{"data":{"id":111442,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/111442","is_boosted":true,"title":"The Child's Bath","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhAwAFAPMAAE5NSWBSSmRbVmJkVmpbYWdmYm9oZmxrcmxtd2pueIJ3eXN9iouFj4eJkKGanQAAACH5BAAAAAAAIf8LSW1hZ2VNYWdpY2sOZ2FtbWE9MC40NTQ1NDUALAAAAAADAAUAAAQLsICRlEDuELaCaREAOw==","width":8470,"height":12853,"alt_text":"Painting of mother in blue, purple, and green-stripped dress washing child's feet."},"main_reference_number":"1910.2","has_not_been_viewed_much":false,"boost_rank":null,"date_start":1893,"date_end":1893,"date_display":"1893","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Mary Cassatt (American, 1844\u20131926)","place_of_origin":"France","description":"<p><em>The Child\u2019s Bath<\/em> is a tender portrayal of familial closeness, a subject that Mary Cassatt explored throughout her career. The caregiver\u2019s cheek brushing the child\u2019s shoulder, her encircling embrace, and the child\u2019s pudgy hand on her knee suggest an emotional bond between the two.<\/p>\n<p>Captivated by a large exhibition of Japanese prints in Paris in 1890, Cassatt set out to produce a series of color prints influenced by Japanese aesthetics. She then continued her investigation across media, culminating in this bold composition, with its dramatically flattened picture plane, decorative patterning, and bright palette.<\/p>\n","short_description":"Known for her sensitive yet unsentimental scenes of women and children, Mary Cassatt was the only American invited to exhibit with the original French Impressionist group. In <em>The Child\u2019s Bath<\/em>, one of her masterworks, she used cropped forms, bold patterns and outlines, and a flattened perspective, all of which she derived from her study of Japanese woodblock prints.","dimensions":"101.3 \u00d7 67.3 cm (39 15\/16 \u00d7 26 1\/2 in.)","dimensions_detail":[{"depth":null,"width":67,"height":101,"diameter":null,"clarification":null}],"medium_display":"Oil on canvas","inscriptions":"Signed recto, bottom-left, on floor, in blue paint:  \"Mary Cassatt\".","credit_line":"Robert A. Waller Fund","catalogue_display":null,"publication_history":"Maud Howe Elliot, ed., Art and Handicraft in the Woman\u2019s Building of the World\u2019s Columbian Exposition (Chicago, 1893).\n\nNew York Times, Mar. 5, 1895, Supplement, 158, col. 2.\n\n\u201cPictures by Mary Cassatt at Durand\u2013Ruel,\u201d New York Times, May 18, 1895.\n\n\u201cIn the World of Art, Cassatt at Durand\u2013Ruel,\u201d New York Times, May 21, 1895, 13, col. 13.\n\nBrush & Pencil, 6 (July 1900), 182, no. 183.\n\nSadakichi Hartman. A History of American Art, (L.C. Page and Company, 1901), vol. 2, 188, as The Toilet.\n\n\u201cThe Cassatt Oils and Pastels at Durand\u2013Ruel,\u201d New York Times, Nov. 6, 1903, 7, col. 1.\n\nWynford Dewhurst, Impressionist Painting, Its Genesis and Development (London, 1904), 75\u201377.\n\nBrush and Pencil 15 (Mar.1905), 165, as The Toilet.\n\n\u201cMiss Cassatt\u2019s \u2018Triumphs of Uncomeliness,\u2019\u201d New York Times, Aug. 25, 1907, Section V, 8, col. 1.\n\nMinutes Book of the Art Committee Meeting of Jan. 15, 1910, 45\u201346. \n\n\u201cPaintings by Miss Cassatt,\u201d New York Times, Mar. 6, 1910, Section III, 2, col.5.