{"pagination":{"total":132130,"limit":12,"offset":0,"total_pages":11011,"current_page":1,"next_url":"https:\/\/api.artic.edu\/api\/v1\/artworks?page=2"},"data":[{"id":277,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/277","is_boosted":false,"title":"Kantharos (Wine Cup)","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBAAFAPQAAFdRSlpSS2JTSGtaS2dsbWtvb2xwdG91eHBzcHJ2dXV4d3p9eXR9gXZ9gnuDiX+IioqPkoyVmJedn5efogAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACH5BAAAAAAALAAAAAAEAAUAAAURoNE4BwEEBSMMT5QoE4QsUggAOw==","width":2454,"height":2860,"alt_text":"A work made of terracotta, red-figure."},"main_reference_number":"1889.115","has_not_been_viewed_much":false,"boost_rank":null,"date_start":-300,"date_end":-300,"date_display":"about 300 BCE","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Attributed to the Kantharos Group\nGreek; Apulia, Italy","place_of_origin":"Greece","description":"<p>On either side of this drinking cup is a head in sakkos (hat), facing to the left, and under each handle a palmette.  The rim is decorated with ovolos.<\/p>\n","short_description":null,"dimensions":"16.8 \u00d7 14.6 \u00d7 9.8 cm (6 5\/8 \u00d7 5 3\/4 \u00d7 3 7\/8 in.)","dimensions_detail":[{"depth":9,"width":14,"height":16,"diameter":null,"clarification":null}],"medium_display":"terracotta, red-figure","inscriptions":null,"credit_line":"Museum Purchase Fund","catalogue_display":null,"publication_history":"Art Institute of Chicago. Preliminary Catalogue of Metal Work, Graeco-Italian Vases, and Antiquities, December 9, 1889 (Chicago: Early and Halla Printing Company, 1889), p. 44, no. 352.\n\nArthur Dale Trendall and Alexander Camitoglou, The Red-figured Vases of Apulia (Oxford: Clarendon Press, 1978), pp. 29, 913, pl. 390, 12.","exhibition_history":null,"provenance_text":"Pio Marinangeli, Rome; sold to the Art Institute of Chicago, 1889.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":941,"fiscal_year":null,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":14.8768,"color":{"h":199,"l":50,"s":6,"percentage":0.32410192480062233,"population":2683},"latitude":null,"longitude":null,"latlon":null,"is_on_view":false,"on_loan_display":null,"gallery_title":null,"gallery_id":null,"nomisma_id":null,"artwork_type_title":"Vessel","artwork_type_id":23,"department_title":"Arts of Greece, Rome, and Byzantium","department_id":"PC-4","artist_id":115222,"artist_title":"Kantharos Group","alt_artist_ids":[],"artist_ids":[115222],"artist_titles":["Kantharos Group"],"category_ids":["PC-4"],"category_titles":["Arts of Greece, Rome, and Byzantium"],"term_titles":["drinking vessel","terracotta","red-figure","head","ceramics","vessel","ancient art"],"style_id":"TM-4664","style_title":"red-figure","alt_style_ids":[],"style_ids":["TM-4664"],"style_titles":["red-figure"],"classification_id":"TM-11734","classification_title":"drinking vessel","alt_classification_ids":["TM-46","TM-27","TM-1392"],"classification_ids":["TM-11734","TM-46","TM-27","TM-1392"],"classification_titles":["drinking vessel","ceramics","vessel","ancient art"],"subject_id":"TM-14368","alt_subject_ids":[],"subject_ids":["TM-14368"],"subject_titles":["head"],"material_id":"TM-2433","alt_material_ids":[],"material_ids":["TM-2433"],"material_titles":["terracotta"],"technique_id":null,"alt_technique_ids":[],"technique_ids":[],"technique_titles":[],"theme_titles":[],"image_id":"63879ffb-c96a-7386-659f-ecff2e105efd","alt_image_ids":["e420a517-fa0a-205d-d304-ad313efe636c"],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["1889.115"],"contexts":{"groupings":["accession"]}},{"input":["Kantharos (Wine Cup)"],"weight":17560,"contexts":{"groupings":["title"]}}],"source_updated_at":"2025-11-18T14:28:17-06:00","updated_at":"2026-06-09T15:36:29-05:00","timestamp":"2026-06-09T15:36:51-05:00"},{"id":255,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/255","is_boosted":false,"title":"Fish Plate","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBAAFAPQAAGFBLGFGNGpRP3NQNHFROYFZPIRnUJuAbJKLhbKnnqikob67uMLAv8zBuNbQzM3O0NLU1dzX0+Lk5uPl5gAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACH5BAAAAAAALAAAAAAEAAUAAAURoBQ5U1MMyQEEhiIQCMQsTwgAOw==","width":7021,"height":8995,"alt_text":"A work made of terracotta, red-figure."},"main_reference_number":"1889.98","has_not_been_viewed_much":false,"boost_rank":null,"date_start":-400,"date_end":-370,"date_display":"400-370 BCE","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Greek; Athens","place_of_origin":"Athens","description":"<p>This footed plate was made to serve succulent morsels of grilled seafood, like the fish, mollusks, and other marine creatures that are painted on its surface. Greece and Italy are peninsulas projecting into seas brimming with marine life. A primary source of protein, seafood was a basic staple of the ancient Mediterranean diet; it remains so today.<\/p>\n<p>Keen observers of their subjects, ancient vase painters so accurately captured the shapes and markings of the fish they depicted that it is possible to identify most of them by species. This example is decorated with two pairs of large fish. A scallop attached to an outer band of a decorative pattern in the center separates a gilt head, on the left, from a fish known as king of the mullets, on the right. Opposite them is a lettered perch confronting a scorpion fish. Details of their anatomy were drawn with dilute glaze. Around them are shells, a small fish, and other creatures. A running wave pattern around the central concavity, with a gently sloped floor for collecting juices or serving sauces, recalls the sea, the source of the bounty.<\/p>\n","short_description":"This skillfully decorated Athenian plate was made to serve the sea life it depicts. A scallop sits between a gilt-head bream and a red mullet. Opposite them, a lettered perch confronts a spiny scorpion fish. Shells, a small fish, and a mollusk or crustacean ring the outside. The central cavity, decorated with wave patterns, would have collected the delicious juices from the cooked fish.","dimensions":"5.1 \u00d7 34 \u00d7 34 cm (2 \u00d7 13 3\/8 \u00d7 13 3\/8 in.)","dimensions_detail":[{"depth":34,"width":34,"height":5,"diameter":null,"clarification":null}],"medium_display":"terracotta, red-figure","inscriptions":null,"credit_line":"Gift of Philip D. Armour and Charles L. Hutchinson","catalogue_display":null,"publication_history":"Art Institute of Chicago, Preliminary Catalogue of Metal Work, Graeco-Italian Vases, and Antiquities, December 9, 1889 (Chicago: Early and Halla Printing Company, 1889), p. 44, no. 354.\n\nE.F. Bloedow and C. Bj\u00f6rk, \u201cAn Apulian Red-Figure Fish-Plate\u201d, in P. Brind'Amour and P. Senay (eds.), M\u00e9langes offerts en hommage \u00e0 \u00c9tienne Gareau (Ottowa 1982), p. 124, fig. 22.\n\nIan McPhee and Arthur Dale Trendall, Greek Red-Figured Fish-Plates, Beiheft zur Halbjahresschrift Antike Kunst, 14 (Vereinigung d. Freunde Antiker Kunst, 1987), p. 49, no. 140, pl. 10d-e and color plate A, fig. 1.\n\nN. Kunisch, Griechische Fischteller: Natur und Bild (Berlin: Mann, 1989), pp. 77, 79-81, 88, 90-91, fig. 15.