{"@context":"http:\/\/iiif.io\/api\/presentation\/2\/context.json","@id":"https:\/\/api.artic.edu\/api\/v1\/artworks\/14598\/manifest.json","@type":"sc:Manifest","label":"The Beach at Sainte-Adresse","description":[{"value":"In the summer of 1867, Claude Monet stayed with his aunt at Sainte-Adresse, an affluent suburb of the port city Le Havre in northern France. The artist was familiar with the landscape, having grown up in the area, but the region changed signi\ufb01cantly during his lifetime. The expansion of the country\u2019s rail network turned this small, rural \ufb01shing village into a seaside resort for tourists. Here, Monet hinted at this transformation. The viewer is immediately drawn to the visible aspects of local life\u2014dark-sailed fishing boats drift in the water, with groups of \ufb01shermen, their equipment, and other craft on the shore. The beached boats frame two \ufb01gures sitting on the shoreline, highlighted by a few strokes of red and yellow paint: a man in a dark hat and suit looks through a telescope, accompanied by a woman wearing a straw hat with a scarlet ribbon. The presence of this couple\u2014undoubtedly vacationers, given their fashionable attire\u2014changes what might have been a traditional coastal scene into a painting of modern life, one of the artist\u2019s \ufb01rst explorations of tourism.\nMonet began this painting outdoors and revised it later in his studio. Conservation research has revealed that he changed his mind about the composition while he worked: he initially included other tourist \ufb01gures and yachts in the scene but later painted over these details, shifting his focus to the \ufb01shermen, the aspect of life in Sainte-Adresse that he knew best.\nMonet\u2019s seascapes from this summer are markedly different from those painted only a few years earlier, and Beach at Sainte-Adresse exempli\ufb01es his evolving painting technique. It also foreshadows some of the qualities that became characteristic of the Impressionist movement, which is perhaps why Monet chose to show it at the second Impressionist exhibition in 1876, nearly ten years after he painted it.\n","language":"en"}],"metadata":[{"label":"Artist \/ Maker","value":"Claude Monet (French, 1840\u20131926)"},{"label":"Medium","value":"Oil on canvas"},{"label":"Dimensions","value":"75.8 \u00d7 102.5 cm (29 13\/16 \u00d7 40 5\/16 in.); Framed: 104.1 \u00d7 130.2 \u00d7 11.4 cm (41 \u00d7 51 1\/2 \u00d7 4 1\/2 in.)"},{"label":"Object Number","value":"1933.439"},{"label":"Collection","value":"<a href='http:\/\/www.artic.edu\/collection' target='_blank'>Art Institute of Chicago<\/a>"}],"attribution":"Digital image courtesy of the Art Institute of Chicago.","logo":"https:\/\/raw.githubusercontent.com\/Art-Institute-of-Chicago\/template\/main\/aic-logo.gif","within":"http:\/\/www.artic.edu\/collection","rendering":{"@id":"http:\/\/www.artic.edu\/artworks\/14598","format":"text\/html","label":"Full record"},"sequences":[{"@type":"sc:Sequence","canvases":[{"@type":"sc:Canvas","@id":"https:\/\/www.artic.edu\/iiif\/2\/95be2572-b53d-8e7b-abc9-10eb48d4fa5d","label":"The Beach at Sainte-Adresse, 1867. Claude Monet (French, 1840\u20131926)","width":843,"height":623,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","on":"https:\/\/www.artic.edu\/iiif\/2\/95be2572-b53d-8e7b-abc9-10eb48d4fa5d","resource":{"@type":"dctypes:Image","@id":"https:\/\/www.artic.edu\/iiif\/2\/95be2572-b53d-8e7b-abc9-10eb48d4fa5d\/full\/843,\/0\/default.jpg","width":843,"height":623,"service":{"@context":"http:\/\/iiif.io\/api\/image\/2\/context.json","@id":"https:\/\/www.artic.edu\/iiif\/2\/95be2572-b53d-8e7b-abc9-10eb48d4fa5d","profile":"http:\/\/iiif.io\/api\/image\/2\/level2.json"}}}]}]}]}