\n\nThe Bulletin of The Art Institute of Chicago 3 (1910), 61.\n\nGeneral Catalogue of Objects in the Museum, 287 (Art Institute of Chicago, 1910), 188.\n\nAchille Segard, Mary Cassatt, un Peintre des Enfants et des Meres, (Paris, Librairie Ollendorff, 1913), 52.\n\nGeneral Catalogue of Objects in the Museum 287 (Art Institute of Chicago, 1913), 130.\n\nHandbook of Paintings and Drawings (Art Institute of Chicago, 1920), 50, cat. 507.\n\nHandbook of Paintings and Drawings (Art Institute of Chicago, 1922), 54, cat. 507.\n\nHandbook of Paintings and Drawings (Art Institute of Chicago, 1923), 54, cat. 507.\n\nGuide to Paintings of the Permanent Collection (Art Institute of Chicago, 1925), 93 (ill.).\n\nNew York Times, June 27, 1926, Section IV, 14, col. 1.\n\nNew York Times, June 16, 1927, 25, col. 3. Obituary.\n\nEdith Valerio, Mary Cassatt, (Paris: Editions G. Cres & Cie, 1930), no. 5.\n\nForbes Watson, Mary Cassatt, (Whitney Museum of Art, American Artists Series, 1932. La Toilette, ill. pl. 77.\n\nGuide to Paintings of the Permanent Collection (Art Institute of Chicago, 1932), 93 (ill.).\n\nThe Bulletin of The Art Institute of Chicago 27 (1933), 118.\n\nMagazine of Art, 34 (June 1941), 295 (ill.).\n\n\u201cPaintings in the United States and the Santa Barbara Museum of Art,\u201d Apollo, 34 (Sept. 1941), 55\u201358.\n\n\u201cThe Toilet,\u201d Art Digest 16 (Dec. 15, 1941), 8\u20139, ill. cover.\n\nTime Magazine, Dec. 14, 1941, ill. as Mother and Child.\n\nPictures on Exhibit 5 (Dec. 1941), 2 (ill.), as La Toilette.\n\nLife 12 (Jan. 19, 1942), 54\u201356 (ill.).\n\nJohn Walker et al., Great American Paintings from Smibert to Bellows, 1729\u20131924, (Oxford University Press, 1943), pl. 77.\n\nMargaret Breunig, Mary Cassatt, (Hyperion Press, 1944), 69 (ill.).\n\nEdward Alden Jewell, French Impressionists, (Hyperion Press, Random House, 1944), pl. 89.\n\nEmporium 101 (Jan. 1945), 33 (ill.).\n\nArt Digest (Nov. 15, 1947).\n\nEmporium 107 (Feb. 1948), 88 (ill.).\n\nJames Thomas Flaexner, A Short History of American Painting, (Mifflin Company, 1950), pl. 26.\n\nThe Bulletin of The Art Institute of Chicago 48 (Feb. 1954), 4\u20138 (ill.).\n\nRevista de Arte 5 (Mar.\/Apr. 1955), 286, no. 3 (ill.).\n\nDaniel M. Mendelowitz, A History of American Art, (Holt, Rinehart & Winston, Inc., 1960), 451, pl. 16B.\n\nPaintings in the Art Institute of Chicago (Art Institute of Chicago, 1961), 69, no. 369.\n\nThe Pocket History of American Painting (New York, 1962), pl. 26.\n\nAmerican Artists, 26 (Jan. 1962), 54 (ill.).\n\nJulia M. H. Carlson, Mary Cassatt (McKay Company, Inc., 1966), 89 (ill.).\n\nSamuel M. Green, American Art, A Historical Survey (Ronald Press, 1966), 384 (ill.).\n\nFrederick Sweet, Miss Mary Cassatt, Impressionist from Pennsylvania (University of Oklahoma Press, 1966), 156 (ill.).\n\nFrederick A. Sweet, \"Paintings and Pastels by Mary Cassatt in the Collection of The Art Institute,\" <em>Art Institute of Chicago Museum Studies<\/em> 2 (1967): 33\u201349, fig. 7 (ill.), as <em>The Bath<\/em>, <a href=\"https:\/\/www.jstor.org\/stable\/4108780\">https:\/\/www.jstor.org\/stable\/4108780<\/a>.\n\nRichard McLanathan, The American Tradition in the Arts (Harcourt, Brace, and World, 1968), 332 (ill.).\n\nJames Thomas Flaexner, Nineteenth Century American Painting (Putnam\u2019s Sons, 1970), 240 (ill.).