\n\nMartin Robertson, The Art of Vase-painting in Classical Athens (Cambridge: Cambridge University Press, 1992), p. 275, fig. 275.\n\nKaren B. Alexander, \"From Plaster to Stone: Ancient Art at the Art Institute of Chicago,\" in Karen Manchester, Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago (Chicago: Art Institute of Chicago; New Haven: Yale University Press, 2012), p. 18.","exhibition_history":"The Art Institute of Chicago, Ancient Art Galleries, Gallery 155, April 20, 1994 - February 6, 2012.\n\nThe Art Institute of Chicago, Of Gods and Glamour: The Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art, Gallery 151, November 11, 2012 - present (excluding February 2014 -March 2015).\n\nOmaha, NE, Joslyn Art Museum, Poseidon and the Sea: Myth, Cult, and Daily Life, February 6 - May 11, 2014 ; traveled to Florida, Tampa Museum of Art, June 14 - November 30, 2014, and Hanover, NH, Hood Museum of Art, January 17, 2015 - March 15, 2015.","provenance_text":"Pio Marinangeli, Rome; sold to the Art Institute of Chicago, 1889; price reimbursed by Charles Hutchinson and Philip D. Armour, 1889.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":941,"fiscal_year":null,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":41.4323,"color":{"h":359,"l":35,"s":1,"percentage":0.020008861067043977,"population":182},"latitude":null,"longitude":null,"latlon":null,"is_on_view":true,"on_loan_display":null,"gallery_title":"Gallery 151","gallery_id":26773,"nomisma_id":null,"artwork_type_title":"Decorative Arts","artwork_type_id":8,"department_title":"Arts of Greece, Rome, and Byzantium","department_id":"PC-4","artist_id":2601,"artist_title":"Ancient Greek","alt_artist_ids":[],"artist_ids":[2601],"artist_titles":["Ancient Greek"],"category_ids":["PC-4"],"category_titles":["Arts of Greece, Rome, and Byzantium"],"term_titles":["plate (general, dish)","terracotta","greek","earthenware","animals","dish (vessel)","ceramic","inorganic material","attic","red-figure","ceramics","vessel","ancient art","ancient","decorative arts"],"style_id":"TM-4408","style_title":"greek","alt_style_ids":["TM-4637","TM-4664","TM-8542"],"style_ids":["TM-4408","TM-4637","TM-4664","TM-8542"],"style_titles":["greek","attic","red-figure","ancient"],"classification_id":"TM-11765","classification_title":"plate (general, dish)","alt_classification_ids":["TM-74","TM-11783","TM-46","TM-27","TM-1392","TM-1678"],"classification_ids":["TM-11765","TM-74","TM-11783","TM-46","TM-27","TM-1392","TM-1678"],"classification_titles":["plate (general, dish)","earthenware","dish (vessel)","ceramics","vessel","ancient art","decorative arts"],"subject_id":null,"alt_subject_ids":["TM-12218"],"subject_ids":["TM-12218"],"subject_titles":["animals"],"material_id":"TM-2433","alt_material_ids":["TM-2432","TM-2600"],"material_ids":["TM-2433","TM-2432","TM-2600"],"material_titles":["terracotta","ceramic","inorganic material"],"technique_id":null,"alt_technique_ids":[],"technique_ids":[],"technique_titles":[],"theme_titles":[],"image_id":"41e76dfc-8322-cc90-121b-0cab281051d4","alt_image_ids":["0ea27f42-70e1-f892-b503-88cca530c55b","e420a517-fa0a-205d-d304-ad313efe636c"],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["1889.98"],"contexts":{"groupings":["accession"]}},{"input":["Fish Plate"],"weight":7560,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-04-13T18:18:53-05:00","updated_at":"2026-06-09T15:36:29-05:00","timestamp":"2026-06-09T15:36:51-05:00"},{"id":183,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/183","is_boosted":false,"title":"Kantharos (Wine