAQxCFLruGYSKxEAOw==","width":4909,"height":9108,"alt_text":"A work made of tempera on panel."},"main_reference_number":"1933.1011","has_not_been_viewed_much":false,"boost_rank":null,"date_start":1455,"date_end":1460,"date_display":"1455\u201360","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Giovanni di Paolo (Italian, 1398\u20131482)","place_of_origin":"Italy","description":"<p>This series of panels illustrates scenes from the life of Saint John the Baptist, a prophet who foretold Jesus\u2019s arrival as the Christian savior. The Art Institute\u2019s collection includes <a href=\"https:\/\/www.artic.edu\/artists\/6656\/giovanni-di-paolo\">six panels<\/a> that were originally part of a group of 12 that possibly formed the doors of a reliquary shrine to the saint.<\/p>\n<p>The narrative begins as John leaves civilization, entering the wilderness to become a hermit. In a following scene, John wears a hair shirt, a coarse undergarment symbolizing his ascetic life, as he announces that Jesus is the savior prophesied as the Agnus Dei, the Lamb of God. Subsequent panels show John\u2019s imprisonment and violent execution at the hands of Herod, ruler of Galilee. Giovanni di Paolo related the Baptist\u2019s complex biography with expressive figures represented multiple times to indicate their movement through highly imaginative and stylized settings.<\/p>\n","short_description":null,"dimensions":"68.5 \u00d7 39.5 cm (27 \u00d7 15 1\/2 in.); Framed: 80.1 \u00d7 53.4 \u00d7 8.9 cm (31 1\/2 \u00d7 21 \u00d7 3 1\/2 in.)","dimensions_detail":[{"depth":null,"width":39,"height":68,"diameter":null,"clarification":null},{"depth":8,"width":53,"height":80,"diameter":null,"clarification":"Framed"}],"medium_display":"Tempera on panel","inscriptions":"Inscribed upper right: ADA D[?] GNA (on bridge)","credit_line":"Mr. and Mrs. Martin A. Ryerson Collection","catalogue_display":null,"publication_history":"F. Mason Perkins, \u201cDipinti sconosciuti della scuola senese,\u201d Rassegna d\u2019arte senese 3, 1 (1907), pp. 82\u201383, ill. \n\nE. Jacobsen, Das Quattrocento in Siena: Studien in der Gem\u00e4ldegalerie der Akademie (Strasbourg, 1908), p. 50. \n\nBernard Berenson, The Central Italian Painters of the Renaissance, 2d ed. (New York and London, 1909), p. 177. \n\nPaul Schubring, \u201cOpere Sconosciute di Giovanni di Paolo e del Vecchietta,\u201d Rassegna d\u2019arte 12, 10 (1912), pp. 163\u201364. \n\nJ. A. Crowe and G. B. Cavalcaselle, A History of Painting in Italy, 2d ed., vol. 5, ed. T. Borenius (New York, 1914), p. 178 n. \n\nF. Mason Perkins, \u201cDipinti senesi sconosciuti o inediti,\u201d Rassegna d\u2019arte 14 (1914), p. 163 n. 2. \n\nPaul Schubring, Cassoni: Truhen und Truhenbilder der italienischen Fr\u00fchrenaissance (Leipzig, 1915), vol. 1, pp. 324\u201325, nos. 445\u201350; vol. 3, pl. CV. \n\nArt Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture, and Architecture (Chicago, 1917), p. 165. \n\nGiacomo De Nicola, \u201cThe Masterpiece of Giovanni di Paolo,\u201d Burlington Magazine 33, 184 (1918), pp. 45\u201354, pl. I. \nFogg Art Museum, Harvard University: Collection of Mediaeval and Renaissance Paintings (Cambridge, Massachusetts, 1919), p. 121. \n\nArt Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago, August 1920), p. 62. \n\nCurt H. Weigelt, in Allgemeines Lexikon der bildenden K\u00fcnstler von der Antike bis zur Gegenwart, ed. Ulrich Thieme and Felix Becker, vol. 14 (Leipzig, 1921), p. 135. \n\nArt Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago, 1922), p. 71.