\n\nRussell Lynes, The Art Makers of Nineteenth Century America (Atheneum, 1970), 445 (ill.).\n\nJohn E. Bullard, Mary Cassatt, Oils and Pastels (National Gallery of Art\/Watson\u2013Guptil Publications, 1972), pl. 16.\n\nDonelson Hoopes, The American Impressionists (Watson\u2013Guptil Publication, 1972), 37 (ill.).\n\n\"The Vincent Price Treasury of American Art,\" Country Beautiful (1972), 169 (ill.).\n\nE. John Bullard, \u201cAn American in Paris,\u201d American Artist (Mar. 1973), 40\u201347.\n\n\u201cAmerican Paintings at the Art Institute of Chicago, Part II: The Nineteenth Century,\u201d Magazine Antiques (Nov. 1973), 904 (ill.).\n\nNancy Hale, Mary Cassatt (Doubleday and Company, 1975), 192 (ill.).\n\nMilton W. Brown, American Art to 1900 (Abrams, 1977), 569, pl. 67.\n\nGuy Hubbard and Mary J. Rouse, Art: Choosing and Expressing (Benefic Press, 1977), 37 (ill.).\n\nJohn Maxon, The Art Institute of Chicago (Thames and Hudson, 1970), 104\u201305 (ill.).\n\nThe Art Institute of Chicago: One Hundred Masterpieces, (Art Institute of Chicago\/Rand McNally and Company, 1978), pl. 115.\n\nJay Roudebush, Mary Cassatt, (Crown Publishers, 1979), 49 (ill.).\n\nChicago Historical Society, \u201cThe Collections,\u201d Chicago History, 9, 1 (Spring 1979), 34\u201336 (ill.).\n\nPocketguide to The Art Institute of Chicago (Art Institute of Chicago, 1983), 38, no. 52.\n\nWilliam H. Gerdts, American Impressionism, (Abbeville Press, 1984), 43, no. 29.\n\nMilo M. Naeve, \u201cThe Edwardian Era and Patrons of American Art at the Art Institute of Chicago: The Birth of a Tradition,\u201d America\u2019s International Exposition of Fine Arts and Antiques (Lakeside Group, 1988), 23, fig. 5.\n\nTom Armstrong, \u201cThe New Field\u2013McCormick Galleries in the Art Institute of Chicago,\u201d Magazine Antiques 134, 4 (Oct. 1988), 822\u201335, pl. XIV.\n\nMaster Paintings in The Art Institute of Chicago (Little, Brown, and Company, 1988) p. 99 (ill.).\n\nLita Solis\u2013Cohen, \u201cChicago Shows Off\u2014Tastefully,\u201d Maine Antique Digest (Dec. 1988), 12B\u201315B (ill.).\n\n\u201cTempo Women,\u201d Chicago Tribune, Sec. 6C, Apr. 21, 1991, 7 (ill.).\n\nMahonri Sharp\u2013Young, American Realists, Homer to Hopper (Watson\u2013Guptill, 1977), n.pag. (ill.).\n\nH. Barbara Weinberg, Doreen Bolger, and David Park Curry, <em>American Impressionsim and Realism: The Painting of Modern Life, 1885\u20131915<\/em>, exh. cat. (Metropolitan Museum of Art, 1994), 246\u201347, 294\u201395, 365, cat. 13, fig. 303 (ill.), as <em>The Bath<\/em>.\n\nJudith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998), 262\u201365, no. 1893.\n\nJudith A. Barter, et al., <em>The Age of American Impressionism: Masterpieces from the Art Institute of Chicago<\/em> (Art Institute of Chicago, 2011), cat. 24.\n\nThomas J. Bussey, \"What Can Biochemistry Students Learn About Protein Translation? Using Variation Theory to Explore the Space of Learning Created by Some Common External Representations\" (PH. D. diss., University of Nevada Las Vegas, 2013)., 9\u201310, fig. 5.\n\nKen Johnson, \"Paul Durand\u2013Ruel, the Paris Dealer Who Put Impressionism on the Map,\" New York Times, July 22, 2015 (ill.).