Cup)","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBQAFAPQAACAhIiMkJigoJyYnKC0sKzIyMzQzMTk3Njg3Nzw7OUA+PENAPURCQllTS1dXV1lZWV5eXmNaUXBnX2dmZYp\/c4iCfJ2Sht7KseTRuwAAAAAAAAAAAAAAAAAAAAAAAAAAACH5BAAAAAAALAAAAAAFAAUAAAUVoKEwB7FYGJUA0tUEhRANyDNVkBMCADs=","width":2251,"height":2250,"alt_text":"Cream-colored cup with a small round foot and a thin stem. Two thin arms flare up and out from mid-cup in a \"V\" shape and bend inward without reconnecting to the cup. The cup's opening tapers in before flaring out again at the lip. Greek letters are inscribed on the cup between the arms and lip."},"main_reference_number":"1889.26","has_not_been_viewed_much":false,"boost_rank":null,"date_start":-310,"date_end":-280,"date_display":"310-280 BCE","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Greek; Apulia, Italy \nprobably made in Canosa, said to have been found in Tarento, Italy","place_of_origin":"Apulia","description":"<p>This style of cup, with its tall, thin stem and symmetrical handles, is called a kantharos. The form was extremely popular for drinking wine in ancient Greece. An inscription near the lip reads [i]Aphrodites[\/i], dedicating the vessel \u201cto Aphrodite.\u201d This represents a fitting tribute to the goddess of pleasure and beauty, who was also romantically linked to the wine god, Dionysos.<\/p>\n","short_description":"This is an example of one of the most popular types of wine cup in ancient Greece, the kantharos. Rising from a round foot and a thin stem, the cup flares out to a wide bowl with two handles on opposite sides. While most examples are glazed, this elegant exception bears evidence it was once gilded. Before firing it was also inscribed with the word \"Aphrodites\" near the lip of the cup.","dimensions":"20.6 \u00d7 19.6 \u00d7 13 cm (8 1\/8 \u00d7 7 3\/4 \u00d7 5 1\/8 in.)","dimensions_detail":[{"depth":13,"width":19,"height":20,"diameter":null,"clarification":null}],"medium_display":"Terracotta with traces of gilding","inscriptions":"\"Of Aphrodite.\"","credit_line":"Gift of Philip D. Armour and Charles L. Hutchinson","catalogue_display":null,"publication_history":"William M.R. French, Notes [on a] journey to Europe with Mr. and Mrs. C.L. Hutchinson starting from New York Sat'y Mch. 9, 1889- , (unpublished manuscript, Art Institute of Chicago Archives), p. 27.\n\nArt Institute of Chicago, Preliminary Catalogue of Metal Work, Graeco-Italian Vases, and Antiquities, December 9, 1889 (Chicago: Early and Halla Printing Company, 1889), p. 39, no. 325.\n\nKaren B. Alexander, \"From Plaster to Stone: Ancient Art at the Art Institute of Chicago,\" in Karen Manchester, Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago (Chicago: Art Institute of Chicago; New Haven: Yale University Press, 2012), p. 18.\n\nJasper Gaunt, \"Nestor's Cup and Its Reception,\" in Voice and Voices in Antiquity: Orality and Literacy in the Ancient World, vol. 11, edited by Niall W. Slater (Leiden: Brill, 2017), p. 106, footnote 52.","exhibition_history":"The Art Institute of Chicago, The Classical Collection: Early Accessions, Gallery 101A, October 8, 1986-February 27, 1987.","provenance_text":"Said to be found in Taranto, 1878 [Old Register at the Art Institute of Chicago]. Augusto Mele, Naples, Italy; sold to the Art Institute of Chicago through J.C. Fletcher as agent, 1889; price reimbursed by Charles Hutchinson and Philip D. Armour, 1889.