\n\nArt Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago, 1923), p. 71. \n\nFrank Jewett Mather, Jr., A History of Italian Painting (New York, 1923), p. 95. \n\nG. Soulier, Les Influences orientales dans la peinture toscane (Paris, 1924), p. 206. \n\nArt Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1925), p. 159, no. 2029.\n\nRose Mary Fischkin, \u201cTwo Paintings by Matteo di Giovanni,\u201d Bulletin of the Art Institute of Chicago 20, 3 (1926), p. 30.\n\nMary Rose Fischkin, \u201cMartin A. Ryerson Collection of Paintings and Sculpture, XIII to XVIII, Loaned to The Art Institute of Chicago\u201d (unpub. MS. 1926, Ryerson Library, Art Institute of Chicago), pp. 30\u201334. \n\nRichard Offner, Italian Primitives at Yale University (New Haven, 1927), p. 40. \n\nRaimond van Marle, The Development of the Italian Schools of Painting, vol. 9 (The Hague, 1927), pp. 427\u201330.\n\nRobert Lehman, The Philip Lehman Collection (Paris, 1928), under no. XLVI. \n\nKurt Erdmann, \u201cOrientalische Tierteppiche auf Bildern des XIV. und XV. Jahrhunderts: Eine Studie zu den Anf\u00e4ngen des orientalischen Kn\u00fcpfteppichs,\u201d Jahrbuch der preussischen Kunstsammlungen 50 (1929), p. 283. \n\nEmilio Cecchi, Pietro Lorenzetti (Milan, 1930), p. 27. \n\nCurt H. Weigelt, Sienese Painting of the Trecento (New York, 1930), p. 86 n. 75. \n\nLionello Venturi, Pitture italiane in America (Milan, 1931), no pag., pl. CXXXVII.\n\nBernard Berenson, Italian Pictures of the Renaissance (Oxford, 1932), p. 245.\n\nArt Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1932), p. 180. \n\nG. H. Edgell, A History of Sienese Painting (New York, 1932), pp. 218\u201320, fig. 307. \n\nWilliam R. Valentiner, \u201cPaintings in the Collection of Martin A. Ryerson\u201d (unpub. MS [1932], Archives, Art Institute), no pag. \n\nDaniel Catton Rich, \u201cThe Paintings of Martin A. Ryerson,\u201d Bulletin of The Art Institute of Chicago 27, 1 (1933), pp. 6\u20138, ill. \n\nAlfred M. Frankfurter, \u201cArt in the Century of Progress,\u201d Fine Arts 20 (1933), p. 60. \n\nArt Institute of Chicago, A Brief Illustrated Guide to the Collections (Chicago, 1935), pp. 20\u201321.\n\nHans Tietze, Meisterwerke europ\u00e4ischer Malerei in Amerika (Vienna, 1935), p. 325, under no. 37.\n\nBernard Berenson, Pitture italiane del Rinascimento (Milan, 1936), p. 211. \n\nJohn Pope-Hennessy, Giovanni di Paolo, 1403\u20131483 (London, 1937), pp. 80\u201390, pl. XXb.\n\nRen\u00e9 Brimo, Art et go\u00fbt: L\u2019\u00c9volution du go\u00fbt aux \u00c9tats-Unis d\u2019apr\u00e8s l\u2019histoire des collections (Paris, 1938), p. 92. \n\nRobert Langton Douglas, review of Giovanni di Paolo by J. Pope-Hennessy, in Burlington Magazine 72, 418 (1938), pp. 44\u201347. \n\nHelen F. Mackenzie, \u201cPanels by Giovanni di Paolo of Siena,\u201d Bulletin of The Art Institute of Chicago 32, 7 (1938), pp. 106\u201309, ill. \n\nJohn Pope-Hennessy, \u201cLetters: Giovanni di Paolo,\u201d Burlington Magazine 72, 419 (1938), p. 95.  \n\nA. Weller, review of Giovanni di Paolo by John Pope-Hennessy, Art Bulletin 20 (1938), p. 126. \n\nAlfred M. Frankfurter, \u201cThe Mediaeval Style in Painting,\u201d Art News 38, 20 (1940), p. 14. \n\nCesare Brandi, \u201cGiovanni di Paolo, II,\u201d Le arti 30 (1941), pp. 325\u201328, 331\u201332, pl. CXXVII. \n\nRegina Shoolman and Charles E. Slatkin, The Enjoyment of Art in America (Philadelphia and New York, 1942), p. 256.