\n\nPaintings at the Art Institute of Chicago: Highlights of the Collection (Art Institute of Chicago\/Yale University Press, 2017) p. 78.\n\nJudith A. Barter, \"Prolog: Ein neue Welt der Kunst,\" in Es war einmal in Amerika \u2013 300 Jahre US-amerikanische Kunst [Once Upon a Time in America: Three Centuries of American Art], eds. Barbara Schaefer and Anita Hachmann (Cologne: Wallraf-Richartz-Museum & Fondation Corboud\/Wienand Verlag, 2018), 21, fig. 6 (ill.).","exhibition_history":"Paris, Galeries Durand\u2013Ruel, Exposition de Tableaux, Pastels et Gravures de Mary Cassatt, Nov\u2013Dec. 1893, cat. 1, as La Toilette de l\u2019Enfant.\n\nNew York City, Durand\u2013Ruel Galleries, Exposition of Paintings, Pastels and Etchings by Miss Mary Cassatt, Apr. 16\u201330, 1895, cat. 21, as La Toilette.\n\nPhiladelphia, Pennsylvania Academy of the Fine Arts, Sixty\u2013Seventh Annual Exhibition, Jan. 10\u2013Feb. 22, 1898, cat. 62, as The Toilet, lent by Messrs. Durand\u2013Ruel and Sons.\n\nCincinnati Museum Association, Seventh Annual Exhibition of American Art in the Art Museum, May 19\u2013July 9, 1900, cat. 13, as La Toilette, lent by M. Durand\u2013Ruel, New York. \n\nNew York City, Durand\u2013Ruel Galleries, Exhibition of Paintings and Pastels by Mary Cassatt, Nov. 5\u201321, 1903, cat. 6, as La Toilette.\n\nMinneapolis Institute of Arts, Inaugural Exhibition, Jan. 7\u2013Feb. 7, 1915, cat. 151, as The Toilet.\n\nArt Institute of Chicago, Memorial Collection of the Works of Mary Cassatt, Dec. 21, 1926\u2013Jan. 24, 1927, cat. 29, as The Toilet.\n\nPittsburgh, Carnegie Institute, A Memorial Exhibition of the Work of Mary Cassatt, Mar. 15\u2013Apr. 15, 1928, cat. 38 or 39, as The Toilet. \n\nArt Institute of Chicago, A Survey of American Art, July 21\u2013Oct. 9, 1932, as La Toilette.\n\nCleveland Museum of Art, Ohio, Exhibition of American Painting from 1860 until Today, June 23\u2013Oct. 4, 1937, cat. 27, as The Toilet.\n\nBrooklyn Museum, Leaders of American Impressionism: Mary Cassatt, Childe Hassam, John H. Twachtman, J. Alden Weir, Oct. 1937, cat. 22, as La Toilette.\n\nNew York City, Museum of Modern Art, Art in Our Time, May 1\u2013Sept. 25, 1939, cat. 48, as The Toilet.\n\nSanta Barbara Museum of Art, California, Painting Today and Yesterday in the United States, June 5\u2013Sept. 1, 1941, cat. 23, as La Toilette.\n\nBaltimore Museum of Art, Mary Cassatt, Nov. 28, 1941\u2013Jan. 11, 1942, cat. 25, as The Toilet.\n\nNew York City, Wildenstein Company, Oct. 29\u2013Dec. 6, 1947, A Loan Exhibition of Mary Cassatt for the Benefit of the Goddard Neighborhood Center, cat. 25, p. 32, as The Toilet. \n\nDes Moines Art Center, Jun\u2013Jul, 1948, Nineteenth and Twentieth Century European and American Art, cat. 16, as La Toilette.\n\nSpringfield, Mass., Museum of Fine Arts, Fifteen Fine Paintings, Oct. 7\u2013Nov. 7, 1948, no cat., as La Toilette.\n\nNew York, Wildenstein and Company, <em>Landmarks in American Art, 1670\u20131950<\/em>, Feb. 26\u2013Mar. 28, 1953, cat. 38, as <em>La Toilette<\/em>.\n\nArt Institute of Chicago, Sargent, Whistler and Mary Cassatt, Jan. 14\u2013Feb. 25, 1954, cat. 19, as The Bath.\n\nPhiladelphia, Pennsylvania Academy of the Fine Arts, The One Hundred and Fiftieth Anniversary Exhibition, Apr. 22\u2013May 3, 1956, cat. 119, as The Bath.