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":941,"fiscal_year":null,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":17.8434,"color":{"h":203,"l":17,"s":0,"percentage":0.6734688995551953,"population":4786},"latitude":null,"longitude":null,"latlon":null,"is_on_view":true,"on_loan_display":null,"gallery_title":"Gallery 151","gallery_id":26773,"nomisma_id":null,"artwork_type_title":"Vessel","artwork_type_id":23,"department_title":"Arts of Greece, Rome, and Byzantium","department_id":"PC-4","artist_id":2601,"artist_title":"Ancient Greek","alt_artist_ids":[],"artist_ids":[2601],"artist_titles":["Ancient Greek"],"category_ids":["PC-4"],"category_titles":["Arts of Greece, Rome, and Byzantium"],"term_titles":["terracotta","drinking vessel","hellenistic","stoneware","ceramics","vessel","ancient art","writing","ancient"],"style_id":"TM-4423","style_title":"hellenistic","alt_style_ids":["TM-8542"],"style_ids":["TM-4423","TM-8542"],"style_titles":["hellenistic","ancient"],"classification_id":"TM-11734","classification_title":"drinking vessel","alt_classification_ids":["TM-279","TM-46","TM-27","TM-1392"],"classification_ids":["TM-11734","TM-279","TM-46","TM-27","TM-1392"],"classification_titles":["drinking vessel","stoneware","ceramics","vessel","ancient art"],"subject_id":null,"alt_subject_ids":["TM-8632"],"subject_ids":["TM-8632"],"subject_titles":["writing"],"material_id":"TM-2433","alt_material_ids":[],"material_ids":["TM-2433"],"material_titles":["terracotta"],"technique_id":null,"alt_technique_ids":[],"technique_ids":[],"technique_titles":[],"theme_titles":[],"image_id":"bde56de2-6202-62ab-dd2b-1018148ba349","alt_image_ids":["e420a517-fa0a-205d-d304-ad313efe636c","e7f4224c-5e42-d9d2-3e9d-1500550d552a"],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["1889.26"],"contexts":{"groupings":["accession"]}},{"input":["Kantharos (Wine Cup)"],"weight":35240,"contexts":{"groupings":["title"]}}],"source_updated_at":"2025-11-19T13:57:43-06:00","updated_at":"2026-06-09T15:36:29-05:00","timestamp":"2026-06-09T15:36:51-05:00"},{"id":164,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/164","is_boosted":false,"title":"Column-Krater (Mixing Bowl)","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBAAFAPQAAFg2Fl85FW9FHXpLHnVlVn5uXayqpq6tqcbBu8nCu8vIxczKyNPRz9XV1NbW1NjW1PHx8vLy9PP09PT19QAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACH5BAAAAAAALAAAAAAEAAUAAAUR4LMojBEARzIICEQUkeQ0UwgAOw==","width":1831,"height":2250,"alt_text":"A work made of terracotta, red-figure."},"main_reference_number":"1889.16","has_not_been_viewed_much":false,"boost_rank":null,"date_start":-460,"date_end":-460,"date_display":"about 460 BCE","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Attributed to a Member of the Earlier Mannerist Group\nGreek; Athens","place_of_origin":"Athens","description":"<p>The Greeks diluted their wine by blending it with water. The master of ceremonies at the symposium, or drinking party for men, determined the ratio of wine to water, both of which were poured into a large mixing bowl, like this one. This particular shape is called a column krater after its columnar handles. It is decorated with a mythological scene. Salmoneus, king of Elis, pretended to be Zeus by imitating the sound of thunder and the appearance of lightning. Angered at his impudence, here Zeus strikes Salmoneus dead with a real lightning bolt.