\n\nPeleo Bacci, Documenti e commenti per la storia dell\u2019arte (Florence, 1944), pp. 89\u201390. \n\nArt Institute of Chicago, An Illustrated Guide to the Collections of the Art Institute of Chicago (Chicago, 1945), p. 28.\n\nH. G. Fell, \u201cThe Connoisseur Divan,\u201d Connoisseur 116 (1945), p. 53. \n\nJ. Lipman, \u201cThe Composite Scene in Primitive Painting,\u201d Gazette des Beaux-Arts 6th ser., 29 (1946), p. 124.\n\nCesare Brandi, Giovanni di Paolo (Florence, 1947), pp. 44\u201348, 51\u201352, 120, fig. 56. \n\nJohn Pope-Hennessy, Sienese Quattrocento Painting (Oxford, 1947), pp. 13, 27, pl. XXX.\n\nArt Institute of Chicago, An Illustrated Guide to the Collections of The Art Institute of Chicago (Chicago, 1948), p. 25.\n\nCesare Brandi, Quattrocentisti senesi (Milan, 1949), pp. 101, 261\u201362, pl. 150. \n\nUgo Galetti and Ettore Camesasca, Enciclopedia della pittura italiana, vol. 1 (Milan, 1950), pp. 1164\u201365, 1167, ill. \n\nMartin Davies, National Gallery Catalogues: The Earlier Italian Schools (London, 1951), p. 191, under no. 5454; reprinted (London, 1961).\n\nGeorge Kaftal, Iconography of the Saints in Tuscan Painting (Florence, 1952), p. 552. \n\nArt News 51, 4 (1952), col. 552. \n\nMario Salmi, L\u2019arte italiana, vol. 1 (Rome, 1953), p. 431, fig. 656.  \n\nFrederick A. Sweet, \u201cLa pittura italiana all\u2019Art Institute di Chicago,\u201d Le vie del mondo: Rivista mensile del Touring Club Italiano 15 (1953), pp. 696\u201397. \n\nEnzo Carli, La pittura senese (Milan, 1955), pp. 224, 226.\n\nMarilyn Aronberg Lavin, \u201cGiovannino Battista: A Study in Renaissance Religious Symbolism,\u201d Art Bulletin 37, 2 (1955), pp. 90\u201391 n. 33. \n\nEnzo Carli, Sienese Painting (Greenwich, Connecticut, 1956), pp. 63\u201364. \n\nLouis R\u00e9au, Iconographie de l\u2019art Chr\u00e9tien, vol. 2, pt. 1, (Paris, 1956), pp. 442, 450, 452, 455\u201356, 458. \n\nG. U., \u201cSchede di restauro,\u201d Bollettino dell\u2019Istituto Centrale del Restauro 27\u201328 (1956), p. 160. \n\nJohn Pope-Hennessy, \u201cSassetta and Giovanni di Paolo: The Renaissance in Siena,\u201d Art News Annual 27 (1958), pp. 133, 137, 142, 144\u201348, 151, 154, 180, ill. \n\nArt Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 179.\n\nEnzo Carli, \u201cProblemi e restauri di Giovanni di Paolo,\u201d Pantheon 19 (1961), pp. 163\u201377. \n\nErnest T. De Wald, Italian Painting, 1200-1600 (New York, 1961), p. 339.\n\nHans Huth, \u201cItalienische Kunstwerke im Art Institute von Chicago, USA,\u201d in Miscellanea Bibliothecae Hertzianae (Munich, 1961), p. 517. \n\nJohn Pope-Hennessy, \u201cGiovanni di Paolo,\u201d in Encyclopedia of World Art, vol. 6 (New York, 1962), col. 357.\n\n\u201cThe Great Grey City,\u201d Apollo 84 (1966), p. 177. \n\nFrederick A. Sweet, \u201cGreat Chicago Collectors,\u201d Apollo 84 (1966), pp. 198, 202.\n\nVictor Lasareff, \u201cSaggi sulla pittura veneziana dei sec. XIII-XIV: La maniera greca e il problema della scuola cretese (II),\u201d Arte veneta 20 (1966), p. 48, fig. 50. \n\nElizabeth Ourusoff de Fernandez-Gimenez, \u201cGiovanni di Paolo: The Life of St. Catherine of Siena,\u201d Bulletin of The Cleveland Museum of Art 54 (1967), pp. 105\u201307.\n\nBernard Berenson, Italian Pictures of the Renaissance: Central Italian and North Italian Schools (London, 1968), vol. 1, p. 176. \n\nArt Institute of Chicago, Grands Mus\u00e9es 2 (Paris [1968]), pp. 11, 20, ill., 67. \n\nBernhard Degenhart and Annegrit Schmitt, Corpus der italienischen Zeichnungen, 1300-1450, pt. 1, vol. 2 (Berlin, 1968), p. 320, under no. 240, detail fig. 423.  \n\nFrederick Hartt, History of Italian Renaissance Art: Painting, Sculpture, Architecture (Englewood Cliffs and New York, 1969), pp. 312\u201313; 3d revised edition (New York, 1987). \n\nJohn Maxon, The Art Institute of Chicago (London, 1970), pp. 26\u201327. \n\nBurton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Massachusetts, 1972), pp. 89, 571. \n\nKatharine Kuh, \u201cThese Are a Few of My Favorite Things,\u201d Chicago Tribune Sunday Magazine (April 23, 1972), p. 34. \n\nMillard Meiss, \u201cSts. Elijah and John the Baptist\u201d by Pietro Lorenzetti; \u201cThe Baptism\u201d by Giovanni di Paolo, exh. cat. (Princeton University, The Art Museum, 1973), pp. 3\u20135, fig. 8.\n\nDizionario enciclopedico Bolaffi dei pittori e degli incisori italiani, vol. 6 (Turin, 1974), p. 56. \n\nMillard Meiss, \u201cA New Panel by Giovanni di Paolo from His Altarpiece of the Baptist,\u201d Burlington Magazine 116, 851 (1974), pp. 73\u201378, ill. \n\nRegina Shoolman Slatkin, \u201cFran\u00e7ois Boucher: St. John the Baptist. A Study in Religious Imagery,\u201d The Minneapolis Institute of Arts Bulletin 62 (1975), p. 8.\n\nMarvin Eisenberg, \u201cA Late Trecento Custodia with the Life of St. Eustace,\u201d in Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss, ed. Irvin Lavin and John Plummer, vol. 1 (New York, 1977), p. 143 n. 1. \n\nArt Institute of Chicago, 100 Masterpieces (Chicago, 1978), pp. 40.\n\nSotheby\u2019s, Monaco, Beaux tableaux anciens, sale cat.  (Sotheby\u2019s, June 13, 1982), under lot. 14. \n\nEnzo Carli and Giulietta Chelazzi Dini, in Il gotico a Siena: Miniature, pitture, oreficerie, oggetti, d\u2019arte, exh. cat. (Siena, Palazzo Pubblico, 1982), pp. 352, 359. \n\nEllis Waterhouse, \u201cEarlier Paintings in the Earlier Years of the Art Institute:  The Role of the Private Collectors,\u201d Art Institute of Chicago Museum Studies 10 (1983), p. 90. \n\nSamuel Y. Edgerton, Jr., Pictures and Punishment: Art and Criminal Prosecution during the Florentine Renaissance (Ithaca and London, 1985), pp. 150\u2013152. \n\nPaul Pieper, Die deutschen, niederl\u00e4ndischen und italienischen Tafelbilder bis um 1530 (M\u00fcnster, 1986), pp. 529\u201335, ill. \n\nJohn Pope-Hennessy with Larry Kanter, The Robert Lehman Collection, vol. 1, Italian Paintings (New York, 1987), pp. 121\u201323. \n\nArt Institute of Chicago, Master Paintings in The Art Institute of Chicago (Chicago 1988), pp. 14\u201315; reprinted (Chicago, 1999); revised editions (Chicago, 2009), (Chicago, 2013).\n\nJohn Pope-Hennessy, \u201cGiovanni di Paolo,\u201d The Metropolitan Museum of Art Bulletin 46, 2 (1988), p. 20.\n\nCarl Brandon Strehlke, in Painting in Renaissance Siena, 1420\u20131500, exh. cat. (New York, The Metropolitan Museum of Art, 1988), p. 216, fig. 1. \n\nMikl\u00f3s Boskovits with Serena Padovani, The Thyssen-Bornemisza Collection: Early Italian Painting, 1290\u20131470 (London, 1990), p. 113. \n\nMus\u00e9e Historique des Tissus de Lyon, Edouard Aynard: le fondateur du muse, exh. cat. (Lyon, Mus\u00e9e Historique des Tissus, 1990), pp. 38, 41. \n\nHenk van Os, Sienese Altarpieces, 1215-1460: Form, Content, Function, vol. 2, 1344-1460 (Groningen, 1990), pp. 89, 218 n. 113. \n\nChristopher Lloyd, Italian Paintings before 1600 in The Art Institute of Chicago (Chicago, 1993,) pp. 110\u201328, ill, cover ill.\n\nKatharine Baetjer, European Paintings in the Metropolitan Museum of Art: By Artists Born Before 1865 (New York, 1995), p. 55.