\n\nMilwaukee, Brooks Memorial Union, Marquette University, Seventy\u2013Fifth Anniversary Exhibition, Festival of the American Arts, Apr. 22\u2013May 3, cat. 12, as The Bath. \n\nDetroit Institute of Arts, Painting in America, The Story of 450 Years, Apr. 23\u2013June 9, 1957, cat. 122, as The Bath.\n\nArt Institute of Chicago, <a href=\"https:\/\/www.artic.edu\/exhibitions\/4071\/two-centuries-of-american-art-1750-1950\"><em>Two Centuries of American Art, 1750-1950<\/em><\/a>, Oct. 1, 1959\u2013Jan. 10, 1960, no cat. [downloadable checklist available].\n\nNew York City, M. Knoedler and Company, The Paintings of Mary Cassatt, Feb. 1\u201326, 1966, cat. 21, as The Bath.\n\nNew York City, Whitney Museum of American Art, Art of the United States: 1670\u20131966, Sept. 28\u2013Nov. 27, 1966, cat. 39, as The Bath.\n\nOmaha, Joslyn Art Museum, Mary Cassatt Among the Impressionists, Apr. 10\u2013June 1, 1978, cat. 4, as The Bath (La Toilette).\n\nNew York City, Metropolitan Museum of Art, Nineteenth\u2013Century America: Paintings and Sculpture, Apr. 16\u2013Sept. 7, 1970, cat. 169, as La Toilette.\n\nWashington, DC, National Gallery of Art, Mary Cassatt, 1844\u20131926, Sept. 27\u2013Nov. 8, 1970, cat. 49, as The Bath.\n\nNewport Beach, Newport Harbor Art Museum, Mary Cassatt 1844\u20131926, Dec. 12, 1973\u2013Jan. 20, 1974, cat. 7, ill., as The Bath.\n\nMuseum of Fine Arts, Boston, Mary Cassatt at Home, Aug. 5\u2013Sept. 24, 1978, cat. 19, as The Bath.\n\nMuseum of Fine Arts, Boston, A New World, Masterpieces of American Painting, 1790\u20131910, Sept. 7\u2013Nov. 13, 1983, cat. 94; Washington, DC, Corcoran Art Gallery, Dec. 7, 1983\u2013Feb. 12, 1984, Paris, Grand Palais, Mar. 16, 1984\u2013June 11, 1984.\n\nNew York, Metropolitan Museum of Art, <em>American Impressionism and Realism: The Painting of Modern Life, 1885\u20131915<\/em>, May 10\u2013July 24, 1994, cat. 13, as <em>The Bath<\/em>; Fort Worth, Amon Carter Museum, Aug. 21\u2013Oct. 30, 1994; Denver Art Museum, Dec. 3, 1994\u2013Feb. 5, 1995; Los Angeles County Museum of Art, Mar. 12\u2013May 14, 1995 (New York only).\n\nOmaha, Joslyn Art Museum, On View to the World: Paintings at the Trans\u2013Mississippi Exposition, May 30\u2013Sept. 6, 1998.\n\nArt Institute of Chicago, Mary Cassatt: Modern Woman, Oct. 13, 1998\u2013Jan. 10, 1999, cat. 72; Museum of Fine Arts, Boston, Feb. 14\u2013May 9, 1999, National Gallery, Washington DC, June 6\u2013Sept. 6, 1999.\n\nMetropolitan Museum of Art, American Stories: Paintings of Everyday Life, 1765\u20131915, Oct. 12, 2009\u2013Jan. 24, 2010; Los Angeles County Museum of Art, Feb. 28\u2013May 23, 2010.\n\nParis, Musee d'Orsay, Paul Durand\u2013Ruel: Defender of the Impressionists, Oct. 15, 2014\u2013Feb. 8, 2015; London, National Gallery, Mar. 4\u2013May 31, 2015; Philadelphia Museum of Art, June 18\u2013Sept. 13, 2015, cat. 4.","provenance_text":"The artist; sold to Durand-Ruel, Paris, November 24, 1893 [Paris 2015]; sold to Harris Whittemore, CT, January 17, 1894 [Paris 2015]; sold by him back to Durand-Ruel, New York, February 4, 1899 [Paris 2015]; sold to the Art Institute of Chicago, 1910.