<\/p>\n","short_description":"The Greeks diluted their wine with water, and it was the master of ceremonies at the symposium, or drinking party, who determined the ratio of wine to water. Both were poured into a large mixing bowl like this one decorated with a mythological scene. Salmoneus, king of Elis, pretended to be Zeus by imitating the sound of thunder and the appearance of lightning. Angered by this, Zeus here strikes Salmoneus dead with a lightning bolt.","dimensions":"46.5 \u00d7 45.6 \u00d7 38 cm (18 1\/4 \u00d7 18 \u00d7 15 in.)","dimensions_detail":[{"depth":38,"width":45,"height":46,"diameter":null,"clarification":null}],"medium_display":"terracotta, red-figure","inscriptions":null,"credit_line":"Gift of Philip D. Armour and Charles L. Hutchinson","catalogue_display":null,"publication_history":"William M.R. French, Notes [on a] journey to Europe with Mr. and Mrs. C.L. Hutchinson starting from New York Sat'y Mch. 9, 1889- , (unpublished manuscript, Art Institute of Chicago Archives), p. 23.\n\nArt Institute of Chicago, Preliminary Catalogue of Metal Work, Graeco-Italian Vases, and Antiquities, December 9, 1889 (Chicago: Early and Halla Printing Company, 1889), pp. 36-7, no. 301. \n\nErnest Gardner, \"Vase in Chicago Representing the Madness of Athamas,\" American Journal of Archaeology, 2nd series, vol. III (1899), pp. 331-344, Plate 4.\n\nC. Robert, \u201cZur Oidipussage\u201d, Apophoreton. Versammlung deutscher Philologen und Sch\u00fclm\u00e4nner 47 (1903), pp. 105-6.\n\nJ.D. Beazley, Attic Red-Figure Vase Painters (Oxford: Clarendon Press, 1963), p. 585, no. 29.\n\nn.a. \"Salmoneo,\" Enciclopedia dell'arte antica classica VI (1965), pp. 1076, fig. 1185.\n\nM. Robertson, \u201cMonocrepis,\u201d Greek, Roman, and Byzantine Studies (GRBS) vol. 13 (1972), p. 44.\n\nMartin Robertson, A History of Greek Art (London; New York: Cambridge University Press, 1976), pp. 246 and 659 n. 154, pl. 85b.\n\nK. Schefold, Die G\u00f6ttersage in der klassischen und hellenistischen Kunst (Munich 1981), p. 158 fig. 211.\n\nK.W. Arafat, Classical Zeus: A Study in Art and Literature (Oxford: Clarendon Press, 1990), pp. 200, 205, plate 38 (ill.).\n\nMartin Robertson, The Art of Vase-Painting in Classical Athens (London; New York: Cambridge University Press, 1992), pp. 149, 150 (ill.).\n\nHans Christoph Ackermann, Lexicon iconographicum mythologiae classicae (LIMC) vol. 7 (Artemis-Verlag, 1994), sv Salmoneus, pp. 654-5 no. 6 (E. Simon).\n\nR. Krumeich, N. Pechstein and B. Seidensticker (eds.), Das griechishe Satyrspiel (Darmstadt 1999), pp. 385-6.\n\nKaren B. Alexander, \"From Plaster to Stone: Ancient Art at the Art Institute of Chicago,\" in Karen Manchester, Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago (Chicago: Art Institute of Chicago; New Haven: Yale University Press, 2012), p. 18.","exhibition_history":"The Art Institute of Chicago, Greek Vase Painting in Midwestern Collections, Number 98, December 22, 1980-February 24, 1980.\n\nThe Art Institute of Chicago, Myth and Legend in Classical Art, Gallery 101A, March 1, 1987-August 31, 1987.\n\nThe Art Institute of Chicago, The Human Figure in Greek and Roman Art: From the Permanent Collection, Part 2, Gallery 120A, January 13, 1989-September 24, 1989. \n\nThe Art Institute of Chicago, The First Year of the Classical Collection, Gallery 101A, October 3, 1989-January 2, 1991. \n\nThe Art Institute of Chicago, Ancient Art Galleries, Gallery 155, April 20, 1994-February 6, 2012.\n\nThe Art Institute of Chicago, Of Gods and Glamour: The Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art, Gallery 151, November 11, 2012-present.","provenance_text":"Said to be found in Nola [Old Register at the Art Institute of Chicago].  Augusto Mele, Naples, Italy, by 1889; sold to the Art Institute of Chicago through J.C. Fletcher as agent, 1889; price reimbursed by Charles Hutchinson and Philip D. 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