\n\nGiovanna Damian, \u201cGiovanni di Paolo\u201d in Dictionary of Art, ed. Jane Shoaf Turner, vol. 12 (London, 1996), p. 716.\n\nBenjamin David, \u201cPope-Hennessy, Derrida and \u2018Literary Residue\u2019 in Visual Images: The Case of Sassetta\u2019s Borgo San Sepolcro Altarpiece,\u201d Studies in Iconography 19 (1998), p. 1. \n\nElke Anna Werner, Das Kunstwerk des Monats , exh. cat. (Westf\u00e4lisches Landesmuseumf\u00fcr Kunst und Kulturgeschichte M\u00fcnster, July 1999), no pag. no.\n\n\u00c9lisabeth Mognetti and Esther Moench, in Mus\u00e9e du Petit Palais, Avignon, Mus\u00e9e du Petit Palais: Peintures et Sculptures (Paris, 1999), no page no. \n\nTimothy Hyman, Sienese Paintings: The Art of a City-Republic (1278\u20131477) (New York, 2003), pp. 159, 169\u2013174, fig. 147. \n\nTimothy Bryan Smith, \u201cAlberto Aringheri and the Chapel of Saint John the Baptist: Patronage, Politics, and the Cult of Relics in Renaissance Siena\u201d (Ph.D. diss., Florida State University, 2002), pp. 51\u201352, 69 n. 150, 343, fig. 87.\n\nDillian Gordon, National Gallery Catalogues: Italian Paintings, The Fifteenth Century (London, 2003), under nos. 5451\u20134, pp. 98\u201399.\n\nN. R. Havely, Dante and the Franciscans: Poverty and the Papacy in the Commedia (Cambridge and New York, 2004), p. 148 n. 58.\n\nChristiane L. Joost-Gaugier, Italian Renaissance: Understanding Its Meaning (Chichester, UK and Malden, Massachusetts, 2013), p. 96.","exhibition_history":"New York, F. Kleinberger Galleries, Italian Primitives, 1917, no. 55. \n\nNew York, The Metropolitan Museum of Art, Loan Exhibition of the Arts of the Italian Renaissance, May 7\u2013September 9, 1923, no. 13.\n\nLondon, Royal Academy of Arts, Exhibition of Italian Art, 1200\u20131900, January\u2013March, 1930, no. 928. \n\nArt Institute of Chicago, A Century of Progress, June 1\u2013November 1, 1933, no. 85b. \n\nArt Institute of Chicago, A Century of Progress, June 1\u2013November 1, 1934, no. 29b. \n\nCleveland Museum of Art, Twentieth Anniversary Exhibition, June 26\u2013October 4, 1936, no. 138. \n\nArt Institute of Chicago, The Children\u2019s Museum, Explanatory Exhibition of the Panels Showing Scenes from the Life of St. John the Baptist by Giovanni di Paolo, 1939 (no cat.).  \n\nBoston, Museum of Fine Arts, Arts of the Middle Ages, February 17\u2013March 24, 1940, no. 65.\n\nArt Institute of Chicago, Chicago\u2019s Dream A World\u2019s Treasure:  The Art Institute of Chicago, 1893-1993, 1993, no cat.","provenance_text":"Edourd Aynard, Lyons, by 1907 [see Perkins 1907]; sold Galerie Georges Petit, Paris, December 1\u20134, 1913 no. 51, to Kleinberger, Paris, as agent for Martin A. Ryerson (died 1932), Chicago, 1914 [an entry for June 18, 1914, in Ryerson\u2019s notebook reads: \u201cBot [sic] of Kleinberter, Paris, 6 panels by Giovanni di Paolo (purchased by him at Aynard sale for 160 000 fr + 10%);\u201d Art Institute Archives]; on loan to the Art Institute from 1914; bequeathed to the Art Institute, 1933.