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":21,"fiscal_year":null,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":true,"has_educational_resources":true,"has_advanced_imaging":false,"colorfulness":0,"color":{"h":353,"l":42,"s":35,"percentage":2.7557088872805757e-6,"population":3},"latitude":41.8792778918397,"longitude":-87.6219430390091,"latlon":"41.87927789184,-87.621943039009","is_on_view":true,"on_loan_display":null,"gallery_title":"Gallery 273","gallery_id":21434,"nomisma_id":null,"artwork_type_title":"Painting","artwork_type_id":1,"department_title":"Arts of the Americas","department_id":"PC-3","artist_id":33890,"artist_title":"Mary Cassatt","alt_artist_ids":[],"artist_ids":[33890],"artist_titles":["Mary Cassatt"],"category_ids":["PC-109","PC-831","PC-825","PC-3","PC-839"],"category_titles":["Art Institute Icons","Essentials","Women artists","Arts of the Americas","Save Ferris"],"term_titles":["painting","oil paint (paint)","Impressionism","people","oil painting","organic material","american arts","domestic scenes","emotions","portraits","water","women","children","everyday life (genre)","painting (image making)","fashion","Modernism"],"style_id":"TM-7543","style_title":"Impressionism","alt_style_ids":["TM-5981"],"style_ids":["TM-7543","TM-5981"],"style_titles":["Impressionism","Modernism"],"classification_id":"TM-9","classification_title":"painting","alt_classification_ids":["TM-2191"],"classification_ids":["TM-9","TM-2191"],"classification_titles":["painting","american arts"],"subject_id":"TM-8810","alt_subject_ids":["TM-10120","TM-10122","TM-8658","TM-8681","TM-8735","TM-10118","TM-10096","TM-8663"],"subject_ids":["TM-8810","TM-10120","TM-10122","TM-8658","TM-8681","TM-8735","TM-10118","TM-10096","TM-8663"],"subject_titles":["people","domestic scenes","emotions","portraits","water","women","children","everyday life (genre)","fashion"],"material_id":"TM-2451","alt_material_ids":["TM-2601"],"material_ids":["TM-2451","TM-2601"],"material_titles":["oil paint (paint)","organic material"],"technique_id":"TM-4273","alt_technique_ids":["TM-3891"],"technique_ids":["TM-4273","TM-3891"],"technique_titles":["oil painting","painting (image making)"],"theme_titles":["Art Institute Icons","Essentials","Women artists","Save Ferris"],"image_id":"3b885ae0-4d46-5fe4-d70a-00474827f02c","alt_image_ids":[],"document_ids":["f85bee6b-d18b-5577-a9e6-f429421b4654","250077c6-5410-0eca-c0fe-be8524b65ca9","cb4b2557-071d-cb64-7195-2adc92592584"],"sound_ids":["250077c6-5410-0eca-c0fe-be8524b65ca9"],"video_ids":[],"text_ids":["f85bee6b-d18b-5577-a9e6-f429421b4654","cb4b2557-071d-cb64-7195-2adc92592584"],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_boosted":"The Child's Bath","suggest_autocomplete_all":[{"input":["1910.2"],"contexts":{"groupings":["accession"]}},{"input":["The Child's Bath"],"weight":138650,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-06-09T14:26:01-05:00","updated_at":"2026-06-10T23:26:59-05:00","timestamp":"2026-06-15T05:17:01-05:00"},"info":{"license_text":"The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. All other data in this response is licensed under a Creative Commons Zero (CC0) 1.0 designation and the Terms and Conditions of artic.edu.","license_links":["https:\/\/creativecommons.org\/publicdomain\/zero\/1.0\/","https:\/\/www.artic.edu\/terms"],"version":"1.14"},"config":{"iiif_url":"https:\/\/www.artic.edu\/iiif\/2","website_url":"http:\/\/www.artic.edu"}}