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":14,"fiscal_year":1933,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":true,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":40.4272,"color":{"h":40,"l":48,"s":67,"percentage":0.0005309256613058343,"population":7},"latitude":41.8793777995003,"longitude":-87.6233827695249,"latlon":"41.8793777995,-87.623382769525","is_on_view":false,"on_loan_display":null,"gallery_title":null,"gallery_id":null,"nomisma_id":null,"artwork_type_title":"Painting","artwork_type_id":1,"department_title":"Painting and Sculpture of Europe","department_id":"PC-10","artist_id":6656,"artist_title":"Giovanni di Paolo","alt_artist_ids":[],"artist_ids":[6656],"artist_titles":["Giovanni di Paolo"],"category_ids":["PC-10"],"category_titles":["Painting and Sculpture of Europe"],"term_titles":["Saint John the Baptist","tempera","panel painting","Renaissance","painting","tempera","Italian","paint","biblical","Christian subjects","Christianity","Devotion","Italy","religious","religious figures","religious scenes","saints","organic material","panel (wood)","plant material","wood (plant material)","painting","painting (image making)","painting techniques","15th century","field","mountain","mountains","men","Jesus","european painting","religion","Century of Progress","world's fairs","Chicago World's Fairs"],"style_id":"TM-5891","style_title":"Renaissance","alt_style_ids":["TM-14074"],"style_ids":["TM-5891","TM-14074"],"style_titles":["Renaissance","15th century"],"classification_id":"TM-9","classification_title":"painting","alt_classification_ids":["TM-153","TM-14164","TM-10387","TM-54"],"classification_ids":["TM-9","TM-153","TM-14164","TM-10387","TM-54"],"classification_titles":["painting","tempera","Italian","paint","european painting"],"subject_id":"TM-12339","alt_subject_ids":["TM-12337","TM-8767","TM-12372","TM-14366","TM-12619","TM-14384","TM-12554","TM-10125","TM-8827","TM-15084","TM-14169","TM-12351","TM-10121","TM-12446","TM-11421","TM-12169","TM-11299","TM-12176"],"subject_ids":["TM-12339","TM-12337","TM-8767","TM-12372","TM-14366","TM-12619","TM-14384","TM-12554","TM-10125","TM-8827","TM-15084","TM-14169","TM-12351","TM-10121","TM-12446","TM-11421","TM-12169","TM-11299","TM-12176"],"subject_titles":["Saint John the Baptist","biblical","Christian subjects","Christianity","Devotion","Italy","religious","religious figures","religious scenes","saints","field","mountain","mountains","men","Jesus","religion","Century of Progress","world's fairs","Chicago World's Fairs"],"material_id":"TM-2405","alt_material_ids":["TM-2601","TM-3644","TM-3478","TM-2431"],"material_ids":["TM-2405","TM-2601","TM-3644","TM-3478","TM-2431"],"material_titles":["tempera","organic material","panel (wood)","plant material","wood (plant material)"],"technique_id":"TM-3975","alt_technique_ids":["TM-14210","TM-3891","TM-3971"],"technique_ids":["TM-3975","TM-14210","TM-3891","TM-3971"],"technique_titles":["panel painting","painting","painting (image making)","painting techniques"],"theme_titles":[],"image_id":"9ae944b3-dea5-2db5-f090-c266a7d20ea7","alt_image_ids":[],"document_ids":["0b9884c7-5431-9081-17c3-0b99f079c385"],"sound_ids":["0b9884c7-5431-9081-17c3-0b99f079c385"],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["1933.1011"],"contexts":{"groupings":["accession"]}},{"input":["Ecce Agnus Dei"],"weight":10804,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-03-18T15:09:39-05:00","updated_at":"2026-03-18T18:11:26-05:00","timestamp":"2026-04-15T08:43:02-05:00"},"info":{"license_text":"The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. All other data in this response is licensed under a Creative Commons Zero (CC0) 1.0 designation and the Terms and Conditions of artic.edu.","license_links":["https:\/\/creativecommons.org\/publicdomain\/zero\/1.0\/","https:\/\/www.artic.edu\/terms"],"version":"1.14"},"config":{"iiif_url":"https:\/\/www.artic.edu\/iiif\/2","website_url":"http:\/\/www.artic.edu"}}